The Goddess

This film stars the beautiful and tragic actress Ruan Ling Yu as a prostitute in Shanghai, whose life is devoted to having her son excel in life. She is a prostitute so she can make money for him. Along the way, a man rescues her from the police and becomes her pimp, not exactly of her own choosing. The story is her struggle. In a lesser actress this could have been too sentimental and unrealistic. Ruan Ling Yu is amazing in this role. Keeping in mind this is a silent film, her expressions and mannerisms have to be on target and they always are. The concept of a prostitute with a heart of gold has been fairly overdone, but Ruan Ling Yu is so great, it makes the film great. A tragedy that she took her life at 24, it is a loss to anyone who watches films. Just a terrific film.

The Goddess (Lingyu Ruan) works the Shanghai street as a prostitute to raise her beloved son. She falls under the control of The Boss. She tries to escape the life but she is pushed back in. He's an illiterate sadistic brute who even pretends to sell her son to put her in fear. Her son is ostracized by the other kids and she uses her hard earned money to pay for an education. The other parents find out and try to get him expelled. The elderly principal struggles to let him stay but he is unsuccessful. The boss steals the money she had hidden away.

This is a throughly modern movie. It's a silent movie from China. The lead actress is terrific. It is such a downtrodden portrayal. It's also amazing to see Shanghai during its 30s Golden Age. This is a treasure of a time gone by.

The Goddess was released in 1934, which is directed by Wu Yonggang. This movie is regarded as one of the best movie of China's film history. The actress, Ruan Ling-yu, became an icon of Chinese silent film for her performance in this film.

The Goddess portrayed the miserable life of a prostitute in Shanghai during the 1930s. The prostitute is shaped as one representativeness of the social marginalized group. She suffered physical as well as psychological abuse from her surrounding environment. The more she made efforts to escape from her poor life; the more cruel things happened to her. This film has not only social significance but also cultural implication; which exhibits how weak a humanitarian morality is while facing the social reality(Meyer, 2005).

The Goddess was regarded as one outstanding realism film of China's cinematic golden age (Meyer, 2005). During the period of between 1930s and 1940s, the thematic concerns of social conflict always focus on economic exploitation and political oppression in the realism film. As compared with the film with similar theme, the director of The Goddess did not place too much in revealing social exploitation and oppression. The director exhibited the social harsh through the relationship between the prostitute with other people, including her neighbours, the master of her son's school, the gangsters and other children's parents. The prostitute gained sympathy and helps from some kind people; but mostly she had to suffer the mistreatment from the evil people as well as the discrimination from the middle-class in her society. The implicit expression help director enhanced the social tragedy meaning for the disadvantaged group.

The role of prostitute was performed by Ruan Lingyu who successfully shaped a woman living a dual life. As a prostitute, she abandoned her self-respect as a woman while standing at the night street to make a deal with clients. In the other hand, she had never forgotten to take her responsibilities as a mother. For example, when she returned home with a tired face every morning, the first thing what she did was to see her son. However, his son was isolated by school peers and was required to drop out because his mother was prostitute. The prostitute became the obstacle to her son; and her basic rights as mother was deprived. The image of prostitute has double tragedy meanings. This is a silent movie. The actress, Ruan lingyu, used different body language to express duel personalities of that woman, for example, seeing through the legs of that gangster, her panic face and desperate eyes. The inner world of that character has been performed by implicit facial expression and dull body movement. Yun's body language is natural but restricted, which creates a sense of elegant and classical aesthetics.

The director has been influenced by symbolism and European pioneer films (Meyer, 2005). The approach to narration in this film does not follow the routines of traditional Chinese drama. The dramatic conflicts have not been enhanced by strong external actions and emotion tensions. The director more focuses on the character's psychological descriptions in the climax of the plot. For example, the prostitute was raped by that gangster; the prostitute killed that gangster; and the prostitute was in the court. There are a lot of lens that express psychological change of the characters through eyes and facial expression. In addition, aligning with Chinese aesthetic approach, this film enhance the visual effects by the means of light and the picture composition. This film also emphasizes the details design. For example, the environment landscape has been repeated through leans; and the feet of prostitutes while walking in the street to meet clients. The subtle and plain cinematographic technique create a flowing but deep style.

Chinese aesthetic artistic conception has gone through the film. This film is about a story of prostitute. The title of this film – The Goddess – is actually borrowed from Chinese classical literature works, which is a euphemistic saying of women who are keeping immoral sexual relationship with men. The occupation of the character in the film is a prostitute. The tile has conveyed a implicit meaning for audiences about the content of story. The character's psychological desperation and performance form have not any erotic meanings; it is very clean instead. This is in consisting with Chinese traditional euphemism expression and subtle art style. Because of realistic social meanings, implicit narrative approach, subtle cinematographic and the outstanding performance of actress, The Goddess is one of the most important movies in the history of Chinese cinema.

References

Meyer, R.J. (2005). Ruan Ling-Yu: The goddess of Shanghai. Hong Kong University Press.

The Goddess (Chinese: Shen nu) (1934) Wu Yonggang

The Goddess (1934)

*** 1/2 (out of 4)

Extremely good silent drama from China about a devoted and loving mother (Lingyu Ruan) who wants the best for her young child so by night she works as a prostitute. This leads her to take all sorts of abuse by the other women in her area but worse of all is the abuse she takes from a man (Zhizhi Zhang) who pretty much takes possession of her. THE GODDESS is without question a true gem and certainly one of the best Chinese pictures I've seen from this era. It's easy to see why this film was such a hit in China when it was originally released and especially when one learns that many women in that era were working as prostitutes to support themselves. Making a silent film in 1934 certainly wasn't the norm at the time but I honestly don't think this movie would have worked had there been sound. Director Yonggang Wu does a masterful job at making everything flow so well that the added words would have just taken away from its poetic beauty. The film flows from one bad situation to the next and after a while you begin to realize that whenever something nice happens for the young mother then sure enough something bad will follow. What really makes this film work so well is the amazing performance by Ruan who apparently felt many of the same emotions as this character. From what I've read, before this film she had several suicide attempts and she eventually did kill herself about a year after this picture was released. Her performance is simply one of the best from this era in any film because of the emotion and love she shows for her kid. Even better is when the pain of her situation and "job" begin to haunt her. Zhang, who plays the abusive jerk, is certainly a major snake that people will have no trouble in hating. The only negative thing is that the film never really bothers to tell us how the mother got into this situation and there's really no explanation as to why she doesn't try doing something else. Still, THE GODDESS is without question a real gem with one of the best performances that you're going to see.

Shen nu / The Goddess (1934) : Brief Review :

An early path-breaking Classic from Chinese Cinema. As a woman she is a Prostitute but as a Mother she is The Goddess. Wow! This is a fine example of extraordinary writing based on ordinary people where at one side you show her as a prostitute and on the other side you show The Goddess hidden in her in the form of A Mother. Street walker by night, devoted mother by day, a woman fights to get her young son an education amid criminal and social injustice in China. Actually, it wasn't just about China but almost all the prostitutes were caught in the same vortex all over the world. The society had a clear mindset of not accepting the prostitute which was fair but not accepting her child whom she wants to make a good man was completely unfair. I am glad to know that someone like Wu Yonggang broke the silence on it in early 30s and set the trend of path-breaking and thought-provoking cinema that too in an industry like China where the sensitivity of this subject was damn too high. The Goddess is not just a powerful writing but also a highly emotional drama which will leave you teary-eyed for sure assuming that you understand the love and sacrifice of a mother for her child. Apart from that, you get to see one of finest performance by any Chinese actress of that time performed by Ruan Lingyu. The cinematic sense of director Wu Yonggang was matchless. He crafted the vulgar character without showing any offensive content, rather he kept it very audience friendly for all ages, including underage audience. Overall, The Goddess is a Must Watch for everyone who has ever loved his mother and for cinema lovers it has a terrific and daring content which was nothing short of trendsetter. Indeed, One of the most important film from Golden age of Chinese Cinema.

RATING - 8/10*

By - #samthebestest