Füge eine Handlung in deiner Sprache hinzuThree Cockney youths skip work to meet a movie star at Heathrow. She joins them hunting British hats around 1960s London, stealing headwear while dodging cops and reporters.Three Cockney youths skip work to meet a movie star at Heathrow. She joins them hunting British hats around 1960s London, stealing headwear while dodging cops and reporters.Three Cockney youths skip work to meet a movie star at Heathrow. She joins them hunting British hats around 1960s London, stealing headwear while dodging cops and reporters.
David Albert Clark
- Sammy
- (as Dave Nelson)
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With a few very well known faces of British film and TV and many has- beens the only good thing about this movie is the 60's scenery around what was then a very run down and dirty London.
British films were in a huge slump and many of these terrible teen movies were made to try and attract the young people to the movie theatres.
If I had been one of them I would have asked for a refund.
The choreography is OK, the songs twee and forgettable, the editing is horrific.
The best parts of this are the great fashions and the welcome end titles.
British films were in a huge slump and many of these terrible teen movies were made to try and attract the young people to the movie theatres.
If I had been one of them I would have asked for a refund.
The choreography is OK, the songs twee and forgettable, the editing is horrific.
The best parts of this are the great fashions and the welcome end titles.
I saw this movie on TV about 25 years ago and it stuck in my mind as a great feel good movie and a wonderful representation of 60's London. I can remember some of the songs even now, although I doubt if any have ever been released. There's some brilliant street 'dance' scenes set to the songs and the whole thing moves along with great pace and energy. The main players; Joe Brown, Una Stubbs, Sid James & Sophie Hardy are all excellent and work together well. I notice that Eric Rodgers wrote the music, he of 'Carry On' Fame which explains the compelling soundtrack. I 've not seen this movie since, which I assume means it's not that popular and that's a shame.
Keep the songs and ditch the story and as with KINKY BOOTS, here is an outdated 60s musical that deserves having its dance routines and songs rescued and livened up into a new musical, swinging 60s style. There is room this century to look again at some quite terrific 60s tunes and imagery and see them reach a new audience. THREE HATS FOR LISA is a lame title for what is a full blown original screen musical. A funny idea, and very good songs and amazing orchestrations, this musical from 1965 would have been outdated by 1967 but the foundation and dance/music is all there as a solid big musical should be. Joe Brown and his character are irritating and basically immature and silly, but the girls: Sophie hardy and Una Stubbs are wonderful as is Dave Nelson, who is the 'Frankie Avalon' on the group. Sid James and his music hall patter is OK. It looks to want to be a Tommy Steele musical. I admire this film a lot and wish to see the songs reworked into a better stronger story line and re titles as a stage show called London. or ONE DAY IN London.
Energetic, musical-inspired comedy in which high-born Italian visitor (Hardy) takes a break from the stuffy savoy and is treated to a day out in London by a trio of friends, facilitated by initially reluctant cab-driver, the inimitable Sid James. Along the way the quintet decides to acquire three hats in daring pranks to give Hardy a memento of her mischievous day out.
Some location work interspersed with sets paints a nostalgic picture of mid-sixties London on which to reminisce, while the musical numbers and choreography isn't bad for a light comedy (even old cad James manages to kick up his heels, in time). Peter Bowles features in a minor supporting role as Hardy's English sponsor, a dour, stiff upper-lipped type serving to contrast Hardy's new found radicalism; the dark and sultry Una Stubbs plays one of trio.
It's very low key, good humoured without the sexual innuendo you might expect from James (considering he was in the thick of "Carry-On" when this was made), suitable for kids and a pleasant postcard of London and the English 'riviera' in the pop culture era.
Some location work interspersed with sets paints a nostalgic picture of mid-sixties London on which to reminisce, while the musical numbers and choreography isn't bad for a light comedy (even old cad James manages to kick up his heels, in time). Peter Bowles features in a minor supporting role as Hardy's English sponsor, a dour, stiff upper-lipped type serving to contrast Hardy's new found radicalism; the dark and sultry Una Stubbs plays one of trio.
It's very low key, good humoured without the sexual innuendo you might expect from James (considering he was in the thick of "Carry-On" when this was made), suitable for kids and a pleasant postcard of London and the English 'riviera' in the pop culture era.
A quickie retread of 'Roman Holiday' and 'The Umbrellas of Cherbourg' with musical numbers resembling those of a Cliff Richard vehicle (complete with the late Una Stubbs). Not exactly good, but rather charming it offers views of London as it looked in 1965 (complete with the Post Office Tower nearing completion) and the unique spectacle - if this is a recommendation - of Sid James singing and dancing.
WUSSTEST DU SCHON:
- WissenswertesThis film appears to be loosely based on an actual event which took place in London in 1956 when Russian athlete Nina Ponomaryova took 5 hats from a London store without paying for them.
- VerbindungenFeatured in Room 101: Folge #2.8 (1995)
- SoundtracksThis is a Special Day
Words & Music by Leslie Bricusse and Robin Beaumont
Performed by Joe Brown (uncredited)
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Details
- Laufzeit1 Stunde 39 Minuten
- Seitenverhältnis
- 1.66 : 1
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By what name was Three Hats for Lisa (1965) officially released in Canada in English?
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