Füge eine Handlung in deiner Sprache hinzuAn "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.An "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.An "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Anna Russell
- Rosina Rubylips - the Witch
- (Synchronisation)
Mildred Dunnock
- Mother
- (Synchronisation)
Frank Rogier
- Father
- (Synchronisation)
Delbert Anderson
- Sandman
- (Synchronisation)
Helen Boatwright
- Dew Fairy
- (Synchronisation)
- (as Helen Boatright)
Constance Brigham
- Hansel
- (Synchronisation)
- …
Empfohlene Bewertungen
This was the first full-length stop-motion feature made in the United States. In spite of other comments posted here Mybergh's "Hansel and Gretel" was filmed entirely in New York City.
The film was done sequentially and as funding for the production dried up and the release date drew nearer the animators were forced to speed things up. The animation becomes quite hurried and sloppy near the end and if you look closely you will notice that both the angels from the Dream Pantomime and the Revived Gingerbread Children are only multiple castings of both Hansel and Gretel redressed. There simply was no time to do original sculptures for these characters.
This was to be the first in a series of full-length stop motion features by Mybergh's production team, but despite it doing exceptional business in Germany it failed to ignite at the box office in the United States. According to members of the Mybergh Estate most of the original elements are still intact and we can only hope that someone will take it upon themselves to do a proper restoration of this amazing film to replace the shoddy, amateur DVD edition that is currently available. Anna Russell's vocal performance as Rosina Rubylips is one that is unlikely to ever be equaled and Evalds Dajevskis' set designs definitive.
The film was done sequentially and as funding for the production dried up and the release date drew nearer the animators were forced to speed things up. The animation becomes quite hurried and sloppy near the end and if you look closely you will notice that both the angels from the Dream Pantomime and the Revived Gingerbread Children are only multiple castings of both Hansel and Gretel redressed. There simply was no time to do original sculptures for these characters.
This was to be the first in a series of full-length stop motion features by Mybergh's production team, but despite it doing exceptional business in Germany it failed to ignite at the box office in the United States. According to members of the Mybergh Estate most of the original elements are still intact and we can only hope that someone will take it upon themselves to do a proper restoration of this amazing film to replace the shoddy, amateur DVD edition that is currently available. Anna Russell's vocal performance as Rosina Rubylips is one that is unlikely to ever be equaled and Evalds Dajevskis' set designs definitive.
We had the sound track when I was growing up. My brothers and sisters and I listened to it over and over. I'm well into my forties now, and I can still reel off songs and dialog. My older sister burned CDs of the sound track for us all a few years ago. A wonderful present! I hadn't heard it for decades, and missed it very much. The angel pantomime still gives me goosebumps, it's so very, very beautiful. The witch was played for laughs as much as for being scary. She is delightful. My friend's children always love it when I give them my imitation of her cackle.
I was priviledged to actually see the movie once in a theatre, a children's matinee. How I wouldn't love to have a copy of it. The music and vocalizations are timeless, beautiful, thrilling. I'm sure any child would love this classic as much as I and my siblings did!
I was priviledged to actually see the movie once in a theatre, a children's matinee. How I wouldn't love to have a copy of it. The music and vocalizations are timeless, beautiful, thrilling. I'm sure any child would love this classic as much as I and my siblings did!
Despite its European, "old world" look, Hansel and Gretel was made in New York City. Indeed the comments to the contrary are a tribute to the filmmakers' success in evoking a genuine fairy tale style. Nonetheless, the film was shot using conventional stop-motion puppets (notwithstanding the producer's claims to using some sort of mysterious "electronic" method) in the main room of an abandoned courthouse which is still standing at the corner of Second Avenue and Second Street in New York City. The large set was built in the main chamber on the second floor (now the largest of several theaters in what is currently (2005) the Anthology Film Archives).
Apparently electromagnets were used to hold the stop-motion puppets in place during some sequences, but normal procedures were used for the rest. This and some hype that lured in backers may account for the mistaken report that they are electronic puppets. They were solid, armature puppets and not clay (or "claymation") dolls.
The set survived the production and actually toured county fairs as a fairy tale exhibit for many years after the completion of the film.
Apparently electromagnets were used to hold the stop-motion puppets in place during some sequences, but normal procedures were used for the rest. This and some hype that lured in backers may account for the mistaken report that they are electronic puppets. They were solid, armature puppets and not clay (or "claymation") dolls.
The set survived the production and actually toured county fairs as a fairy tale exhibit for many years after the completion of the film.
This film has always been one of my top favorite childhood films. "Hansel and Gretel" was not always easily accessible to kids. Although it had sporadic television showings back in the days of black and white televisions, kids normally had to wait about every three years for it to be theatrically re-released to see it. I remember seeing it once on television back in the days before we had color television sets and then seeing it several years later on the big screen (in all of its Technicolor splendor) and it captivated me by being the definitive version of the famous tale. I liked it so much that when they re-released it some years later I went to see it again! After the mid-seventies it more or less disappeared and it seemed to have become a forgotten film (shown occasionally on early cable T.V.). However, in the early eighties I was surprised to see it on VHS through a company called Media Home Entertainment. Sadly, their print had a terrible mono soundtrack making the film inaudible and the scene where the the stars form in the heavens (after the Sandman floated away) looked like it was set in the daytime instead of at night-time. Later, in the eighties a no-frills video company released the same print with a marginally better soundtrack. When HBO showed it in the early nineties, they showed a restored quality print. One with perfect sound and with the stars in the heavens forming in the evening (keeping to the evening setting of Hansel and Gretel asleep under a tree in the forest). Not long afterward, that restored version was put on to VHS by Vestron and I was delighted. Too bad that Vestron didn't hold on to the rights long enough to put out a DVD edition of the film. It has since fallen into the hands of another company and they've evidently used a not exactly perfect VHS print of the film as the master source for their DVD presentation of "Hansel and Gretel". The evidence of VHS decay are sporadically obvious during the film. It's annoying that the company probably had the means to give us "the" perfectly restored version of the film on DVD, but instead decided to gyp us with a low-budget video to DVD transfer of it. I hope that another company will obtain the rights to this film and put a good copy of it on the market soon. "Hansel and Gretel" must have been a pretty big hit in its day (1954). There was a comic book and a record album of this film. I know that the two times that I saw it in the theaters it played to packed movie houses. Let's hope to see a restored DVD edition of it the near future!
When I was growing up, we had a battered old VHS copy of this film that someone had had the presence of mind to tape off of the television one day. Even though I was born over twenty years after this film was created, it still captured my imagination and I remember watching it many times over with my older sisters.
This film is a retelling of the classic story of Hansel and Gretel, with a few whimsical additions and a musical score. The stop-motion animation used to create this film, is both primitive and charming at the same time. Although nowadays much smoother looking animation can be created on the computer, the claymation creatures in this film do not suffer in comparison, any more than claymation classics like Rudolph the Red-Nosed Reindeer.
The wonderful thing about this little film is the atmosphere created by the animated visuals, and by the lovely soundtrack. It's enchanting and creepy at the same time, which was an irresistible combination when I was a child. The cheerful parts are fun and engaging, while the more sinister scenes with the witch are wonderfully unsettling. Although it's been years since I've seen this film, to this very day I still remember the songs word for word and can recite from the script.
I think any child fond of fairy tales, or fantasy stories would enjoy seeing this little film. If you happen to see it on the television, or find it for sale somewhere, don't pass it up!
This film is a retelling of the classic story of Hansel and Gretel, with a few whimsical additions and a musical score. The stop-motion animation used to create this film, is both primitive and charming at the same time. Although nowadays much smoother looking animation can be created on the computer, the claymation creatures in this film do not suffer in comparison, any more than claymation classics like Rudolph the Red-Nosed Reindeer.
The wonderful thing about this little film is the atmosphere created by the animated visuals, and by the lovely soundtrack. It's enchanting and creepy at the same time, which was an irresistible combination when I was a child. The cheerful parts are fun and engaging, while the more sinister scenes with the witch are wonderfully unsettling. Although it's been years since I've seen this film, to this very day I still remember the songs word for word and can recite from the script.
I think any child fond of fairy tales, or fantasy stories would enjoy seeing this little film. If you happen to see it on the television, or find it for sale somewhere, don't pass it up!
Wusstest du schon
- WissenswertesRe-released in 1972 as part of MGM's Children's Matinees package.
- VerbindungenFeatured in Animation Lookback: The Best of Stop Motion - The First Features (2014)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Hänsel und Gretel (Opera Fantasy) - nach Engelbert Humperdinck
- Drehorte
- New York City, New York, USA(Studio)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 12 Minuten
- Sound-Mix
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Hansel and Gretel (1954) officially released in Canada in English?
Antwort