Sturz der Adler

Looking back at the old programs from the 70's coming out on DVD, one realises that TV reached a peak at that time and has gone downhill ever since.

This miniseries harks back to the days when Britain only had two TV channels, the BBC and ITV. This meant that not only was there more money to spend on individual programmes, but half the viewing audience would watch them. Along with I Claudius, Fall of Eagles was the best of the best, and I doubt that it could be made today, with the myriad of channels spreading the available money thinly. I grew up with live drama on the BBC ever Sunday night - plays by Shakespeare, Shaw and more controversial writers. Contrast this with the inane reality offerings of today!

This series was the first time I had ever seen Patrick Stewart, who has remained Lenin for me ever since, just as Michael Caine will always be Alfie and Christopher Eccleston has remained the tragic slow witted Derek Bentley. The acting and production values are outstanding throughout, although the actors are noticeably stage actors, and some episodes, especially the final one are very "talky". The series holds up startlingly well compared with big budget films covering the same events, Nicholas and Alexandra and Reds, to name two.

My main complaint is that there is no captioning for the hearing impaired on the US release, which means that impaired people such as myself cannot follow allthe dialog despite the crisp theatrical delivery of the actors. This is a particular handicap in the more "talky" scenes - I was unable to follow any of the last episode where the Kaiser went into exile rather than being hanged as a war criminal. A detailed synopsis of each chapter would have helped, but captions are essential in an aging population. I really hope to see more of these great TV series of the past, but hope that they will add captions.

Back in 1974 my father encouraged me to stay up late and watch this mini series, which initially I hated. As I watched I became engrossed in this real life soap opera, that eventually caused more death through two world wars than any Hollywood fiction could. It is a superb recreation of the period 1880-1917, full of atmosphere and a great history lesson. Nowadays this would be considered a factional series as it is all based on fact but with extensive supposition, however it is all believable. The cast is extensive and full of well known actors in their early years. The subject is large and the BBC did well to make everything understandable using realistic sets, but no grandiose outdoor scenes that would been ineffective. For example, Archduke Ferdinand's assassination is referred to rather than portrayed, as the procession would have been too expensive to do realistically.

I long to rewatch this, so I hope a video or DVD will be reissued, if only for schools to use as a history lesson.

Many of the BBC's mini-series dealt with Britain's loss of Empire - "Jewel in the Crown" was just one. Here the subject is the end of monarchy and the collapse of major royal houses of Europe: Germany, Austria-Hungary and Russia.

The history is grand and sweeping, but the focus of these television dramas is not on spectacle, but on the personalities of the participants. On that basis it succeeds wildly. The cast is huge and the acting is splendid.

Patrick Stewart gives the performance of his career as Lenin, and the same goes for Barry Foster's Kaiser Wilhem. An astonishing array of acting talent strides through, often with only a few telling moments on screen: Michael Aldridge, Pamela Brown, Rosalie Crutchley, Marius Goring, Michael Gough, Charles Gray, Freddie Jones, Curt Jurgens and the list goes on.

Plus it's always fun to see major talents near the beginning of their career, such as Tom Conti and John Rhys-Davies. It's also surprising how little overlap there is with the cast of "I, Claudius" which followed only two years later. What a deep bench the BBC had in those days!

The scripts are uniformly intelligent, though the budget often requires major events to be described rather than shown. However the art department does a valiant job of differentiating among the splendid apartments of different countries, so you almost always know where you are before anyone starts speaking.

If you want to see thousands of extras tumbling across the giant screen, watch "Nicholas and Alexandra" or "Dr. Zhivago" instead. But if you want to meet fascinating people in an absorbing story of the decline and fall of the Hapsburgs, the Hohenzollerns, and the Romanov's, this is grand television.

For years my Dad has been searching for this series and now the wait is over. You can purchase the newly released DVD set at Amazon.UK. I could not find it on Amazon.com but it is available on the UK version. I have searched and searched the internet, libraries, and video stores and no luck. My Dad is friends with owners of video stores and they tried through their contacts but came up empty handed. For fun I decided to look again and found it has been released since Oct. 18th. I am not sure what the exchange rate is but it came to 34.99 in British pounds and that was with shipping. I can only guess somewhere in the area of $60. I did not think that was so bad considering the size of the series.

I recently watched the film "Nicholas and Alexandra" (Columbia, 1971), and wanted to continue refreshing my historical data, so I pulled out this series, which was broadcast on our local PBS station about 15 years ago. I taped most of it, as I found it fascinating, and fairly accurate according to most of the historical biographies I have read. The series is pretty bare bones as far as production values go, but the acting is very good. It can't compare to the lush photography or direction of "Nicholas and Alexandra" or the fictional "Dr. Zhivago," given their American studio budgets. Patricia Neal provides great introduction/narration. I would buy this series in a minute if it was available on DVD, and highly recommend it to anyone who loves late 19th/early 20th century European history.