Takin' Over the Asylum

I wrote this series a very long time ago. David Blair and I were just starting out on our careers and neither of us really believed it would ever be made. We used to meet in the Trevi, a small Italian restaurant near the old BBC Scotland building and David would give me "notes" on my drafts. When we got to the end of the last script he asked me what I wanted to do next. I said, "I don't know. Make this. Win an BAFTA. Make something else." Bizarre to think that it actually happened.

Anyway, I did want you all to know that Takin' Over the Asylum is coming out on DVD later this year. There were a lot of people who lobbied for this for a very long time. Someone even started an online petition, but I guess the Powers that Be remained unconvinced. However, it appears that the democracy/anarchy of the internet succeeded where everything else failed. The BBC finally responded to the fact that the entire series had been pirated and posted on You Tube and decided that maybe it would be an idea to release it on DVD after all. Will post when I know the release date once I know it! Thanks for keeping the faith with this series. It means a lot to me.

I came to this program from doing an IMDb search on David Tennant. Yes, I came to this from Doctor Who, and yes, I am an unrepentant DT fanboy. But...

I was totally blown away by the talent shown in this early work of Tennant's. Already we can see why he's become such a big hit on stage & TV. Most 22 year old actors just don't have his level of skill. Throughout, as Campbell Bain, he steals the show from it's intended star. At no point did I ever fail to believe him in the character. He embodied it, just as he's done with so many of his other roles.

The story is good, too. A radio station located in an asylum changes the lives of the inmates and the DJ as well. Mostly though, it changes Campbell. At the start he is an uncontrolled manic. As time goes on and he finds an outlet for his mania, he develops a personality, not just a diagnosis.

It's definitely worth hunting down, even if you're not totally mad for David Tennant like me. Just a really good quality Brit TV show.

This was a fantastic series. The casting, scripts, performances,humour and pathos were spot on. I work with people with mental health problems and it was refreshing to see life portrayed with far more realism than in many so-called realistic dramas. It showed the way that despair and hope co-exist and didn't shy away from what the general public may consider bizarre but at the same time dealt with all the main characters with empathy and, best of all, humour. This may seem strange to many but I recommend that all stand-up/ alternative comedians spend time on a psychiatric ward (if they can find one left!) before they profess to be experts in black humour. The big mystery to me is that this has never been repeated on British TV. We still see endless re-runs of David Jason and Ronnie Barker comedies which are wonderful but surely there is space for this little piece of genius?

This was probably one of the finest series to come out of the BBC in the mid 1990's and stands head and shoulders above anything else today. It took a gritty look at life inside an asylum, an institution now rarely seen in the UK. It aimed to show that those suffering from mental illness were just like you and me once but a trigger in their life had caused the illness to manifest itself. It took a few people and protaryed their lives in a caring way showing some making it through and others not.

Well done to the writers of this series for giving us a frank yet compassionate view of mental illness and its perception in society today.

Although this series was seen (and then soon after repeated) on Australian TV back in '94 or '95, it's brilliance still resonates. From the pen of Donna Franceschild, and directed by David Blair, it tells the story of a handful of 'loonies' - patients in a Glasgow mental facility. As in 'Girl, Interrupted', one is led to pondering the question: 'who are the real loonies?' Heavily laced with humour and poignancy, we - the 'normal' ones - are led into the lives of these people through the eyes of Eddie McKenna (Ken Stott), an alcoholic loser-type, whose desire is to be a radio disc-jockey, but who spends his days selling windows for the manager-from-hell. In my opinion, the salespeople at the windows company deserve to be behind locked doors far more than those in the institution. But I feel that this is the exact conclusion the writer wishes us to make. This series launched the extremely talented Ken Stott into regular TV appearances, such as 'Messiah' and 'The Vice'. It also features outstanding performances from David Tennant, Ruth McCabe, Angus McFadyen, and my favourite female actor, Katy Murphy. Ms Murphy seems to have a special knack for portraying wounded women. If you get a chance to see it, do.