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Derek and Clive Get the Horn

  • 1979
  • Unrated
  • 1 Std. 29 Min.
IMDb-BEWERTUNG
7,0/10
490
IHRE BEWERTUNG
Dudley Moore and Peter Cook in Derek and Clive Get the Horn (1979)
SatireSketch ComedyComedy

Füge eine Handlung in deiner Sprache hinzuDocumentary that chronicles the recording of Peter Cook and Dudley Moore's 1978 comedy album Derek and Clive Ad Nauseam, their third and final outing featuring their controversial alter egos... Alles lesenDocumentary that chronicles the recording of Peter Cook and Dudley Moore's 1978 comedy album Derek and Clive Ad Nauseam, their third and final outing featuring their controversial alter egos.Documentary that chronicles the recording of Peter Cook and Dudley Moore's 1978 comedy album Derek and Clive Ad Nauseam, their third and final outing featuring their controversial alter egos.

  • Regie
    • Russell Mulcahy
  • Drehbuch
    • Peter Cook
    • Dudley Moore
  • Hauptbesetzung
    • Dudley Moore
    • Peter Cook
    • Judy Huxtable
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    490
    IHRE BEWERTUNG
    • Regie
      • Russell Mulcahy
    • Drehbuch
      • Peter Cook
      • Dudley Moore
    • Hauptbesetzung
      • Dudley Moore
      • Peter Cook
      • Judy Huxtable
    • 13Benutzerrezensionen
    • 2Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos4

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung5

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    Dudley Moore
    Dudley Moore
    • Derek
    Peter Cook
    Peter Cook
    • Clive
    Judy Huxtable
    Judy Huxtable
    • Judy Cook
    Nicola Austin
    • Lady Who Came In And Took Her Clothes Off
    • (as Nicola Austine)
    Richard Branson
    Richard Branson
    • Man With A Beard
    • Regie
      • Russell Mulcahy
    • Drehbuch
      • Peter Cook
      • Dudley Moore
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen13

    7,0490
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    Empfohlene Bewertungen

    10Dock-Ock

    Faultless

    The brilliance of Peter Cook and Dudley Moore as a double act has never fully been apreciated. Most of the famous sketches are from Not only But Also, but the funniest ones come from the Derek and Clive tapes. Derek and Clive Get the Horn is the Jewel in the comical crown for both Cook and Moore as comedians. It is also something of a last hurrah. Although both men would appear together again over the years, this was the last original performance they gave together, and it rarely came, excuse the pun, funnier than this. Dud is at his giggling funniest best and Pete cracks Dud up with his waspish dry wit throughout. Overall not a movie to show grandma on Boxing day, or any other day come to that. Come to think of it its best you watch it on your own. With the curtains drawn, at Two 0 clock in the morning. And it was directed by Russel Mulcahey! Good GOD

    Favourite sketches : Mother, Horse Racing, Songs and Schoolboy. Just so you know i have seen it and iam not making it up!

    A classic
    matthewtomlins

    Extraordinary comic non-anachronism

    Derek and Clive is for those who love that feeling you have at 3am when there is only half an inch left from the Tesco's scotch, and 8 fags left from your 100 regal. Basically, this is Pete and Dud on booze and hash, the performers Peter Cook and Dudley Moore reach a career and cultural high point as political correctness and taboo are dismissed by characters you probably would not like to encounter in real life though you can imagine the kind of individuals they are mocking; the kind of individuals who are running and ruining the world today. The essence of the performance is to simply combine the liberating effects of alcohol (which is consumed before and throughout the recording, concealed in coffee mugs) with their own vocal talents, creating an imaginary 'radio play' type world full of filthy perverts and leering homosexuals. The improvised feel of the film accommodates the many anarchic digressions and cutaway scenes, though largely the comedy is generated in improvised skits where the two assume characters (Usually Cook as the intellectually and physically dominant, and Moore as an inferior.) Cook, although in top form seems to be continuing some sort of personal attack on Moore, although this may simply be a key to outlining the chemistry between the two, which eventually moves from the stool in front of the mikes and over to the piano and drum kit, where Moore the piano virtuoso improvises a mock opera.

    A little slow to begin with but working up to genius and a strong sense of fraternity between the performance and viewer,' Derek and Clive get the horn' will continue to astonish it's viewers for as long as a film with such normally unacceptable behaviour and dialogue remains as it is, a hidden gem, which when discovered, provides a magic tonic for both the intellect and the frustrations and contrivance of political correctness.
    8hippy109

    Interesting

    Studio stuff worth watching.

    It is hard to see why people say that in this film Dudley and Peter show they dislike each other so much. My impression is that they were both very fond of one and other and at many times this shows my looks of admiration whilst one ad-libs. It is likely during their love & hate relationship that each admirers the others comic prowess. I would not ever consider them as comic genius as this sort of comedy is something that is in all of us. They just have the 'don't care' attitude to let rip. They do say things that you wouldn't usually hear yet the capacity to say it and understand it lies within us all - it's just been suppressed by the crud we endure today as 'comedy' and the political systems in place today curbing freedom of speech.

    I enjoy this form of comedy Derek and CLive do and am appreciative of material such as this. Talking boll0cks and being stupid is what we need to see more of and this film delivers it - though anything else would likely be imitation.

    I've no doubt that though Cook (due to his own personal feelings and struggles in his life at that time)comes out with the odd put down to Moore, my conclusion is that Moore was Cooks' rock and punching bag. I'm sure Moore knowingly accepted this whole-heartedly and this reinforced the magic chemistry of their friendship between them and appreciation of each's well of talents.

    They unleash them here but it would be easy to see that they were capable of being a hell of a lot naughtier ! Sadly, all good things come to an end.

    Watch it with a few beers and with your friends and feel alive.
    10arhsp

    It gives me the horn!

    Someone once described this recording, the filmic version of Ad Nauseum, as "Pete and Dud on acid." This is hilarious. It's crude and shocking and clever and insightful. In years to come, this'll be a profoundly interesting social document. If any "film" ought to be blasted off into space for aliens from the planet Z to find and watch, then this is it. I'll bet they'd laugh their socks off at it as well.
    5graham_525

    Disturbing

    I describe this as disturbing not because of the material but because of what this film showed of Peter Cook. I liked Ad Nauseam as an audio piece of work and was quite excited at the prospect of seeing this. However I found the experience of watching this just depressing. It's not funny and Peter Cook comes over as a very bitter character. In public Cook needed to be constantly mocking everything around him. I'm sure psychiatrists could spin a few theories as to why he was like this. He did actually visit a psychiatrist for many years the reason being, according to himself, that he had been putting on silly voices for so long he didn't know who he was. It's a self defence mechanism to be constantly funny and to belittle anyone who dares to be serious about life. Of course Cook was a genius, there is absolutely no doubt about that. However he was a genius in quite a narrow way. What he was good at he was the best at: being incredibly witty and spinning wonderful flights of surreal fancy. Sometimes his flight of fancy had an almost childish innocent charm and sometimes they were dragged up from the lowest depths of the human psyche.

    Dudley Moore was a huge talent in his own right but on Peter Cook's turf, improvisational comedy, he only just managed to keep up. It's to his credit that he managed to play Cook's game at all, most of us would have just sat in awe, too intimidated to speak. However Dudley Moore had a wonderful talent of his own which was comedy acting. Peter Cook as a comedy actor stunk, let's be honest. He was the king of off the cuff quick fire genius but if he had to work to script, with the exception of 3 minute comedy sketches, he fell flat. He couldn't do what Dudley had achieved in Hollywood and he knew it. Dud was no longer his verbal punch bag and had out grown him in every way.

    Dudley Moore looked to me like he hated every moment of this film and he seemed bored by and embarrassed of the obscenity. Not surprising considering he was 44 years old. This film charts the disintegration of both their professional and personal relationship. Dudley Moore didn't show up for the third day. I think they performed live together only once more after this but only after one of the Pythons, John Cleese I think, begged Dud to do it.

    When I heard Cook's "cunt kicker in" monologue on audio I found it very funny because of the sheer extremity. Derek and Clive at their best were cathartic for the audience and liberating. Not because we are laughing at the idea of a man really committing such an act but because there is a psychological release to hear such things. When all is said and done they are only words and no matter what we say out loud it doesn't matter. Nobody really gets hurt and our head doesn't fall off.

    However seeing Cook saying this and other material wasn't funny. It was dark and weird. This film leaves us with a sense that Cook had, at least at that point in his life, a major problem with women. He seems to be exorcising some very deep and very dark part of his own soul. To find such material funny we are trusting in the artists intelligence and decency. We have to believe that for the artist the material is nothing more than empty ridiculous words chosen to break every taboo that society has. I believe that earlier Derek and Clive was a joyous exploration of all the things we aren't supposed to say. However by the time this film was made Cook's misogyny, alcoholism and jealousy of Dudley Moore were destroying both him and his profound and wonderful talent.

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    • Wissenswertes
      By the time this film was shot and edited, Dudley Moore had achieved success as a comedy actor and musician in the United States, while Peter Cook remained relatively unknown there. Peter Cook begged Moore "ad nauseum" to record one last comedy album featuring their cult-favorite characters Derek and Clive (to be called "Ad Nauseum"), a farewell to both their characters and their partnership. They were booked in a studio for three days. Moore had become so fed up with Cook's bitterness at his recent popularity that he failed to show up for the third day of recording and shooting. Moore looked down on Peter Cook and director Russell Mulcahy's intentions to market the film as a general release. This was done in any case, and the film was subsequently banned in the UK for many years. Eventually, it was release on VHS in PAL format in the early 1990s and released to DVD later. It has still never been released in the United States, either theatrically or on video. Moore is quoted to have said, "The film would have most certainly earned an X rating for the sole reason of the language Pete and I used in it."
    • Zitate

      Clive: You know that big nigger who lives down the road?

      Derek: Him? Yeah. Oh, lovely.

      Clive: Huge black cunt. I said, I said to him, I said, um, Ephraim, strange name for a black, innit? I said there's a load of cunts down the BBC and they need sorting out. I said, um, this should appeal to your fucking primitive urges cos I said you like cannibalism, don't you? You like eating people alive in a frying pan. I said, go round to the BBC with some of your mates dressed up in your loincloths and that, and, er, paint yourselves up in different colours or whatever you cunts do back in Africa. And so he said, er, oh, it's nice, that and he, he, he said what do we do when we arrive? I said, go beserk, tear the fucking place down.

      Derek: Yes, spunk all over the fucking centre.

      Clive: Spunk all over the Director General and kill everyone in the studios, you know, and, um, he was all, you know, he got about forty of these coons gathered together to rush round to the BBC. And I was really looking forward to it. I was looking forward to tuning in to the news that night and seeing the news on the BBC. The BBC had being burn't to the fucking ground.

      Derek: Yeah. Yeah. Four... forty thousand.

      Clive: I turned on the Nine O'clock News. There was Kenneth Kendall, calm as a cucumber. No story about anything burning to the fucking ground. And do you know what the *cunt, black, nigger, poof, cunt said when he came back?*

      Derek: No?

      Clive: "Oh, I'm sorry. I couldn't find it."

      Derek: No!

      Clive: "I lost my way", he said.

    • Crazy Credits
      Exotic cigarettes by Haile Selassie.
    • Verbindungen
      Featured in Without Walls: The Greatest F***King Show on TV (1994)

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    Details

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    • Erscheinungsdatum
      • Oktober 1979 (Vereinigtes Königreich)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Дерек и Клайв раздобыли трубу
    • Drehorte
      • Virgin Studios, Goldhawk Road, Shepherd's Bush, London, England, Vereinigtes Königreich
    • Produktionsfirmen
      • Jon Roseman Productions
      • Peter Cook Productions
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    Technische Daten

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    • Laufzeit
      1 Stunde 29 Minuten
    • Farbe
      • Color

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