Zero Woman: Keishichô 0-ka no onna

After reading the review by Nishiki, I was expecting at least 45 minutes of a topless Misayo Haruki.

I saw the 83 minute version (8 minutes longer than the 75 minute duration shown here) and while she is shown topless in one shower scene, you can only see "something" for about 41 seconds. Most of that 41 seconds is her bare back, or her hands covering her breasts.

It's really interesting how Nishiki can be so far off on his estimate of her being "nude or topless for half the movie".

Nishiki, comments? Actually, it was a pretty lame movie. I had the choice to see this or National Treasure and I think I chose incorrectly.

The heroine of this flick is naked or topless for half the film, and killing or maiming people in gruesome ways for half of it. These halves are not mutually exclusive, either- there's a bit of overlap. It ain't a work of cinematic art, but it is a work of trashy cinematic art.

I didn't expect anything much more than nudity and violence, and that's what I got. That said, this is a pretty fun film and better than most of this type.

Not as well defined as the others, nevertheless this film entertains with shooting, sex, nudity, and some bondage and torture.

The is a first film for Naoko Iijima. The main character (Rei) changes in every film in the series. I wish I knew why they did that, but we get to see a selection of beautiful Japanese women, and Naoko Iijima is certainly one of the best.

The sex is confined to Yumi (Miho Suzuki), the daughter of a Japanese VIP who has connections everywhere. She likes them young and is in to S & M. Daddy covers up her crimes, including murder, with the help of the police.

Strange ending for Zero Woman. Maybe the "Final Mission" part only refers to this star, but then all of them would be "Final Missions."

"Yumi" (Miho Suzuki) is a rich, young woman who is particularly fond of being bound and tortured by any young man who meets her fancy. Unfortunately, one night while having sex outdoors she is rejected out-of-hand by her lover who is shocked and appalled by her sexual preferences. Infuriated by his words she gets into her car and runs over him. She then backs up and does it again to make sure he's dead before driving off when spotted by some witnesses. As it so happens, the two witnesses are close friends of "Rei" (Naoko Iijima) who works as an assassin for Section Zero. Although she has told her friends that she is a detective both of them are puzzled as to why she refuses to investigate the case. Yet despite her unwillingness to get involved, one of the witnesses also happens to be a detective himself and even though his superiors tell him the case is closed he continues to investigate. What he doesn't realize is that the perpetrator of the crime happens to have an extremely influential father who not only had the case swept under the rug but also wants all witnesses eliminated as well. Needless to say this does not sit well with Rei at all. Now rather than reveal any more I will just say that, despite several scenes containing action or eroticism, this was a rather slow-moving and somewhat tedious film all the same. Not only that but Rei wasn't nearly as coldly efficient as she usually is as demonstrated by the fact that she was out-gunned and captured at least twice. That's not good for a person who was trained to be an assassin at a very young age. But the worst part of the film, in my opinion, was the ending--which I thought was much too sloppy and abrupt. Be that as it may, one last thing I would like to point out is that-contrary to the title-this is NOT the "final mission" nor is it the last in the series. Far from it. In any case, although I don't believe this was as good as several other films in the series, I don't consider it to be necessarily a bad movie either and because of that I have rated it accordingly. Average.

One of the better "sexy-action" thrillers to come out of the V-Cinema days of 90s Japan.

Though, to call it an "action" film would do it a disservice. It is fairly low-budget, and therefore turns to artistic and technically creative ways to imply gun violence. And it turns out, what could have been a major drawback is actually one of its greatest strengths. Specifically, the final duel, which is done with character specific colored lighting splashing across the walls to imply gunshots, is a joy to watch.

The plot is fairly interesting, if a bit muddled, but really only serves to connect a hypnotic series of assassination, sex, murder, and bdsm torture sequences, all of which are executed with a level of artistic touch that is uncommon for this kind of thing.

That being said, it still bears the marks of low-budget straight-to-video fare; uneven acting, occasionally clumsy stunts, and the feeling that they only did one take. But it succeeds far more often than it fails.

Chances are, you already know if you're going to like it. And if you're even a bit curious, it makes a decent entry point for the sexy-action thrillers of 90s Japan.