Hannibal

Ridley Scott oddly took the job to direct this perfectly crafted sequel to the Oscar award winning Silence of the Lambs. After being located in Florence, Hannibal returns to America and attempts to make contact with disgraced Agent Clarice Starling.

While not following Harris' novel to the letter and omitting a main character, Scott directs an atmospheric follow up. With David Mamet's meaty, intellectual screenplay there's plenty to like about Hannibal. There are terrific performance's nobility by Giancarlo Giannini in a subtle and memorable take on Insp. Renaldo Pazzi. Unrecognisable, Gary Oldman is astounding as Mason Verger, the heavy disfigured paedophile and Ray Liotta replaces Lamb's Ron Vawter and is on form as a sleazy F.B.I Agent, Paul Krendle.

Nurse Barney returns in a larger role, and of course Anthony Hopkins is back in his iconic role as Hannibal Lecter. Hopkins is given more to do and is out of his confinement (much to the announce of some film critics). Although possibly striped of some mystic, Hannibal is far more dangerous and interesting here, mingling with the general public and stalking his prey. They only thing I feel is distracting is the casting of Julianne Moore as Starling, and that is only from a continuity point of view as she delivers a gifted performance.

Blade Runner's director Scott makes every shot interesting and this coupled with John Mathieson cinematography is first-rate, particularly in the Florence set ups, and US exteriors. Veteran musician Hans Zimmer's score is mystical and heightens all that is taking place on screen.

An overlooked, misunderstood and fantastic film, that is a wonderful experience to watch.

Anthony Hopkins gave an impeccable performance. However, the material he was given to work with was not as good as Silence of the Lambs. In fairness, perhaps there was no way it could be. In SOTL, he was somehow more foreboding, more of a sort of superhuman monster; in Hannibal, he's more accessible, a guy you meet on the street. Maybe it was impossible to maintain the mystery of Lecter that we saw in SOTL because of the risk of doing a rehash. I'd give the overall Dr Lecter character a 9 of 10 in this film, vs. a 10 of 10 in the last one. Not quite as good, but still very good.

Starling's character, on the other hand, fell flat in this film. In SOTL, Foster perfectly portrayed Starling's flat surface with a turbulent depth; in Hannibal, there was nothing under her surface. Foster's Clarice evoked feelings of sympathetic grief, Moore's Clarice evoked nothing. I do not necessarily blame Moore, this could be due to writing and/or directing. Obviously, though SOTL focused mainly on Starling's character, Hannibal focuses on, well, Hannibal. Still, that's no excuse for what was done to Starling. Her character gets a 3 of 10.

The story was much weaker in Hannibal than in SOTL. It almost seemed like an excuse to present us with the characters, rather than a story in and of itself. Still, it had no other major flaws, so it gets a 6 of 10.

Now, there's another category I'll call the shock factor. It's different than ordinary gore, it's... creative gore. The sick, disgusting depravity we expect to see and like to see in this type of film. I can't go into detail without spoiling it, but I'll have to say it goes even beyond what I expected. Do not watch this film if you are squeamish or dislike gore. There isn't a lot of gore in the film, but what there was, was... concentrated. Shock Factor, 10 of 10.

Overall I give the film an 8 of 10. Very well done with a few weaknesses, well worth watching.

Years after his escape in 'Silence of the Lambs' a wealthy surviving victim continues to hunt for Hannibal Lecter. Stars Anthony Hopkins and Julianne Moore as Clarice Starling.

The plot builds slowly. Hopkins is excellent in this role but Moore seems a poor substitute for Jodie Foster.

The film is very gruesome. The final scene is memorable in it's uber gruesomeness.

The location in Florence, Italy is a great bonus but this fun ultimately disappoints after the great original film.

After being held accountable for a botched drug arrest that left 6 dead and great media coverage, FBI Agent Clarice Starling is sent away to follow up on new information regarding Dr Lecter from one of his past victims – the disfigured Mason Verger. As Starling works under the demeaning supervision of Agent Krendler, Lecter begins to taunt her with letters from an unknown location. Meanwhile in Florence, Inspector Pazzi begins to suspect the identity of the new curator, while Verger places a $3million reward for anyone who will bring him information leading to Lecter.

The sequel that everyone wanted to see and that got lots of headlines for it's gory content was not something I was very bothered about seeing. Although I think Silence was a good film I was a bit surprised by the sheer volume and degree of praise that was heaped upon it. However I decided I would give it a go when it finally came on television and I pretty much got what I expected – a gory film that trades on blood and it's title character without a great deal else of real value put in with it. The story is very condensed from the book (so I'm told anyway) and is basically boiled down to a handful of events that will deliver the shock and gore if that's all you want – but that's not all I wanted. I needed a lot more in fact and I have a better appreciation of what made the first film a much better one than this.

For one thing the whole film lacks suspense – by which I mean real suspense and tension, not just the suspense as we await the imminent arrive of the next gory scene. The plot is a little bit daffy at points and this may be done to it's slimmed down nature – certainly I was not drawn in so much as merely standing by watching it. The film also asks a lot of us; it asks us to understand the relationship dynamic between Lecter and Starling even though it shows us very little here – almost like it is expecting us just to take it on face value and remember Silence without it carrying anything through. Also it asked us to like, even support, Lecter – an idea that I found wholly unappealing. There is nothing wrong with having a monster as your 'hero' character or of focusing on the dark side of humanity but here the film practically revels in the gore, almost forgetting all else. It has made Lecter such a comical character ('okay-dokay'?) that it doesn't really know what to do with itself when he is off screen. The fact that it doesn't do anything with this dark beast other than stare lovingly at him is a problem for me and just supported the idea that the film was out for gore.

Even the cast seem to realize that this film is nowhere near the caliber of Silence and they all seem to have their tongue in their cheeks with their performances. Hopkins seems to relish the chance to overplay in a big payday for him (the film could happen without Foster but not without him). His character is so much more played for fun than in Silence and this damages the tension, but Hopkins seems to be enjoying himself nonetheless. Moore plays it totally straight and doesn't have much fun – she is good but she doesn't stand out even if she does replace Foster well. An unrecognisable Oldman also hams it up but keeps his character just this side of silly –Ivanek supports Oldman well but is obviously eclipsed by the latter's showy role. Giannini is good in his minor role and is lucky to escape the script's excesses; sadly Liotta is not free and his performance towards the end matches the absurdity of the plot in his regard.

Overall this is a big fancy horror movie but it is far from the standard of Silence. It lacks real bite (sorry) in terms of tension and excitement and it replaces it with a series of increasingly gory set pieces. If all you want is superficial delivery then this is worth seeing as it is enjoyable as a gory horror but it is no more than that and fans of the mood and atmosphere of Silence Of The Lambs will feel a little cheated.

While not fully up to par with "Silence of the Lambs", "Hannibal" still was more interesting and more fulfilling then "Hannibal Rising". And if you enjoyed "Silence of the Lambs", then you really should do take the time to sit down and watch this movie as well.

There is a nice cat-and-mouse feel to the movie, and director Ridley Scott have accomplished to put together an entertaining movie that does bring into the picture some disturbing mindsets and images from time to time.

The characters are right on the money and there is some good character development and growth throughout the movie. And the cast that were in the movie were doing good jobs with their given roles. And while Julianne Moore is no Jodie Foster, she still managed to portray Clarice in a fulfilling way. Needless to say that Anthony Hopkins is, of course, fantastic once again in the role of Hannibal 'the cannibal' Lecter. I was surprised to find out that it was Gary Oldman who was playing Verger; I literally had no idea and just found out in 2014.

There is a nice speed to the movie, in the sense that you are never left bored, and the movie does take you on a roller-coaster; sometimes it is fast and brutal, other times slow and seemingly safe (lulling the audience into a false sense of security). There were some nice enough twists and turns along the way, making the movie not overly predictable.

"Hannibal" is an entertaining movie and a well-worthy addition to the Lecter legacy. And it is definitely worth a watch.