Kappa

We've seen this movie before - a figure in the present day tells a story in a flashback of events that transpired in their youth: strange goings-on around town, a wise elder, know-nothing adults, bullying peers, and a put-upon kid who has an encounter with some creature. There are no major surprises here as every beat and idea is familiar, and all that's left is for the details that will round out the narrative. This is no inherent mark against 'Kappa,' only an indication of what to expect, though with that said, exactly how much one is open to such works will inform how much you enjoy this one. For my part I think it's a swell film that stands well on its own merits, though there's nothing about it to make a huge impression or demand viewership.

The picture gets a tad heavy-handed at points in one way or another, whether that be in regards to kitsch, sentimentality, some acting that leans a little too hard into a given vibe, the direction, or treatment of themes or specific beats. Suetani Masumi's screenplay really is nearly a carbon copy of other titles that have operated in the same space, so form your expectations accordingly as that reliance on formula can sometimes be a bit overbearing. Still, even all these together are not substantial detractions, and say what one will about 'Kappa' otherwise, it's pretty well made by the standards of the early to mid 90s. The filming locations are lovely, and the sets gorgeous; the production design and art direction are solid. Practical effects, including the creatures, and even the special effects look great. Kaneko Takahiro's music is fine complement, including the nice closing song, and the cinematography and editing are fairly sharp. While some odds and ends of the writing, acting, and direction are better than others, more than not all involved made capable contributions, and Ishii Tatsuya created an enjoyable, earnest, satisfying feature.

Maybe 'Kappa' would leave more of a mark if it weren't so recognizable, and maybe I'd be more enthusiastic; by this measure it's possible I'm not giving it all its due. Nevertheless, just because my response is muted doesn't mean I don't like the end result. Even as this walks exclusively in tried and true territory it's duly compelling, meaningful, and even rewarding; it's well made, and if the worst I can say about a flick is "we've seen it before" or "it lays it on a little thick," then it's done rather well for itself. All told 'Kappa' isn't something one needs to go out of their way to see, but I'm glad I took the time to watch, and I'd give it a soft recommendation for anyone who is seeking a relatively light drama. Not every movie needs to be a revelation, and as this one plays to the same strengths that many others have, it's all it needs to be to provide a good time.

This movie is based on the myth of the kappa, the legendary Japanese river imp who is sort of a humanoid turtle about the size of a monkey with a bowl in his head that holds water. Water is the source of life for a kappa and if the bowl is drained it will die. Kappas were very much believed in and were blamed for drownings and other unfortunate events. The majority of the movie takes place in a flashback to a farm in 50's where a boy comes face-to-face with a couple of kappas and discovers they're actually some kind of outer space alien. I did not like the monster design in this movie at all. It is far from the traditional depiction of a kappa, which is kind of cute. They don't have turtle shells or head bowls. The kappa aliens have pretty creepy bodies, they almost look like the aliens from the movie Alien in silhouette. They have frog-like skin and their heads are these gigantic sacks. They are so ugly it is hard to stand looking at them. The music in this movie is good and it's very well photographed, even though the plot is kind of silly. But the look of the aliens ruined the whole movie for me.

Once the title creature shows up you're instantly going to compare this to 'E.T.'.Which is basically right the plot is all very similar to 'E.T.'If not a total clone.What makes it fresh is the way it opens and how the story comes into play.One would think this movie has nothing to do with aliens and that this is a tender story about the relationship between a father and son.But once the alien shows up it becomes to predictable and leaves one wondering just how this alien is supposed to fit into Japanese history and mythology.