Du kannst nicht entkommen

I'm one of the folks completely underwhelmed by the Matrix series' "Let's bankrupt-the-Studio!" mindset toward oppressively massive SFX. I like movies that make you think and which DO NOT rely on massive amounts of gunplay and car wrecks.

Virtual Nightmare, like its true inspiration, THE THIRTEENTH FLOOR, is such a film.

I loved the Matrix, too, but Virtual Nightmare is a totally different type of sci-fi movie. It's the kind with "unknown" actors, average special effects, and little if any bloodshed, that relies primarily on a story that is equal parts technological extrapolation and social satire. It's simple, but smart. But not too smart--it doesn't think it's better than you.

I probably would never have seen it, except I felt like setting my VCR to tape something, and it happened to be in the listings. Even then, I was debating whether I really wanted to waste my time watching a movie I had never heard of, so I happened to check IMDb, and I saw I bunch of people in England liked it, so I watched it, and it was very enjoyable. Thanks England!

I saw this on cable awhile back when I had absolutely nothing else to to do. For a low-budget TV movie, this one is interesting, thought provoking, and over-all good.

The plot is along the lines of books (and their movie adaptations) 1984 or BRAVE NEW WORLD, with some key ingenious changes that make the film unique and interesting. It is sometime later in the 2000's, and the world is perfect and sugar-coated - or at least seemingly perfect. There are some strange things in this perfect. People can buy "brand new" cars (most of them from the '50s and '60s) and the music used is mostly from the '50s. On top of this retro world there's modern appliances such as a wide-screen TV's, and the main character, Dale Hunter, is a advertising agent working on a new project, Arora (purposefully mispelled). But when Dale starts seeing strange things, like numbers and labels written over everything, he begins to suspect something is wrong. He and a librarian, Natalie (who also shares the opinion that something is wrong), try to uncover the truth behind their perfect world.

None of the actors seem to be very well known, but they show how talented they can be in this movie. The plot is well developed (though in the middle of the film, it got a little confusing). And the special effects are good, especially for a movie with such a low budget. The only problem I have with the movie is the ending. It seemed rushed and unrealistic. For the rollercoaster ride the movie was with so many twists and mind-challenging ideas, the ending seemed a little unsatisfactory.

Great movie, and one of the best TV movies that I've seen. If you can catch this movie on TV, I recommend that you watch it. It's an entertaining and interesting movie. Something that a lot of similar films, with even higher budgets and bigger stars, fail to achieve.

Rating: 8/10

I liked this movie. I'll even admit that I watched it twice back to back just to take it all in. There's no top Hollywood named stars, no big explosions, no over the top special effects, just a neat little story line that keeps a person interested, and maybe even guessing a little bit.

I enjoyed how they mixed the flavor of the 1950s with the technology of the 2000s. The underlying message seeming to be that that's how people in the future would create their own reality if they could. Car enthusiasts will love their concept of car buying. I don't want to explain too much about the movie's plot line in fear of taking some of the fun of discovery out of it. Suffice to say, if you like the idea of the possibilities of virtual reality, the wackiness of the 1950's stereotypes, and your sci-fi lite, give this movie a try.

Last note. There were a few plot holes in my opinion but nothing major, and nothing I couldn't come up with an explanation for on my own. My only real complaint is that I had to watch this movie on a tape of commercial television because it doesn't appear to be available on DVD. I'd buy a copy if it were. It's a keeper.

The idyllic existence of Fairview advertising executive Michael Muhney is upset by bad dreams and disturbing visions. He's unknowingly experiencing a reality-check in a bracing post-apocalyptic Matrix riff from Australia (which explains the unfamiliar cast). A faceless corporation called Arora has wallpapered-over the real world with pacifying signals sent direct to the brain: this is a world where you can buy a new car every day at 1950s prices and your unflaggingly cheerful parents talk in reassuring platitudes, a place where Kurt Cobain sings children's songs and Marilyn Monroe makes movies with Leonardo DiCaprio. Mixing paint-box colours with grimy black-and-white, director Michael Pattinson conjures up a delusional universe that repels and attracts in equal measure. This curious picture lifts good ideas from impeccable sources: the too-perfect nostalgic small-town setting of Pleasantville, the sealed perimeters of The Thirteenth Floor, the out-of-wack office of The Truman Show, the on-screen catalogue tags of Fight Club, the paintings of Rene Magritte. Even though it's consistently engaging, like so many Outer Limits-style tales, the more it's explained, the less interesting it becomes. This could be because the dialogue sounds as though it's been lifted wholesale from comic-book speech-bubbles. Even so, the conflicting ideas gnaw: Socrates' assertion that the unexamined life is not worth living is all very well, but would we want to know the truth if the truth is unbearable?