Metacritic-Rezensionen

An easy movie to pick apart, but it lives, breathes and switches moods from humor to despair better than any American release this year.

Jody's story is told with so much heart -- and his character is acted with such a winning combination of playfulness, vulnerability and sexual dynamism by Mr. Gibson -- that you can forgive the occasionally incoherent storytelling, the overwrought moments and the haphazard, unconvincing excursions into dream and fantasy.

Raunchy, provocative and often very funny.

Sometimes gets repetitive and is slightly overlong. But it's got solid performances.

It's a feel-good movie that happens to have a lot of feel-bad in it. The gratuitous violence sucks, and the pat conclusion prompts one to shout don't believe the hope!.

The characters are so full-bodied and the feelings so raw and complex that I'd call this the best thing he's (Singleton) done to date.

Rambling and conflicted as it is, it's one of the most entertaining African-American comedies of manners ever made.

Singleton just may be challenging us to laugh at the film or with it and then feel extremely uneasy for doing so. If so, that's admirable; if not, he's made a very strange soap opera.

Singleton's words are no fitting match for his visuals, and his metaphors are so heavy-handed -- they undermine the smart subtlety of the direction.

Singleton has neither the emotional nor intellectual depth to do justice to his thesis. He is too in awe of the stereotypical hood lifestyles and macho posturings that he's trying to critique.