Verflucht

I did not expect much, and while the film is not great or anything, I was very entertained. I enjoyed the performances, some of the dialogue was clever and funny. I wanted more gore, but I did like the film a good amount. It did not take itself as seriously as I thought it would, so that was a good thing. I also very much expected a twist ending, or it to end unhappily, but surprise, surprise, it ended happily. I do not know why the film was as critically-bombed as it was, I expect trashy, cheesy, but fun films like these to get at least mixed reviews (like Jennifer's Body). But I very much enjoyed this film, and I expect it to age well with time (as comedic, trashy films like these most of the times do).

The very name of this movie seems all too appropriate. For all the reshoots, redesigns, and other creative decisions that were forced, and all the problems that hounded the production, it sounds like a horrid mess long before one ever sits to watch. Its reputation well precedes it, unfortunately, and still there comes a point where one just has to watch for themselves. To sit and do so, I'm not really sure that there was much chance of this coming out especially strong. I don't know what the dividing line is between the original vision and the rehashed material, and I don't know how much it matters. I think there are some terrific ideas here, some real cleverness - a little bit of the comedy earns a good laugh, some of the horror facets are well done - and I'm always up for a new werewolf movie. Yet so much of this film is heavy-handed, over the top, and maybe outright kitschy, such that whatever value 'Cursed' may have to offer, it's counterbalanced by many other qualities that are rather questionable.

The root concept of most notions here are fine. As in many genre flicks, the characters oscillate between struggling with the changes they're undergoing, and reveling in them, and that's a great dynamic to play with. The narrative is fundamentally strong, the dialogue is mostly just fine, and much of the characterizations and scene writing are splendid. Yet some of those rounding facets of the shooting script are nonetheless far less witty or humorous than they're intended to be, just frankly feeling cheap; other little details throughout, meant to help give shape to the end product, just don't come off well. Some choices even of hair or makeup raise a skeptical eyebrow, and select instances of cinematography are needlessly embellished. In execution some moments or decisions of direction are entirely too on the nose (even the opening scene), and others are altogether tiresome. And all this is to say nothing of the CGI. If only seen at a glance, the digital creations are okay. The more they are emphasized in a sequence, however, the more glaring and awful they appear, and this is never more true than when we get a detailed look at a transformation - to be honest, The Asylum has done better work. Even some blood and gore is transparently inauthentic.

Truthfully, this isn't altogether rotten. 'Cursed' is actually better than I thought it was going to be. The cast make an earnest effort, and it quite seems like they're having a good time for the most part. Judy Greer is especially having a blast, and Christina Ricci probably turns in the single best performance of the film. The end product is, to my surprise, modestly enjoyable. It's just so unfortunate that the movie overexerts itself in trying to be slick, cool, fun, and modern, when all it actually had to do was tell a compelling story. The harder it tries, the worse it fails, and it's almost certainly longer than it needed to be. For whatever aspects of horror or comedy are done well, at large these are not nearly sufficient enough to genuinely inculcate broad feelings of thrills or amusement. At length the result to greet us is a somewhat middling affair that constantly rides a line between welcome and boorish, and that occasionally places one foot on either side of that divide. I see what this could have been, but that's just not what we ultimately get. There are definitely worse things one could watch (Wes Craven himself has made some of them), but unless you're a diehard fan of someone involved, the need to check this out is minimal.

CURSED isn't the greatest werewolf movie ever made, but it's not a complete failure either. Director Wes Craven, like most modern horror-meisters, does his best work with R-rated fare. PG-13 is just too restrictive, not allowing for the gore, language, or nudity that fans have grown accustomed to.

It helps that Christina Ricci, who was so magnificent in the PG-13-rated ADDAMS FAMILY movies of the 1990's, as well as SLEEPY HOLLOW, stars as Ellie. Her facial features alone make her the next Barbara Steel!

The rest of the cast are typical Craven / Williamson: Mostly young, shallow, yet beautiful people.

The story is solid enough, and the pacing is anything but plodding. This is a fairly straightforward werewolf movie with fewer in-jokes and less self-awareness than say, the SCREAM films. As for the special effects, well, the CGI transformations are passable, but made me mourn for the days of Latex.

Recommended mostly for fans of Ms. Ricci, since she's in almost every scene...

I went into "Cursed" with high expectations, I'll admit. But how could I resist the re-teaming of the "Scream" team, director Wes Craven and screenwriter Kevin Williamson? I should have known after re-shoots and delay upon delay of the film's release (It should have come out last November), that this would not be another masterpiece in the works. Though I tried to keep my hopes up, the results of this recombination are mixed at best.

Christina Ricci ("Monster") and Jessie Eisenberg ("Roger Dodger") star as siblings who are attacked by a mysterious animal in the Hollywood hills while trying to pull a woman from a wrecked car. Both are wounded by this animal and as the days go by, they begin to change. Eisenberg is most convincing as the younger brother who researches the animal that attacked them. He believes they were infected by a werewolf. The rest of the film chronicles their changes and quest to find the beast who infected them.

Aside from Ricci and Eisenberg the cast mainly consists of a smorgasbord of television actors, mostly from the WB. And I'm not sure that I'd call what they were doing acting. It seemed they mostly showed up and had a good time. Which can work, as long as the audience is enjoying it, too. However, I found myself groaning at much of the dialogue and wincing during emotional moments.

The film is slow to take off but does pick up the pace in the middle before falling off again towards the end. The computer graphics already look dated, and the werewolf makeup is most definitely sub par. A word to filmmakers everywhere, if you can't make a werewolf transformation look convincing, then don't show it at all. There's a lot to be said for implication.

Though there are several scenes where something pops up in the frame to make you jump in your seat, nothing haunts you as you leave the theater. There's no fear of bad dreams here.

Overall, the geniuses behind one of the classic fright films of the 90s (and possibly of all time) did not bring their best work into this decade. I hate to say it, but Wes Craven seems to be suffering from his own curse - the loss of fright.

For a smarter, more imaginative take on the werewolf theme, check out "Ginger Snaps" or "Dog Soldiers."

I really enjoyed watching this movie in my teen years, it was funny, cheesy and doesn't take itself all that seriously which is the whole point in a horror/comedy. People that gave this movie a bad review obviously went into this expecting so much more, then were sorely disappointed. There were many cheesy horror/comedies during the 2000s, so this movie fits right in with the time, lol.