Mehbooba

Whenever any movie is made on the basis of some novel or story, the comparisons between the written version and the celluloid version are inevitable. Sometimes, the viewers find the movie to be better than the written piece of work and sometimes the readers find that the moviemaker has not done justice to the book or the story. From my point of view, Mehbooba (1976) falls in the second category. It is based on Gulshan Nanda's novel - Sisakate Saaz (sobbing musical instruments).

Sisakate Saaz is, in my opinion, the best novel written by Gulshan Nanda who was inarguably the best selling author of Hindi pulp fiction in India during 1960-1990. He penned down around 50 Hindi novels and several of them got themselves picturized on the celluloid. Sharmilee, Kati Patang, Jheel Ke Us Paar, Naya Zamaana, Daag, Ajnabee, Bhanwar, Paale Khan, Neel Kamal, Patthar Ke Honth (Movie - Khilona), Maadhvi (Movie - Kaajal), Aawara Baadal (Movie - Main Aawara Hoon) were among them. For Mehbooba, he not only gave his novel - Sisakate Saaz to Shakti Saamanta but also wrote the screenplay of Mehbooba, thereby adapting his novel for the film himself. However, in my opinion, he did a mistake by changing the story of the movie in the later half. The result is, while the novel is definitely a memorable one, the movie is, more or less, an above average entertaining movie.

The story of Sisakate Saaz is the triangular story of the royal court singer, Prakash; his sweetheart, the royal court dancer, Ratna and his wife, Jamuna. The novel is an ocean of love and tender emotions and there are several twists and turns in the life of the three protagonists leading to the ultimate tragic end of the story. The ending scene in which Prakash is dead and a bird is hopping on his musical instrument, thereby creating a sound as if the musical instrument is sobbing, is heart-piercing. The complete novel has been written on a very large canvas with an engrossingly flowig narrative. The dialogues of Prakash and Ratna in the novel are quite sentimental and impressive. Overall it is a very good novel written in Hindi. It is a pulp fiction work written in pocket book style but can be categorised as a good literary work.

While adapting the novel for the movie, Gulshan Nanda perhaps thought that the large canvas of the novel may not suit the movie and the narrative may not be digestible for the Indian audience who is fond of watching formula-based regular movies on celluloid. Hence he adhered to the novel only upto the interval point. In the novel, Prakash and Ratna part ways after leaving the royal court of Jaipur and meet only after many years with Prakash becoming a music director in movies and coming across Ratna in Lucknow while looking for a singer-actor female for a new movie. In the film, Prakash and Ratna are shown dead while fleeing together and then they reincarnate to meet again in the second life with Prakash reincarnating as Sooraj, the singer and Ratna reincarnating as Jhumri, a gypsy girl. In the film, the post interval story is completely that of a typical bollywood movie with the baddie, Prem Chopra creating obstacles in the path of Sooraj and Jhumri and the happy ending with the union of our hero-heroine.

The movie is good for entertainment and boasts of good songs composed by Pancham Da (R.D. Burman). Mere Naina Saawan Bhadon is a timeless classic song based on the classical raaga - Shivranjani. Other songs are also good. The movie is technically good and maintains a high production value. The incidents in the movie are quite predictable as it is a formula-based movie with all the formulae being the time-tested ones in Hindi movies. This is not the case with the novel in which the reader cannot predict the forthcoming events.

Shakti Saamanta has given the movie a routine direction with nothing novel. The star of Rajesh Khanna was waning at the time of the movie's release, however he did well in the roles of Prakash and Sooraj and the movie also became a hit. All the same, I feel that he was a miscast at least in the first half of the movie when he was playing the royal court singer, Prakash. Hema Malini is quite beautiful and impressive in both the roles, the role of the royal court dancer, Ratna and the gypsy girl, Jhumri. All the other characters - Yogeeta Bali as Jamuna, Nazir Hussain as Prakash's Guru, Manmohan Krishna as Ratna's Ustaad, Asrani as Sooraj's friend, Prem Chopra as the villain, Appa, Madan Puri as the leader of the gypsy group and Asha Sachdev as Sooraj's fiancée, Rita are quite OK. I specially praise Sujit Kumar who is the uncle of Sooraj and a kind-hearted doctor, practising in the hilly region among the gypsies.

The movie was a hit at the time of its release and is still liked by the fans of Rajesh Khanna. Nice timepass, definitely. However, I urge the viewers who have liked the movie and who can read Hindi, to read the base novel - Sisakate Saaz reading which will prove to be quite a different and more satisfying experience for them than watching the movie.

When I last saw this movie it was the first movie screened at our neighbourhood new Cinema hall and we were 12 yr old immature kids who were more interested in the swank pushback seats and air conditioning and perhaps were a tad too young to enjoy movies of this kind. Then thanks to IMDB i found that its available on prime video. Hema Malini's act was very composed in all characters she played and not to miss out her dance performance. The rest of the cast performed as they did in all movies of the 70s and 80s era. The locales chosen for the film were grand and the story telling lucid as expected when a Novel gets adapted, though one wishes that rather than the reincarnation drama the makers had stuck to the original script.

The strongest part of the film was the soundtrack, I wish someone can remaster the same in digital stereo for each track is a classic and the overall track is an ideal fusion between classical and western music and appears still contemporary. Strongly recommended to watch.

Aaradhna one of the first blockbuster movie that starts Rajesh khanna superstardom on box office this movie directed by Shakti Samanta and acting by first superstar in hindi cinema shri Rajesh khanna this was outstanding story based and kishor kumar songs Mindblowing magic that rajesh khanna make it all time blockbuster movie this is 1969 magic starts by First superstar in india that beat records and create new mildstone in india that is called superstar Rajesh khanna and sharmila combination makes blockbusters like khamoshi , aaradhana , amar prem and many more movies that called superhit and blockbusters.

Mehbooba was a lavishly mounted reincarnation story of two lovers Super Star Rajesh Khanna and Hema Malini. The movie directed by Shakti Samanta has great music by R D Burman and Kishore Kumar singing some great numbers. The movie is well mounted, has great sets and is shot in the exotic locales and is a classic in its own way.Rajesh Khanna puts in a great performance and looks different in the movie. PremChopra, Madan Puri,Sujit Kumar and Asrani put in a good supportive roles. It is must watch as to what Rajesh Khanna is capable of delivering and of course for the great music. This movie is available and is a must watch for the sets, locales, dances, music and performance of the Super Star.

Some great music and well acted. I first saw this haunting movie in India when I was 10 years old, and enjoy it just as much, if not more now in my late 30s, for understanding more Hindi! OK, Rajesh Khanna's star was probably on the wane at this time, but he still delivers a strong performance, as does Hema, Prem Chopra et al. So what if Rajesh Khanna was overweight? The world isn't made up exclusively of thin people. What matters is that he conveys the feelings of the Romantic hero (Suraj) like no one else. There's always depth to his performance. Hema looks beautiful and her dances are pure art. Prem Chopra is perhaps more of a pantomime baddie, but still gives an enjoyable performance, and the often unsung Asrani also delivers another amusing cameo in his role as Suraj's manager. If there is one criticism of this film, it is that the lip-synching to the music is not up to the standard it should be - something that the director should have sorted out. RD Burman's music is truly excellent, though.