Munje!

Reading the previous comments I am a bit surprised by people who claim that this movie would appeal only to viewers from ex-Yugoslavia. I've seen this movie during this year's Film Festival in Warsaw, Poland. And it was extremely entertaining evening, people applauded many times during the movie, laughing all the way through. This reminded me of a similar mood and life-style in POland in early 90's after the end of Communism - when first ravers organized underground parties which then turned into techno and d'n'b scene. Maybe I feel some affinity with this movie cause I'm also Slavic and former heavy party-goer, but I believe that this movie could sell well in e.g. London, Paris or New York. True, it is hedonistic-pure trip, but well-acted (particularly older actors and a main hero in glasses and raver-hat). After the screening the audience had an opportunity to meet the director - a fan of Partizan Belgrad actually and not Crvena Zvezda represented by Dulan Savic in the movie. The movie was shot digital and then transferred to 35 mm. It cost just 30,000, unbelievable - return on investment should be probably calculated in thousands of percent! If you want to see not-politically charged movie from former Yogoslavia - this is a really good choice. Absolutely recommended, and not only to panters!

Everyone should watch a film like this.

Unlike Hollywood cliché comedies, this is something new. Something original.

In almost every minute, something funny come out and not just funny but very intelligent so you literally cry of laughter in some parts.

Every character is unique also, and for me that is very important. In a way, this film represents the night life of an average Serbian teenager.

I like this film because this is a true Balkan humor and one of those films I could watch over and over again.

The screenplay needed some polishing. At times it is funny, at times it gets cheesy and lazy. But it is a fond memory for me. The film does manage to capture much of the surreal feel of turn-of-the-century Belgrade, and I appreciate that. There was this feeling of being torn and desperately trying to escape to some better place, not just away from Serbia, but away from all the nihilism. I myself left Serbia around that time, and it wasn't so much because of poverty. It was an attempt to escape the ubiquitous feeling of being torn apart and inability to make sense of things. Like many others, I found out that I merely jumped out of the frying pan and into the fire, as the western world took a dramatic turn in the direction of total moral and cultural chaos. Anyway, I enjoy this film despite its faults. Nebojsa Glogovac definitely saves the day in a minor role as a reluctant cop who'd rather smoke weed with the protagonists. I give the film 8 stars, and that's generous.

This movie was seen by over 600,000 people in Serbia alone which is more than any other Serbian film drew to cinemas in recent years and I read it's very popular in other ex-Yugoslav republics as well. I can certainly understand why audiences in that part of the planet flocked to see it in such high numbers. It is a first motion picture coming out of those parts in a long, long time that doesn't in any way deal with war, misery, refugees, effects of economic sanctions, death, gore, ethnic hatred... etc, choosing instead to focus on other, more cheerful aspects of life in Serbia.

And while second-time director Rasa Andric deserves praise for attempting something different, all this doesn't hide the fact that this movie is NOT very good.

It employs a basic teen premise, even though most of it's protagonists are pushing thirty, placed in the setting of drum'n'base music (which is there I guess to provide the audience with a feeling they're getting an insight into something 'cool and progressive'). Compared to similarly set Serbian movies like 1992's "Mi nismo andjeli" and 1989's "Kako je propao rokenrol", "Munje" falls well short. I never got a sense that characters I'm watching are real people in any way - most of what they said or did seemed very much laboured and contrived. Other two movies also developed a lot more characters whereas "Munje" relies far too much on two central guys Pop (Sergej Trifunovic) and Mare (Boris Milivojevic) who, frankly, are not very captivating. The two chicks also get plenty of screen time. But despite their high billing these are just throwaway roles, simply tagging along with the guys - they don't influence the plot in any way whatsoever.

Plenty of visual tricks are on display too, and that, coupled with 'the look' and music, gives this movie a feeling of the music video. And that's probably the best way to describe it - an extended music video with one dimensional characters. It's a mix of cool individual scenes that fail to add up to anything even remotely interesting.

If you want to see light-hearted, youth-oriented movies from Serbia better than this one, watch "Mi nismo andjeli" or "Kako je propao rokenrol" instead.

In this movie we follow Mare and Pop the want to record music but there friend from childhood Gojko screw them and now both off them want to get revenge on Gojko together with ex girlfriend Kata and police officer and man dress up as Santa Claus . This is really different movie than we had before . It's funny and it's directed diffrentlly than other movies from that time, they got flashbacks when Mare , Pop and Gojko where kids and whole is happennig during one night. .This movie really deserved all off that success and male cast was great but they should cast better actress and to write there characters better.