Escaflowne

Several things bothered me while watching this film. One of the first thing i noticed was the animation - the faces on the characters were horridly drawn, making it hard for facial expressions to appear believable. The animation in itself was fine, however the way the people were drawn was distracting. Secondly, the plot was disorganized and scattered; making the film hard to follow for even fans of the Escaflowne TV series. The closing doesn't redeem much of the films' weak points - I wouldn't recommend this for those new to Escaflowne or those who are fans. It would be disappointing either way.

First of all, I watched this movie once before I even saw any of the series, so I was fairly confused--especially by the amount of characters who appear for a few minutes and then disappear. I knew it was supposed to be a retelling and not a summary of the series, but even on that level, I didn't really "get" Hitomi's reason for caring so much for Van all of a sudden, why that blonde captain (Allen, as I learned later) was even there, or what the hell Dune (or Folken, take your pick) was all about. The confrontation with Dune was so incredibly anti-climactic that I almost hoped for that old horror cliche of the villain coming back to life a few times to up his kill stats. No such luck, though.

Having just gone through a marathon session with the series (all twenty-six episodes in two days), I decided to watch the movie again this morning. Well, I had fun identifying all the characters from the series, who were all--down to the cat girls--developed into realistic characters throughout the television series, and it was kind of interesting to compare Hitomi's character (in the movie, she's totally depressed but realized the pain she was causing others; in the series, she was lively, but in being so, she missed the signs that she was hurting people). However, the story (which recasts Hitomi as a "Winged Goddess" figure instead of a girl with skills at fortune telling, and Van into an uncontrollably violent person, but sweet and gentle when he's not killing people) isn't all that interesting (and seems to have been more influenced by the Evangelion series and movies than by Escaflowne), and 96 minutes is far too short a time to tell what should have been a sweeping epic. Instead, despite the claims that it is a retelling, it ends up feeling even more like a truncation of the series.

That said, I thought the animation was good (in an anime genre sort of way--I wouldn't expect a lot of other people to care too much for it, the way that even anime haters tend to like Studio Ghibli films), and the design for Hitomi, though not as kawaii as the series, really did fit with the darker tone of the movie.

6/10

The first thing that struck me about this film was the detailed animation and vividness of the colors. The TV series was known for it's quality animation, and the movie is far better. The story, however, is completely different from the TV series. If you watch this movie, don't compare it to the series, since it's a different story that uses the same characters. The story is fairly dark, but compelling. For action fans, you will find a lot of that in this movie, but romance fans may walk away disappointed. Overall, not great, but a good movie. 6 of 10.

For those who have seen the Escaflowne television series know that it was a beautifully complex shoujou anime with plenty of action, adventure, and romance.

The movie, however, is a completely different animal. Most viewers try to compare the television series to the movie, and thus usually disregard the movie as trash, as it is not a faithful retelling of the series. So, if you haven't seen this movie yet, but have seen the series, remember they are two completely different creatures, each wonderful and unique.

The most noticeable change is in the character design. Nobuteru Yuuki (who also did the designs for Chrono Cross, X, and Record of Lodess War) slightly altered the character's distinctive looks from the TV series. They now closely resemble the characters from Chrono Cross (the similarity between Millerna and Kid is the most obvious). The plot was also trimmed of the intricate subplots to fit into a decent running time, and thus some of the characters from the series do not appear. The biggest change is the inclusion of more action and violence, so we're talking flying body parts and lots of blood spraying. This was done to attract more males to the fanbase as the TV series had a fanbase that was 80% female.

Other things, however, haven't changed. Yoko Kanno and her partner Hajime Mizoguchi return with an excellent score of blended nationalities to give it a truly unique sound that makes it seem as if we are really listening to the music from another world.

Overall, the movie is an excellent example of anime at its best. Between the quality of the animation and overall production, this movie is a must see for anyone who loves any form of animation.

Anyone settling down to watch the usual romantic fluff of the series might be disappointed by this movie. However, if the same audience wants to drown in the glory of wonderful storytelling, a beautiful soundtrack worthy of Williams, and heartstopping animation, this is the perfect film for them.

"Escaflowne: A Girl From Gaea" is loosely based on the already popular series "Tenkuu no Escaflowne", where Hitomi, a young school girl with psychic powers, is whisked away to the magical land of Gaea, filled with mystical creatures, gallant knights, and gigantic suits of armor. However, here, the happy Hitomi and the peaceful Van are very much gone. The movie opens with Van brutally slaying a group of enemies and Hitomi rethinking the decision to hand a suicide note she has written over to her best friend Yukari. This is a very dark, but compelling Escaflowne. Much of the storyline from the series has been changed dramatically, as one can tell, but it gives the movie it's own original feel and one does not have to be familiar with the series to enjoy the movie. The soundtrack, once again handled very nicely by Yoko Kanno, is absolutely top-notch and might remind one of the power of John Williams' score to "Star Wars". The animation is very different as well, more mature and detailed than the average anime series. Older teens will love it, but smaller children familiar with the series might find the action too intense, some scenes and animation echoing the works of Akira Kurosawa, particularly "Ran".

I have only seen bootleg copies of this, but I hope the rumour of the movie coming stateside is true and we American otaku will get to enjoy the majesty that is "Escaflowne: A Girl From Gaea" on a theatre screen. Anything less cannot do it justice.