The Bear

While at the zoo a young girl loses her favourite teddy bear into the polar bear enclosure. Later that night she is still upset and goes to sleep with no toys. However in the night the polar bear comes to her house to return the teddy and she lets him stay as a result. The morning comes and sees the girl keeping the bear a secret from her parents – not an easy feat in a three bedroom house. Later that night the pair go out into the snow to see the sights and play games.

With The Snowman being on television every single Christmas from the moment it was made until the very end of time itself, I took the opportunity to see his animation from another Briggs book for the first time. The thing that struck me immediately (and stayed with me throughout) was how very similar it was to the Snowman in terms of theme, look, sound and overall delivery. In fact it is pretty much The Snowman but with a polar bear and no Aled Jones. On one hand this did make me wonder if Briggs only had one trick to play and he had already done it but I did try to be fair and watch it as a film just on its own merits.

Doing so finds an enjoyable film that has all the strengths of the Snowman as it is cheerful with simple animation and good characters. The music is good and the final song is from a younger and less "laddy" Charlotte Church. So it may well be The Snowman with more polar bear but it is still a good short film for the family at Christmas time. It is not as famous as Snowman and I suspect a lot fewer people have seen it, which is probably a reason in itself for seeking it out as an alternative next time the festivities come around.

Ever since the evergreen hit of Raymond Brigg's The Snowman Channel 4 have tried the formula again and again in attempt to replicate the strange melancholy and success of the original. Here it's another Briggs book, The Bear, which replaces the snowman with a colossal polar bear. The plot is almost identical, including a misjudged sequence with the child trying to hide the monstrosity crashing around the house. They even watch "The Snowman" on TV as the Bear looms improbably over them. Some of the "arctic bear spirit dancing over London" sequences are really beautiful but it feels a hollow sort of affair. A cash-in. A far better successor is the goofy and vulgar "Father Christmas" which I always watch as a double bill. It's the polar opposite, rather than a polar clone.

The Bear and the other animated Raymond Briggs (based on his books), The Snowman, are examples of how drawings and music, without dialog, can give a sublime narrative experience. This film is romantic and fantastic, about imaginative power. Anyone with young kids knows it is rare to find a movie equally enjoyable for adults 6-year-olds and 2-year-olds, but these films are as close to universal as it gets. The music is wonderful -- it reminds me of George Enescu's Octet.The drawings are simple in style, but the animation is actually sophisticated and quite beautiful - although I've only seen it on VHS with its low quality. I"m sure that on film these films look even better.

This film doesn't quite have the structure that the films of the Snowman/Father Christmas/Snowdog trilogy do. It's more of an interpretive dance than a story and that probably makes it quite artistic and beautiful for some. Children may enjoy it for it's simplicity and pretty style and without thinking too hard about it, but as an adult I find that it poses a lot of questions.

Firstly, it's unclear how the Bear got to her house? I'm sure the zoo would have noticed it's absence and I'd like to have seen him sniff out her location to give a tad more information to start.

Also, the music could have been a little bit less like The Snowman in the same way that the 'Superman', 'Star Wars' and 'Indiana Jones' themes are all a bit similar. It kind of took me out of the story as I tried to remember which bit I was recognising from the other festive favourite and which scene it came from.

As I say though, if you're just watching it to show your child a special little picture of fun and adventure and can get past the music issue (Maybe you haven't seen The Snowman at least 300 times), then it's a nice piece, but I tend to want a little bit more, even for a children's film, as they are an important way to teach them new things. I'm not sure this shares much of anything.

319.63/1000.

THE BEAR, an enchanting 30-minute animation about a young girl's relationship with a polar bear that escapes from the local zoo, is very much a spiritual follow-up to that timeless Raymond Briggs classic, THE SNOWMAN. The two productions look and feel very similar to each other and, while THE SNOWMAN has the edge, THE BEAR comes close to reaching the same level of quality.

As usual, there's far more going on than meets the eye, something that makes these Briggs stories suitable for adult viewers as well as the kids. On the face of it, it's simply a humorous tale about an unlikely relationship, but underneath it's all about friendship, being comfortable in your own skin, the tribulations of finding one's place in society, mysticism and nature versus technology and progress.

Needless to say it's also touching, thought-provoking and magical, with expert, hand-drawn animation and beautifully realised characters.