Garage Days

This movie is just plain fun that takes a pretty average, well-known look at the music industry and the hike that bands take to get to where they want to be. But Alex Proyas adds some CGI effects (pretty funny ones, I might add...like Mellie the "baby") to make up where this average movie was headed. ALl of the actors are pretty unknown in the States (where I am), but it all doesn't matter because they were all vivacious enough (and good-looking enough) to make you believe that they encountered this past themselves.

This movie tries to take you on an emotional roller-coaster of relationships between band members and their girl/boyfriends, but where that comes up short, the movie just throws more fun at you. My favorite parts are the melon-baby and the hallucination scene where the band's bassist tries to get money from her parents and finds herself tripping out. I hated the where-are-they-now ending and cutesy-poo looks back on life and love and careers and whatever else, but the movie as a whole was OK. I gave it a 6/10.

Unfortunately, the rest of the movie sucks on ice.

The "characters" are either overblown clichés (death-obsessed goth girl? Check. Drugged-out drummer with mod haircut? Check check. Ubiquitous use of eyeliner? Check check check!) or ridiculously annoying people who you'd never spend six seconds with in real life.

Script-wise, this is a soggy mess. There are three people credited with the story, which makes sense as there are at least three movies stitched together. My guess is that Dave Warner wrote a comedy, Alex Proyas penned a tragedy, and Michael Udesky scribbled in a notebook while tripping on liquid acid. Then each of them tore out every fourth page of his script, threw the remaining pages up in the air, and stapled the resulting mess together.

The, um, cinematography is aggravating. Tarantino is not hip, MTV is not edgy and that disjointed text-on-screen technique went out of vogue around the 1890's. As for the trip/rave/ingestion scenes, they're as effective as PSAs: Don't do drugs! Why? They're boring as all get-out.

Overall this is a sickeningly inauthentic movie. The acting is laughable, the comedy is unfunny, the pathos makes you hate these people even more than you previously did. All the tattoos look like they were drawn on with Magic Marker. And the band's total playing time is less than two minutes. 90 seconds of that is a fantasy scene.

The ONLY reason to acknowledge the existence of this celluloid horror is its soundtrack. Featuring the Jam, the Femmes, the Cure, Roxy Music and Tom Jones - that's entertainment. Just buy the record and skip this movie entirely.

Do yourself a favour and see "The Wannabees" (about a gang of foul-mouthed thugs who become the country's most successful children's show), "Razzle Dazzle" (about a failing dance instructor and a bunch of fellow losers trying to coach a bunch of pre-teen girls to victory) and "Garage Days" about... as best as I can summarize... a rock'n'roll soap opera that plays out like a Hunter S. Thompson nightmare (Fear & Loathing in Las Vegas).

"Garage Days" is exactly what a quirky, offbeat, rock'n'roll Aussie comedy should be: quirky, offbeat & full of rock'n'roll. Before I even get to my review, I'll mention some of the tunes on the soundtrack: AC/DC "It's a Long Way to the Top" & "High Voltage", The Cure "Boys Don't Cry", Violent Femmes "Blister in the Sun", Roxy Music "Love Is the Drug", and a particularly hilarious choreographed psychedelic scene set to Rick James "Superfreak". As in Proyas's masterpiece "The Crow", the music really sets the stage for the whole experience.

"Garage Days" follows a month in the life of a struggling punk-metal-grunge-pop band trying to get their one big shot. Along the way we get roped into the common themes of sex, drugs, love & friendship... and the not-so-common themes of creepy goth girlfriends, soul-sucking slot machines and talking cantaloupes. The whole movie comes at you hard & fast, like "Amelie" on crack.

Quite surprising for director Alex Proyas, master of the cinematic shadows ("The Crow", "Dark City")--it's very bright and lively. If you're a fan of Proyas, you must see this side of him. Much like Tim Buton who did "Batman" as well as "Peewee's Big Adventure", Proyas proves that there's a fine line between darkness & light, and he's able to cross it seamlessly.

A note for us Yanks, it helps to watch it with the subtitles because the Aussie accent can run over you like a rabid kangaroo. And some of the quips are priceless, you don't want to miss a beat. I found the script to be hilarious, the acting charming, the story suspenseful and the presentation memorable.

Tastes may vary, but I found each character to be instantly likable, from "Freddie" (an odd mix of Peewee Herman and a young Christopher Walken) to "Tanya" (a punk rich girl who sports the perfect blend of hot, cute & badass), "Lucy" (Henry Rollins meets Billy Idol meets Mongo from Blazing Saddles), "Joe" (a puzzler who is best left for you to decipher), "Joe's dad" (an aging rocker who himself is more childish & clueless than his son), all the peripheral characters who did a stellar job, and then there's the guy who steals the show "Bruno" their loser manager (played by Russell Dykstra from the aforementioned "Wannabees").

There aren't many well-known movies I can compare this to because it's so unusual, but if you've seen the hilarious Japanese flicks "Kamikaze Girls", "Swing Girls" or "Otakus in Love" I'd say this fits right alongside them. It also reminded me a bit of the funny Rainn Wilson flick "The Rocker", only pumped up with twice the adrenaline and totally Aussified. If you like rock'n'roll comedies, do not miss this!

This film taught me an important lesson. Don't choose a movie based on the past works of the people who made it (which works both ways, actually).

I was expecting a film directed by Alex Proyas to be at least half-decent, but was unpleasantly surprised.

This film has a storyline so lame it's funny, mediocre dialogue, truly appalling acting (with one or two exceptions) and superfluous special effects. Don't waste your time with it. I watched it with my girlfriend and we were ready to switch it off after 10 minutes. We gave it another 10 minutes to see if it improved - nope. Back to the Loch with you, Nessie!

Well, I got mixed feelings about this movie after I saw it. The story is not really bad... and it tries to show what Rock And Roll is about... dreams! But the band image...... I think it happened as many other Rock And Roll movies. The band doesn't look real, it looked as a fake, hand-made band. There's no authenticity in the band. They look like some kinda punk-garage band (specially the bass girl), but the song they're playing at the end sounds as an 80's power ballad or so. The guy doing drums looked more like a techno-whatever D.J. And the other band, the one that it's supposed to be the successful band, is called "Sprimp"... what kinda name is that, for Christ sake?