Stranded

Once you get past the first 20 minutes, which contains the worst of the acting and the expository dialogue that invariably that starts with "As you know, Mars/the spaceship/our oxygen supply...," this is an enjoyable and intelligent movie. Actually, with the proviso that this is indeed science fiction with regard to the more fantastic elements, they made a better fist of the science and technology than any of the Hollywood blockbusters about Mars. The production values are surprisingly high, although real space nerds will notice that the interior of the mars landing spaceship bears more than a passing resemblance to a shuttle mock up and Blake's 7 fans will notice the wandering-down-the-same-corridor-with-different-lighting trick.

I wish there were more science-fiction films like this one being made today.

I can't understand all the negativity towards this flick! Here's a modest little film that doesn't depend on huge special effects and gratuitous action sequences in order to tell a cracking little story, with enough twists and turns to keep an old sci-fi fan like myself guessing until the end.

The premise is certainly nothing we haven't had before (think "Mission to Mars", or "Robinson Crusoe on Mars"), but this particular storyline was dense and well paced, no loose ends, everything for a purpose.

The other aspect of the movie I liked was the atmosphere that it managed to build through, what I think, are all the things that people have criticized it for.

It had a sense of calm, other-worldliness, to which the non-US accents, and at times off-beat delivery by some of the actors contributed. The dialog is more naturalistic than in a big-budget Hollywood action sci-fi flick, and this may be why some people found it "weird".

Some of the dialog was a bit corny, but I think deliberately - a little tip of the hat to earlier tales of that ilk (one of the characters conspicuously starts quoting from "John Carter of Mars" at one point, and we feel we're in an entirely different movie for a moment)

The sedate narration from the main actress, the gorgeous locations shots, and even the interior of the Martian complex with its mysterious technology, all contributed to a dream-like and alien quality invoked by this movie.

Great fun!

Rating - 10 out of 10.

My experience of this movie was mostly one of regret and longing for what it could, with minor improvements, have been, tempered with respect for what I believe its creators were trying to accomplish – in the words of its own website "…to excite audiences with a story that will seem credible and dramatic…".

To do this, they appear to have made, and succeeded in, and effort to avoid practically every sci-fi action cliché. This movie is essentially documentary in form, distinct from a true documentary in that it describes purely fictional events and people. On one level, this is refreshing, on another, tedious, but on any level, it is not cliché.

To succeed with this approach, however, a film's realism, with all the details that go into it, must be virtually flawless, so that well-science-informed viewers – who are likely to be the only people audience to fully appreciate and enjoy such a film – do not have their suspension of disbelief abused by such impossibilities as space helmets with visible gaps in their supposedly airtight seals, etc. Failure of such critical details effectively ruins the film beyond redemption, even if it succeeds brilliantly in other areas, such as the rendering of a convincing-looking Martian landscape.

Another area it can fail is if some or all of the characters fail to behave according to the well-informed viewers' expectations of how well-trained astronauts – or the viewers themselves - would behave. Though the interaction of the characters in "Stranded" seems genuine and realistic on occasion, it often doesn't, and, upon discovering the incredible, these supposed scientists and adventurers seem devoid of even normal curiosity. The only line of characterization that consistently feels real is the awe they feel at the beauty of the Martian surface and sky, despite the lethality these threaten.

I believe that the right technical consultant could have made this movie a classic on a par with "2001: A Space Odyssey" – while clearly made on a tighter budget, "Stranded" avoids the confusing metaphysical finale that many feels marred "2001". As it stands, I expect this movie will be lost and forgotten in the worlds discount DVD bins with barely a ripple in science fiction fandom. Even with its inevitable movie channel rotation, I will be surprised if it gathers 1,000 votes on IMDb.

A seven-man crew of international specialists formed by Commander Andre Vishniac (José Sancho); engineer Luca Baglioni (Vincent Gallo); doctor Jenny Johnson (Maria de Medeiros); astrobiologist Fidel Rodrigo (Joaquim de Almeida); pilot Susana Sánchez (María Lidón); geologist Herbert Sagan (Danel Aser); and pilot Lowell (Johnny Ramone) travels to Mars to explore the planet. On the arrival, Lowell stays in orbit in the mothership while the crew lands on Mars. However their spacecraft crashes on the planet and Vishniac breaks his neck. They learn that they are stranded in Mars and Lowell returns to Earth to bring a rescue team. Soon Luca calculates the oxygen, water and supplies and concludes that there are enough for only two of them survive until an eventual rescue team comes to Mars twenty six months later. They decide that the engineer Luca and doctor Jenny should be the ones to stay in the spacecraft due to their specialties. Susan, Rodrigo and Sagan wear their spacesuits to explore the planet and die. But while there is life, there is hope.

"Stranded" is an anguishing low-budget sci-fi developed in very slow pace that builds up tension. The plot is realistic and the pragmatic Luca is a hateful but coherent character. The beautiful cinematography shows the arid landscape of Mars as a hopeless environment for human life. The surprising conclusion gives hope to the survivors to be rescued one day alive. My vote is six.

Title (Brazil): Not Available

I originally rented this movie as something to watch while my mom and sister watched "Must Love Dogs" in the other room. Within ten minutes I found myself preferring the chick flick. The opening scene of the movie was all I needed to realize I had just wasted five and a half bucks. The film begins with a newscast in which a reporter sets the scene for the rest of the film. A good idea, right? Except that the reporter delivers in a deadpan. He says, "This is a historic moment" in a voice you'd probably expect to hear in a lecture on earwax. The rest of the movie follows this pattern to the point where I wanted to throttle the lead actress while screaming, "Have you even READ the script?" In short, I've seen beer commercials with better acting, better writing, better special effects, and better story lines.