Füge eine Handlung in deiner Sprache hinzuA witty, touching comedy-drama about a thirty-something gay man who is surprised to find himself falling in love with a woman.A witty, touching comedy-drama about a thirty-something gay man who is surprised to find himself falling in love with a woman.A witty, touching comedy-drama about a thirty-something gay man who is surprised to find himself falling in love with a woman.
- Nominiert für 2 BAFTA Awards
- 2 Gewinne & 5 Nominierungen insgesamt
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Russell T. Davies, the creator and writer of Channel 4's hit gay drama "Queer as Folk" (1999) has come up trumps again with this warm, touching comedy about thirtysomething schoolteacher Bob who, having been happily gay all his adult life, has a chance meeting with feisty Rose and finds - to his amazement - that he fancies her.
Alan Davies (BBC1's Jonathan Creek) is perfectly cast as likeably diffident Bob, while Lesley Sharp is excellent as no-nonsense Rose. The supporting cast, too, give beautifully judged performances: Daniel Ryan is heartbreaking as Rose's boyfriend, Andy, as is Jessica Stevenson as Bob's colleague, Holly, who secretly carries a torch for him. Penelope Wilton puts in a hilarious turn as Bob's mother, who regularly embarrasses him in public by being a vociferous campaigner for gay rights.
As with Queer as Folk, the joy of Bob and Rose lies in the way it skilfully blends laugh-out-loud comedy and painfully recognisable human dilemmas. You find yourself rooting for this unlikely couple, yet wondering how a writer of Davies's calibre will resolve the situation happily without recourse to sentimental cliché.
Alan Davies (BBC1's Jonathan Creek) is perfectly cast as likeably diffident Bob, while Lesley Sharp is excellent as no-nonsense Rose. The supporting cast, too, give beautifully judged performances: Daniel Ryan is heartbreaking as Rose's boyfriend, Andy, as is Jessica Stevenson as Bob's colleague, Holly, who secretly carries a torch for him. Penelope Wilton puts in a hilarious turn as Bob's mother, who regularly embarrasses him in public by being a vociferous campaigner for gay rights.
As with Queer as Folk, the joy of Bob and Rose lies in the way it skilfully blends laugh-out-loud comedy and painfully recognisable human dilemmas. You find yourself rooting for this unlikely couple, yet wondering how a writer of Davies's calibre will resolve the situation happily without recourse to sentimental cliché.
10Cazanya
It is to typical of people complaining about something when they no nothing about it...So this is about a gay man falling for a straight women. First of all...This is a true story so you cant say its not believable Second its written by a gay man so the whole thing about this being against the gays are just plain stupid. Personally I think this was the best love story I've ever seen. And I am very pro gay. I think this shows that real love is about personality not just looks and sex. And it has nothing against anyone who is gay, straight or bi unlike so many other shows. Maybe we in Europe take to it more cus most TV here are a bit deeper and make you think more then American TV...Plus we don't fear when it comes to showing certain things.
If you want something funny with one of Englands best (Lesley Sharp) and you want to see a decent believable love story without too much sap this is for you. I know I love it
If you want something funny with one of Englands best (Lesley Sharp) and you want to see a decent believable love story without too much sap this is for you. I know I love it
I'm only a few episodes into 'Bob & Rose' as I write this, but the programme is already shaping up to be a far superior product to Russell Davies' last TV hit 'Queer As Folk'. Daring and provocative (and just damn-well needed) as that series was, it always smacked of 'preaching to the converted'.
'Bob & Rose' is a far more more mainstream affair than 'QAF', but in many ways is slowly proving to be more subversive. The characters in 'QAF' lived almost exclusively in the gay ghetto and thus the series sometimes seemed to avoid addressing the more common truth about those of us who attempt to live an open gay lifestyle whilst also operating in the 'real' world. By making 'Bob & Rose' a gay/straight affair, Davies has succeeded in telling a few home truths about the strained relations that exist within the supposed 'liberal' masses, who may be comfortable with gay lifestyles in the abstract, but who often react somewhat differently when faced with the less glamourised reality. The writer has, as a result, produced a far more profound and touching study of (shifting) sexuality than his - perhaps in retrospect - overrated last work.
Moreover, the language is frank and realistic throughout, avoiding the overbearing coyness that other gay/mainstream programming ultimately suffers from (I'm talking to you, 'Will & Grace'!)
One minor quibble, though, in relation to Alan Davies' character. I've been 'out' for almost 5 years now, and I have yet to have met any self-respecting gay man sporting a 'wet-look' shaggy perm. We're talking 'meek suburban white boy sporting early-eighties Rick James jeri-curls' here. Please sort your barnet out in time for series 2, sweetheart....
'Bob & Rose' is a far more more mainstream affair than 'QAF', but in many ways is slowly proving to be more subversive. The characters in 'QAF' lived almost exclusively in the gay ghetto and thus the series sometimes seemed to avoid addressing the more common truth about those of us who attempt to live an open gay lifestyle whilst also operating in the 'real' world. By making 'Bob & Rose' a gay/straight affair, Davies has succeeded in telling a few home truths about the strained relations that exist within the supposed 'liberal' masses, who may be comfortable with gay lifestyles in the abstract, but who often react somewhat differently when faced with the less glamourised reality. The writer has, as a result, produced a far more profound and touching study of (shifting) sexuality than his - perhaps in retrospect - overrated last work.
Moreover, the language is frank and realistic throughout, avoiding the overbearing coyness that other gay/mainstream programming ultimately suffers from (I'm talking to you, 'Will & Grace'!)
One minor quibble, though, in relation to Alan Davies' character. I've been 'out' for almost 5 years now, and I have yet to have met any self-respecting gay man sporting a 'wet-look' shaggy perm. We're talking 'meek suburban white boy sporting early-eighties Rick James jeri-curls' here. Please sort your barnet out in time for series 2, sweetheart....
Bob and Rose is a terrific love story, full of humor, misunderstandings, sex, hurt, and love. Like most relationships. And it's a story that wraps you up in it; you root for this couple. You have to stay and find out what happens to them.
This story was really ahead of its time. Just like true racial equality will come when race is no longer even a subject, sexual equality will come when people no longer use labels and just love who they love, period.
Bob and Rose (as well as many of those around them) go through some confusion about their relationship because it doesn't fit the molds society has created. Their relationship would be much simpler if those molds didn't exist. But right now, they do exist.
What does it mean that Bob has always been gay, but is now in love with a woman? What does it mean that Rose is in love with a man who has always been gay?
It means they fell in love. That's all.
Bob maintains that he is a gay man who just happened to fall in love with a woman. He hasn't become "un-gay" or "changed teams," he just fell in love. This reminds me of what another Russell T Davies character said several years later: when Ianto Jones of Torchwood tries to explain his love for Jack Harkness to his sister, she asks when he became gay; his reply is that "It's not all men. It's just him." He just happened to fall in love with another man.
Would that the world let it be that easy. Hopefully one day it will be.
Bob and Rose is a very good, very real love story. There are realistic conflicts and problems and the solutions are not always clear-cut. It is well worth your time to watch it. And you're going to wish it was longer.
This story was really ahead of its time. Just like true racial equality will come when race is no longer even a subject, sexual equality will come when people no longer use labels and just love who they love, period.
Bob and Rose (as well as many of those around them) go through some confusion about their relationship because it doesn't fit the molds society has created. Their relationship would be much simpler if those molds didn't exist. But right now, they do exist.
What does it mean that Bob has always been gay, but is now in love with a woman? What does it mean that Rose is in love with a man who has always been gay?
It means they fell in love. That's all.
Bob maintains that he is a gay man who just happened to fall in love with a woman. He hasn't become "un-gay" or "changed teams," he just fell in love. This reminds me of what another Russell T Davies character said several years later: when Ianto Jones of Torchwood tries to explain his love for Jack Harkness to his sister, she asks when he became gay; his reply is that "It's not all men. It's just him." He just happened to fall in love with another man.
Would that the world let it be that easy. Hopefully one day it will be.
Bob and Rose is a very good, very real love story. There are realistic conflicts and problems and the solutions are not always clear-cut. It is well worth your time to watch it. And you're going to wish it was longer.
I have watched all but the last episode of this series and really look forward to finding out how the the story pans out. The characters are fully believable and likeable -warts and all. Alan Davies is developing into a credible actor and has shed the lisp (?) and the overgrown-boy-image.
Bob's mother (played by Penelope Wilton) is an absolute hoot and would drive any son to drink, gay or straight. A lovely, gentle series, funny but not shallow - it puts a smile on your face.
Bob's mother (played by Penelope Wilton) is an absolute hoot and would drive any son to drink, gay or straight. A lovely, gentle series, funny but not shallow - it puts a smile on your face.
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- WissenswertesRussell T. Davies would later cast Penelope Wilton in the recurring role of Harriet Jones Doctor Who (2005). Jessica Hynes appeared in Human Nature (2007)/The Family of Blood (2007) and The End of Time: Part Two (2010), while Lesley Sharp and Daniel Ryan appeared in Midnight (2008).
- VerbindungenFeatured in Drama Trails: 'Cold Feet' to 'A Touch of Frost' (2008)
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