Ein junger, mitfühlender Mann kämpft darum, seine Familie und Freunde vor der missbräuchlichen Ausbeutung durch seinen kaltherzigen, habgierigen Onkel zu retten.Ein junger, mitfühlender Mann kämpft darum, seine Familie und Freunde vor der missbräuchlichen Ausbeutung durch seinen kaltherzigen, habgierigen Onkel zu retten.Ein junger, mitfühlender Mann kämpft darum, seine Familie und Freunde vor der missbräuchlichen Ausbeutung durch seinen kaltherzigen, habgierigen Onkel zu retten.
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Hopefully, most people are still satisfied to see good people triumph in the end. With a Dickens story, you know there will be a lot to overcome, too, and lots of suffering and heartache along the way to a happy ending.
Douglas McGrathdid a fine job directing this film. Dick Pope, director of photography (cinematographer) made England look as beautiful as any Merchant-Ivory film I've seen. Start-to-finish the landscape of England never looked prettier. Pope performed the same kind of magic two years later in "The Illusionist," a gorgeous-looking movie. Kudos to Rachel Portman for a magnificent score, too, with a beautiful, sweeping theme song. This movie is a treat for the ears, as well.
Charlie Hunnam as Nicholas Nickleby was adequate; Christopher Plummer as his Uncle Ralph was very good and Jamie Bell as the unforgettable "Smike" was excellent. It's hard to believe he's the same kid who played "Billy Elliott" just a couple of years ago.
Jim Broadbent and Juliet Stevens as the wicked, evil husband-and-wife-team who run DotheBoys Hall, a boys boarding school, were also memorable. Dickens also had cruel people mistreating little boys and these two personify cruelty.
Two beautiful women: Anne Hathaway's as Nicholas' love "Madeline Bray" and Romola Garai as his sister "Kate" were both pleasant and easy on the eyes. As for supporting actors, I enjoyed them all as well, getting an extra smile from Timothy Spall and Gerald Horan and "Charles and Ned Cherryble" The same can be said for Nathan Lane and Alan Cumming, who provide much-needed comic relief and whimsy.
I did not recognize Tom Courtenay as "Newman Noggs." I guess I still picture him from his younger and much thinner years. It's been almost 25 years since I last saw him in "The Dresser" and he's changed quite a bit.
One other thing that was fun to observe in this film: everyone's vocabulary! , I loved how they expressed themselves, the good and the bad people
Of the many well-put sentences delivered in this well-intentioned and high-minded film, I remember Nickleby saying near the end,
"Weakness is tiring, but strength is exhausting."
What our perceptions are, will not be so elite as my fellow commenters here, but if you want a straight unbiased perspective on this film, do read on.
We found the acting inspirationally good. We would stop at times to comment to one another how excellent the acting is. Especially when Nicholas gets into a fury over his sister in Hawk's face. When he gets angry at the schoolmaster, Squeers, is equally good. The actors did a great job and the film was at once both charming and idyllistic and at other times, cruel and unforgiving. It definitely portraits a time long since past, a way of thinking, the gentry and the way society was at the time within a fictional story written by Charles Dickens. This is another version written by someone else. Regardless, it has its own merits. There are ALWAYS elitists around to hen scratch at any and all adaptations of classic works to film and usually it looks to me to be on principle alone if nothing else. The last comment said the acting was terrible, but really, it was fantastic, so I don't think they even watched beyond like 15 minutes of the film or whatever point they believed it deviated from the book. Let's face it, I haven't even read the book, but I know it would take many hours of time like the extended versions of the complete Lord of the Rings to capture it faithfully, in which case I wouldn't have finished watching it because it would be a) too damn long and b) far too boring because it'd be faithfully like Dickens. This version is shorter and appeals to me a lot more than the drivel shoved down my throat in the classroom at an age when I actually appreciated classic literature far more. And to reinforce this point, I don't remember a damn thing from that, because it was so boring.
So it is NOT the faithfully adapted verbatim snorefest it would have been. It is a very good film. I think only Dickens fans will moan about it. Otherwise, no one else would have a problem with it. Everyone's a critic. I don't usually post here, hardly ever post anywhere. But this is a great film and I came here to IMDb just to see who played Nicholas. Ladies will want to watch it just for his looks <.<
I must say I have not read the book. I enjoyed the film a lot, and hence I was surprised by the overwhelmingly negative comments on this site. I found the characters likable, believable and distinctly human. I enjoyed the interaction between good and evil characters, especially between Nicolas and Ralph. The story is tightly woven, and there is not a scene where it is followed up later. The presence of Anne Hathaway is a surprise, and her English accent is excellent! I found the ending particularly moving, and I would certainly recommend this movie to other people.
Wusstest du schon
- WissenswertesAt the request of production designer Eve Stewart, writer and director Douglas McGrath advanced the time from the 1830s to the 1850s, so she could incorporate elements of the Industrial Revolution in her design plans.
- PatzerWhen Nicholas leaves Madeline's apartment for the first time, it appears to be in the basement. When he rushes to save her from marrying Mulberry Hawk, he runs up many flights of steps to get to the apartment.
- Zitate
Mr. Crummles: In every life, no matter how full or empty one's purse, there is tragedy. It is the one promise life always fulfills. Thus, happiness is a gift and the trick is not to expect it but to delight in it when it comes. And to add to other people's store of it. What happens if too early we lose a parent, that party on whom we rely for only everything? What did these people
[indicating Nicholas, Kate and Madeline Bray]
Mr. Crummles: do when their families shrank? They cried their tears but then they did the vital thing. They built a new family, person by person. They came to see that family need not be defined merely as though with whom they share blood, but as those for whom they would give their blood.
- Crazy CreditsThanks to everyone at One Aldwych.
- VerbindungenFeatured in The 60th Annual Golden Globe Awards (2003)
- SoundtracksOn Ilkla Moor Baht 'at
(uncredited)
Traditional Yorkshire folk song; sung to the Methodist hymnal tune "Cranbrook" (1805) (uncredited), written by 'Thomas Clark'
Performed by Kevin McKidd (uncredited), Helen Coker (uncredited), and Jim Broadbent (uncredited)
Sung by John Browdie and Tilda while on their honeymoon in a London public house, accompanied by Mr. Wackford Squeers
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Ніколас Ніклбі
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.587.173 $
- Eröffnungswochenende in den USA und in Kanada
- 42.864 $
- 29. Dez. 2002
- Weltweiter Bruttoertrag
- 3.651.462 $
- Laufzeit
- 2 Std. 12 Min.(132 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1