Timeline

I've read the book more than once, and completely understand Michael Crichton's objections to this film adaptation. I also understand why so many who enjoyed the book feel the same way. But, a film adaptation is a film first and an adaptation second. As an adventure epic with a science fiction foundation, it's not that bad. The pacing is adequate, the character development sufficient to engender interest in the various players' fates and the overall cinematography journeyman proficient. If you have a few hours on a rainy day, and haven't read the book, have at it, and enjoy!

An archaeological outfit formed by young students (Paul Walker, Frances O'Connor , Gerard Butler and others) using a time machine go back to ¨100 years war¨ where starring's father (Billy Connolly) before had gone and lost .

The protagonist group will have to confront deal of dangers and adventures and will fight between English and French army . As a group of medieval re-enactors were used for soldiers in battle sequences . The crew of the movie visited various European castles from around that period , the late 1300s , to make the castles and towns look as realistic as possible.

The runtime film is adjusted about hundred minutes and for that reason isn't boring , neither tiring . The movie blends action , historical events , suspense , medieval battles and is enough amusing . The picture didn't fail at the box office but wasn't a real success either . From the start until the ending the action and the fast-moving is continued but there is a wrong pace . The picture is partially based on historical events ; however , the battle of Castlegard is not an actual historical deed . Very good cast such as Gerard Butler , though Pierce Brosnan turned down the role of Andre Marek ; in addition , Paul Walker , David Tweliss , Anna Friel and a beautiful Frances O'Connor .

Brian Tyler's musical score is outstanding and nice cinematography by expert cameraman Caleb Deschanel . Direction by Richard Donner is average , in spite of a lot of good films he has directed . The picture will appeal historical period buffs and battles lovers . Rating 5,5 /10 , mediocre .

Sorry, the book had so much potential to be turned into an awesome film. But this low-budget crap with pathetic screenplay, well, kinda dishonored Crichton. All the book-to-film changes (Yes, all!) slowly destroyed the film. Paul walker looks fine like Chris but he cannot act; and Frances O'Connor is a fine actress but the role of Kate isn't for her. Gerard Butler on the other hand might be one good thing in the whole film. The multiverse-travel scene is a total disaster. The character development of the lead people, and also Doniger, is left behind which took away much taste from the story.

Reading the book is more recommended.

There's a reason why time travel has remained a staple of science-fiction for more than a century - human beings will always be curious about the past as well as the future. To be able to fix past mistakes with the advantage of hindsight or to know what to expect in the years to come are basic human desires common to everyone.

The producers of "Timeline" may have benefited from owning a time machine. If they had taken a ride in Marty McFly's DeLorean they might have been able to prevent the mistakes in casting and scripting and made something that lives up to the idea's potential.

An archeological team led by Professor Edward Johnston (Billy Connolly) is excavating the ruins of Castlegard, site of a medieval battle between the French and the British during the Hundred Year War. Johnston's son Chris (Paul Walker) is visiting, a man not interested in the past but in getting closer to his father's assistant Kate Erikson (Frances O'Connor).

Trouble arises when Professor Johnston goes to his benefactor, the International Technology Corporation, to get more funds and information about why they are so interested in Castlegard. When he does not return Chris, accompanied with Kate, historian and medieval weapons expert Andre Marek (Gerard Butler), physics expert Dave Stern (Ethan Embry) and Francois (Rossif Sutherland) head to the company headquarters to figure out where Johnston has gone.

It seems ITC, lead by Robert Doniger (David Thewlis), has stumbled onto a worm hole that leads back to 1357 while trying to perfect teleportation. Professor Johnston went back to see the era first-hand but got stuck there, and now his students must go back to rescue him. However, there's a catch, the group must collect him in six hours, otherwise they'll be stuck in the 14th century forever.

The movie could have been great had the filmmakers taken more time to examine its premise, but as it stands the plot is just mechanical. Once in the past the group just goes from one incident to another in a single-minded goal of rescuing Johnston.

There is no moment of wonder at the medieval world or any insights that looking into the past might reveal to 21st century travelers throughout the film. The visitors' knowledge of the area and upcoming battle do indeed come in handy, but they use this information only to survive and not to learn anything worthwhile.

The movie certainly looks good, with some fine attention to period details. The clothing and buildings look authentic, though the people inhabiting them are a bit cleaner then they would have been. The siege on the castle is also well filmed with trebuchets and catapults launching flaming bombs at Castlegard.

However, for a movie about survival and battle, everything is handled apathetically. The characters seem to be going through the motions when delivering their lines and there isn't much tension in the fight scenes. It adds up to a boring action movie, and boring is one thing an action movie should never be.

It's also funny to see a film so selective about being authentic, such as making it a point that modern people should not carry modern equipment with them to influence history, but having medieval characters speak modern versions of English and French. It's also a strange that the movie takes sides, portraying the English as evil tyrannts and the French as noble defenders of their home. In reality, both sides were ruthless during that era.

As an actor, Walker comes off as a poor man's Keanu Reeves. You read that right - Walker makes Reeves look like a nuanced performer by comparison. He shouts lines with little conviction and acts like a dork through most of the film.

In fact, with the exception or Butler's Marek, it seems like amateur night in the acting department. A scene where O'Connors' Kate breaks down crying will have people laughing. Even Embry, normally an okay actor, gives an unmoving performance. His character stays behind in the present and comes off as the "self-righteous scientist" who squares off against Thewlis' heartless business man, a typical feature of this movie type.

Director Richard Donner once made great movies like "Superman" and "Lethal Weapon" but can't rescue this mess. It's been five years since he's done a movie, and he seems rusty. The camerawork and set design are both excellent though, and belong in a better movie.

Like most stories by Michael Crichton, "Timeline" makes scientists into noble humanitarians and corporate heads into greedy slime to create artificial drama, and it comes off as exploitive pabulum that detracts from where the attention should be, on the action.

Since the action isn't good, what's left is a story where the heroes cry, complain and act selfishly while the movie tries to convince us that they're intriguing characters we should care about. "Timeline" is a wholly forgettable experience, and memories of the movie will be teleported out of the minds of the audience not long after leaving the theater.

Five out of ten stars. Just stick to the "Lethal Weapon" series Mr. Donner, and Mr. Crichton, please exhibit caution before letting another one of your novels be ruined with a horrible on screen versions (but then, you haven't had a good reputation of doing that).

I really enjoyed Richard Donner's Timeline, despite some bad reviews and an awful reputation. It's based on a book by the great Michael Crichton, and centers around what is one of the most fascinating and enjoyable premises out there: time travel. There's nothing like a time travel flick, in any way, shape or form. I'm a sucker for them. This one starts off with an archaeological dig somewhere in England, leading to the abrupt discovery of forces that allow a wormhole in time to be used, sending people back to the middle ages. Paul Walker discovers that his researcher father (Billy Connolly) has made the leap back in time, and may be in trouble. Along with his sort of girlfriend (Frances O Connor) and his father's friend (Gerard Butler) they venture back to find him, and of course everything goes wrong. They land smack in the middle of a skirmish between a poncy English lord (Michael Sheen) and the leader of the French faction (Lambert Wilson), with no identities, nothing to defend themselves with and not a clue what to do. Back home in our time (or, rather, 2003. Time flies, don't it?), the head of the program responsible for harnessing the wormhole's power (a slimy David Thewlis) is a greedy prick who can't really be trusted with the technology, prompting the suspicion of his assistant (Matt Craven). Walker, Butler and company are now faced with a full on castle siege that's quite the dandy set piece, forced to take up arms and fight for their lives as well as a way home. Walker is amusingly out of place in a medieval setting but it works considering the plot. Butler is terrific, bringing his old world style to a character arc that is lovely to see play out. Connolly, although not in the film that much, lights up the screen with his genial kindness and likability that he brings to every film. Neal McDonough, Anna Friel and Marton Csokas also costar. It's simply an adventure piece that doesn't think logistics too much, and in turn doesn't require you to do so either. Underrated stuff.