Firefly: Der Aufbruch der Serenity

I have to admit, I had serious doubts about this show. I hate westerns, and a sci-fi/western combination sounded like a really bad show concept--especially since the most recognizable actor in the show was a guy who had a minor part in Two Guys, A Girl, and A Pizza Place (itself a pretty forgettable show). But I found myself getting drawn into this series very quickly. It is very witty, as well as suspenseful. The characters are a lot of fun, too. It is definitely a little quirkier than most of the shows out there, but is that really a bad thing? I loved the banter, loved the acting, and was very disappointed to watch the last episode last night. This show deserved better than to be canceled in the middle of its first run. I'm guessing that the humor was too high-brow for most of the TV watchers of the world.

There is one big premise that you have to swallow in order to like this show. If you can't cope with it, you won't like it, because it will smack you in the face in every episode.

It is like the James Bond movies, if you don't accept, as a premise, that Bond, James Bond, can do everything, fly, drive, shoot, use *every* piece of machinery on the planet, that he can shoot better than all his adversaries (who all miss, all the time) and gets *all* the babes, if you don't accept this, you have to hate James Bond movies, because they are ridiculous. We talk about suspense of disbelief.

The one thing you have to swallow, without thinking about it, is, that in this particular science fiction universe, the future looks like this:

You have core planets, which are like one would imagine future worlds: Big, beautiful buildings, hight tech gadgets, spaceships and shuttles, modern weapons (some that don't kill by using some kind of sonic boom), flat displays, a modern, digital credit system instead of localised currency, a totally diverse people influenced by every imaginable culture, heavily influenced by the chinese society, the only remaining superpower besides the USA and so forth.

But, and this is a capitalized BUT: There are also the outer rim planets. They don't have a developed infrastructure and such. Settlers are dumped on planets with next to nothing, exploited to recover raw materials, used as cheap labor, trying to survive. Still sounds reasonable, no? The catch is: all these outer rim worlds look like you have been thrown into a cheap spaghetti WESTERN movie.

They trade cows, they use old revolvers, drive horses and dress in western-style garments. You have little, old, dirty small villages with a saloon and stuff. These outer rim planets, out of reach of the civilised Alliance, are a no-mans-land, with superstitious, uneducated fools, where the strong fist rules - if you have the most men and guns behind you, you are the law. The poor grunt is like the cowboy in a typical western movie.

Hard to accept? Partially yes, of course. But there is logic in almost everything: there are future references everywhere! Real food (as opposed to synthesized proteins) is a rare commodity, the RICH guys have laser guns or state of the art display devices.

And - they stay true to this premise throughout the show, which is a rare thing in today's entertainment.

But apart from this (for some) hard to accept premise, this show is the most entertaining, clever, realistic(!), funny, imaginative, creative, thrilling piece of entertainment I had the pleasure of viewing (by downloading it from the internet) in years (don't get me wrong: I downloaded it because I live in Germany and the show was never aired here, and I asked my brother, who lives in the USA, to get me the DVD as a christmas present - and he did)

As for realism: Why do they still use guns to kill people, why not lasers like in Star Trek (which i am avid fan of)? I say: guns kill people, bullets are cheap. Guns get the killing done. (And there are modern (bullet) guns and lasers in the show, they exist, they are simply not widespread and only available to the rich.

No sound in space - a little thing with big impact. Not only is it realistic, but it adds to the atmosphere. Instead of ridiculous sound effects the scenes in space are underlaid with vivid music, only emphasising the vastness and nothingness of space.

The basics of the universe comply with our world. In the outer rim, where modern civilization hasn't gotten a foothold yet, things - which are to us - common, are valuable merchandise! Just imagine the third world... How much worth are medicine, guns, food there? There are (to us) barbaric customs in uncivilised areas of the world and all this is being portrayed in the show.

The Plots are great, not like in Enterprise where you seem to have seen everything somewhere before, these plots are unique, thrilling and exciting. I have seen episodes where I thought "ok, I get it" and then *wham* the story turns into a totally different direction. Surprises at every corner.

The show is so refreshingly politically incorrect, I don't want to give away plot details, but there are situations you know from your movie/series experience and think OMG there we go again (Hostage situations someone?) and then*boom* - the protagonist does EXACTLY what WE would wish to do but which every movie/series is afraid of doing because it is not PC.

The characters are three dimensional and so well laid out. This "family" on board a little spaceship, a confined space(!), with all their motivations, quirks and problems, trying to get along and achieve their goals, are so believable and make for a hell of a ride.

The creators of this show have, in the first 14 episodes, established plots, characters and atmosphere that other science fiction series have only managed to achieve - if ever - in the last seasons of their time on air.

Such a pity that most American viewers couldn't see behind a bold, unique, hilarious - if difficult to accept at first glance - premise... and see the beautiful gem of a show behind it.

FOX must have the greatest talent scouts in the world, but the worst executives. "Firefly" is the best example. It was simultaneously the best new show, the best western series in decades, and the best sci-fi show on TV (and coming from a die-hard Trekkie, placing them above "Enterprise" is saying something). They didn't have a single bad episode, and some were spectacular. The premise, the characters, the plots and the dialogue were all top-notch. And FOX cancelled it without even really giving it a chance.

Maybe the show couldn't stand in the end. Maybe I'm alone in this, and there aren't enough fans to justify what the show cost. But making that call after half a season, with half of the episodes pre-empted for baseball playoffs was a phenomenally stupid thing to do. That show should have been here to stay, and it got axed without a chance to prove itself. I only pray the movie works out. At least we'll have something.

As with BtVS, the world is divided into people who get Firefly and people who don't. In this series Joss Whedon created one of the most realistic post-war visions of the future ever committed to tape, that at the same time spoke about yesterday and today. Maybe a little too much today for its own good.

The series is anti-corporate, anti-government and, while it takes the stand that some things are worth fighting for, it is largely anti-war. No wonder FOX did everything in its power to kill it off, including airing episodes out of order, skipping weeks after airing only three eps and, inevitably canceling the show without even airing episodes 12, 13 and 14 (out of 15). This was particularly damaging, as Firefly had a greater sense of ongoing plot than any other Whedon series in its first year. Viewers were left wondering, on more than one occasion, when a character would reference something we hadn't seen yet.

The backstage dramatics aside, Firefly is intelligent and, like Buffy, mythic - except this time Whedon is dealing with the myth of America: the Frontier, the Civil War, the rise of the Corporation, etc . . .

Firefly is a demanding show. It asks its audience to appreciate the shades of grey in its characters' moral scale. The villains are not comfortingly dressed as an alien race. In 500 years mankind will still be its own worst enemy. Technology will be in the hands of a privileged few, and others will in "The Black" - Whedon's frontier third world - where it is possible to exist without the interference (or benefit) of civilization and government. Things will be dirty, and used. Firefly creates a universe that almost totally opposes that of (that bastion of television sci-fi) Star Trek: its Federation-like central power (the Alliance) is interpreted as being oppressive and dystopic. We are on the side of those who resisted (like the Maqui) and lost.

The acting is strong, the writing as excellent, funny and moving as on any Whedon show, and the effects and sets create a consistent, believable world. It is a shame the series didn't have a more hospitable environment in which to grow and become all it could have been.

I felt I had to comment on this show because of another persons negative opinion on it(target audience of 8 or 9 years). I find this show addicting and the characters far more interesting than many sci-fi shows that have gained far more publicity because of their special effects. Each character is very well developed and entices the audience to want to find out more about them. As a personal response as to why weapons haven't developed beyond the space western....several of the episodes show scenes of past and current technology far more advanced than the weapons used in the show on a regular basis.laser guns,magnetic grapplers,floating cities,multiple brain surgeries involving nerve manipulation,killer sonic tech,and much more. The show is set on the frontier of known space with characters that are not rich. A regular western gun is all that can be safely used on a spaceship. Another gun, whether laser or high caliber projectile weapon will pierce the hull and cause major problems for the crew..if not kill them outright.

The social intricacies of the companions and the "Houses" they come from, the military training of the "shepherd" preacher, the developing psionic powers of "the crazy sister-river" and all the others leads me to believe that Whedon put a lot of planning and thought into each character and the personal world they live in. They all seem to have a substantial, believable past. They all seem to have personal goals that are not necessarily tied to the show...as if they could leave at any time if their lives and beliefs take them that way. This comes across as very believable.

While others are entitled to their own opinion, all of this, in my opinion, makes me think this show is worth every penny spent to produce it. I also own it.