IMDb-BEWERTUNG
6,1/10
3609
IHRE BEWERTUNG
Ein Mann hat die Macht, das Schicksal der Vermissten zu sehen - mit Ausnahme seiner eigenen geliebten Frau.Ein Mann hat die Macht, das Schicksal der Vermissten zu sehen - mit Ausnahme seiner eigenen geliebten Frau.Ein Mann hat die Macht, das Schicksal der Vermissten zu sehen - mit Ausnahme seiner eigenen geliebten Frau.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Maria Canals-Barrera
- Esme Palomares
- (as Marí'a Canals)
Anthony Diaz-Perez
- Policeman 1
- (as Anthony Díaz Pérez)
Carlos Kaniowsky
- Rubén Mendoza
- (as Carlos Kaniowski)
María Nydia Ursi Ducó
- Plaza Mother 1
- (as Maria Nydia Ursi)
Handlung
WUSSTEST DU SCHON:
- WissenswertesWhen it became clear that two additional scenes would help the script, a) the quarrel about whether Cecilia should publish her article and b) the flashback scene why Cecilia and Carlos got married, there was a little competition going on between Writer and Director Christopher Hampton and Dame Emma Thompson, who wrote their versions of those scenes. Thompson's version of the flashback scene was finally agreed on.
- PatzerWhen Cecilia is seen by Carlos in the roof of "Casa Rosada", there is a modern surveillance camera near the characters. Those cameras were not available in 1976.
Ausgewählte Rezension
This was truly enjoyable movie in many ways.
The acting was great all around. Powerful emotions were realistically portrayed by seasoned actors, relative newcomers and unknown extras alike. Direction, filmography and locations really come together to set a scene more realistic than most films even aspire to.
This film succeeds in projecting, through the characters, the full range of emotions that any individual must feel when their freedoms are seriously undermined by a corrupt ruling power, the same power that they would normally look to to resolve such issues.
This is not a feel-good movie, and anyone expecting comic relief at any time may be disappointed. This movie sets out to instill feelings in the audience that may help them to relate to the people in the story. It does not abuse concepts such as violence in order to get a kick out of the audience.
Unfortunately, many of those who have posted comments on this movie have failed to grasp part of the point. This is not merely a movie designed to remind the viewer of the past. It intends to remind the viewer that such actions continue to occur worldwide, and that it is only the people themselves who can keep their governments from resorting to such inhumane measures, by reminding their rulers repeatedly that they will not stand for it, in their country or any other.
Frankly, it disturbs me that films this deep go virtually unnoticed by the masses, while flashy but hollow explosion-fests receive awards.
The acting was great all around. Powerful emotions were realistically portrayed by seasoned actors, relative newcomers and unknown extras alike. Direction, filmography and locations really come together to set a scene more realistic than most films even aspire to.
This film succeeds in projecting, through the characters, the full range of emotions that any individual must feel when their freedoms are seriously undermined by a corrupt ruling power, the same power that they would normally look to to resolve such issues.
This is not a feel-good movie, and anyone expecting comic relief at any time may be disappointed. This movie sets out to instill feelings in the audience that may help them to relate to the people in the story. It does not abuse concepts such as violence in order to get a kick out of the audience.
Unfortunately, many of those who have posted comments on this movie have failed to grasp part of the point. This is not merely a movie designed to remind the viewer of the past. It intends to remind the viewer that such actions continue to occur worldwide, and that it is only the people themselves who can keep their governments from resorting to such inhumane measures, by reminding their rulers repeatedly that they will not stand for it, in their country or any other.
Frankly, it disturbs me that films this deep go virtually unnoticed by the masses, while flashy but hollow explosion-fests receive awards.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Verschleppt
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 8.899 $
- Eröffnungswochenende in den USA und in Kanada
- 3.752 $
- 13. Juni 2004
- Weltweiter Bruttoertrag
- 383.106 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Imagining Argentina (2003) officially released in Canada in English?
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