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Standing in the Shadows of Motown

  • 2002
  • 0
  • 1 Std. 48 Min.
IMDb-BEWERTUNG
7,8/10
3945
IHRE BEWERTUNG
Standing in the Shadows of Motown (2002)
Home Video Trailer from Artisan
trailer wiedergeben2:07
2 Videos
24 Fotos
MusikDokumentarfilm

Füge eine Handlung in deiner Sprache hinzuDocumentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.

  • Regie
    • Paul Justman
  • Drehbuch
    • Walter Dallas
    • Ntozake Shange
    • Alan Slutsky
  • Hauptbesetzung
    • Joe Hunter
    • Jack Ashford
    • Uriel Jones
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    3945
    IHRE BEWERTUNG
    • Regie
      • Paul Justman
    • Drehbuch
      • Walter Dallas
      • Ntozake Shange
      • Alan Slutsky
    • Hauptbesetzung
      • Joe Hunter
      • Jack Ashford
      • Uriel Jones
    • 79Benutzerrezensionen
    • 50Kritische Rezensionen
    • 76Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 8 Gewinne & 14 Nominierungen insgesamt

    Videos2

    Standing in the Shadows of Motown
    Trailer 2:07
    Standing in the Shadows of Motown
    Standing in the Shadows of Motown
    Trailer 0:31
    Standing in the Shadows of Motown
    Standing in the Shadows of Motown
    Trailer 0:31
    Standing in the Shadows of Motown

    Fotos24

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    Topbesetzung99

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    Joe Hunter
    Joe Hunter
    • Self - 'Funk Brothers' Keyboardist
    Jack Ashford
    Jack Ashford
    • Self
    Uriel Jones
    • Self
    Richard 'Pistol' Allen
    • Self
    Bob Babbitt
    Bob Babbitt
    • Self
    Benny 'Papa Zita' Benjamin
    • Self
    • (Archivfilmmaterial)
    Eddie 'Bongo' Brown
    • Self
    • (Archivfilmmaterial)
    Bootsy Collins
    Bootsy Collins
    • Self
    Johnny Griffith
    • Self
    Ben Harper
    Ben Harper
    • Self
    James Jamerson
    James Jamerson
    • Self
    • (Archivfilmmaterial)
    Montell Jordan
    Montell Jordan
    • Self
    Chaka Khan
    Chaka Khan
    • Self
    Gerald Levert
    • Self
    Joe Messina
    • Self
    Meshell Ndegeocello
    Meshell Ndegeocello
    • Self
    Joan Osborne
    Joan Osborne
    • Self
    Rudy Robinson
    • Self
    • Regie
      • Paul Justman
    • Drehbuch
      • Walter Dallas
      • Ntozake Shange
      • Alan Slutsky
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen79

    7,83.9K
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    Empfohlene Bewertungen

    10Uthman

    Hard to find a better music documentary

    I am not a hard core Motown fan, but I have to give this film a 10, because it's the best music documentary I have seen. With just the right mix of interview footage, historical photos, and live performance, STANDING IN THE SHADOWS OF MOTOWN takes its place alongside THE LAST WALTZ as a cinematic cornerstone of music history.

    Musicians will especially like some of the technical discussions, such as details about how legendary bassist James Jamerson produced his famous groove.

    The live musical performances are inspired, with modern singers covering Motown classics, accompanied by the Funk Brothers themselves. I have watched the DVD of this film, and more recently, the high-definition version on ShowtimeHD. The 5.1 soundtrack is impeccably mixed. You can hear every instrument clearly, but the vocalist is not drowned out. With this type of mix, you want to listen to your favorite numbers over and over, concentrating on a different part each time. And, you can rest assured that there is no lip syncing or studio overdubbing. This is real music for real people.

    All of the vocalists are superb, creatively interpreting each song, while at the same time paying respect to the style of the original recording artists. Viewers will have their own favorite performers, but mine is Joan Osborne, whose powerful rendition of "What Becomes of the Brokenhearted" brought tears to my eyes.
    rodew

    Moving tribute

    I really loved this documentary. Three key points: (1) I applaud the spirit and energy to put the project- long overdue recognition and praise for great musicians- together. I happen to be a fan of the Temptations movie and saw this DVD next to it. Had I not bought it on a whim, I would be so much more empty. (2) James Jamerson-I would love a documentary on him alone. Not because of his quirks, but because of his tortured spirits; a great movie-making project! Also, upon my research of this topic after seeing this film, I came across an extensive web site, bassplayer.com, with a great tribute page to Jamerson. Among the most outrageous discussions that have not been resolved to my knowledge- who played bass on Stevie Wonder's "I Was Made to Love Her"? The majority of folks strongly contend it was James Jamerson, however, a woman named Carol Kaye states she was the actual bass player for the song.

    I don't know the truth, but I do know that after never hearing the bass in the song for the 30+ plus that this has been one of my all-time favorite songs, I ONLY hear the bass line. That bass line is so masterful, so exceptional, and so unrelentingly funky, that I believe only a virtuoso could have done it. The fact that that song and bass line were done in 1966/67, amidst so many hundreds of other Motown hits and other songs, tells me that the Funk Brothers and James Jamerson were truly blessed talents.

    (3) Chaka Khan's rendition of Marvin Gaye's "What's Going On" is undoubtedly the very best performance I have ever seen her do and is among the top performances ever recorded. That she won a Grammy for the song is amazing. She actually sang it in 2000; the movie was released in 2002 and won the Grammy in 2003! I get teary every time I hear her singing the song in the movie(I replayed this section at least 10 times when I first saw the movie) and I don't think she will ever have another brilliant performance that would match that intensity. Bottom line: I strongly recommend this movie and subsequent deeper research into other great R&B music roots. Rod Walker
    johjohjabo

    Im in it so go see it!!!! :-)

    I just wanted to say that I think that this is going to be a great docudrama, and it really gives a good look into what really went on during the early days of Motown. I was an extra in the movie so I have to say......Its gonna be good. Hope you enjoy it as much as i did participating in the project. I'm just an extra so dont look for anything more than my pretty little face.
    7Ronin47

    Unsung heroes finally get their due (***)

    The Funk Brothers, as they came to be known, were (and are) a group of about 20 extremely talented jazz musicians who were recruited by Barry Gordy to be studio musicians for Motown Records, which was just starting out at the time.

    Cut to a few years later, and the Funk Brothers had played on more number 1 hits than the Beatles, Elvis, and the Rolling Stones combined. If you hear a Motown record by any number of great artists, like Marvin Gaye, the Temptations, Smokey Robinson & The Miracles, the Supremes or dozens of others, that's them playing that great backing music. "Standing In The Shadows Of Motown" is a movie that finally salutes these unsung heroes, without whom the music of Motown might not have been half so brilliant.

    The best part of the movie, without a doubt, is the new concert footage. All the surviving Funk Brothers were recently reunited for a concert in Detroit (the home of Motown) to play some of their biggest hits, with a diverse group of singers. These live scenes are so powerful and breathtaking, that it only reinforced my opinion that the Motown music of the 60's and 70's is some of the best music ever recorded. Pop music never, ever (before or since) sounded so pure and beautiful as that music does. All these performances are great, but my favorites have to be The Four Tops' "Reach Out I'll Be There" sung by Gerald Levert (which kicks off the movie with fire and energy) and Jimmy Ruffin's "What Becomes Of The Broken Hearted?" sung passionately by Joan Osbourne.

    The rest of the movie is pretty regular documentary stuff, featuring lots of insightful interviews with the musicians and narration by Andre Braugher.

    It goes on a little too long (like I said in my review for "Bowling For Columbine", 2 hours is usually pushing it for a documentary) and some of the re-enactments aren't as effective as intended.

    But man, those performances. There isn't much music I like more than classic soul, and if you have at least a passing interest in it, you'll be wanting to get up and dance in the aisle just like me.
    10paulef121

    Finally the "Funk Brothers" get their overdue recognition.

    Having purchased, listened to and loved Motown's records in the 60's and 70's, I often wondered who were the masterful (and usually uncredited) musicians responsible for so many top 10 hits. With "Standing In The Shadows of Motown", I was able to finally put some faces with the riffs that I admired.

    Although many of the "Funk Brothers" are no longer with us, their legacies live on with those disks by the Supremes, The Four Tops, The Temptations, Smokey Robinson and the Miracles, Marvin Gaye, Martha Reeves and so many other great artists. The Funk Brothers defined soul and R & B music in its golden era. These guys played on records that sold in the millions and were being paid "scale" - sometimes as little as $25.00 per song at the time! Amazingly, most recordings were done in one or two takes; a testament to the talent portrayed in this movie.

    If you love soul music, especially Motown's releases, this film is a must see. The recreations of the original songs by the remaining Funk Brothers and their guest performers are awesome!

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    Handlung

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    • Wissenswertes
      The Detroit Symphony Orchestra got the last credit in the film. The orchestra provided strings and other instrumentation for Motown recording sessions. According to The Funk Brothers member Dennis Coffey in his book, "Guitars, Bars and Motown Superstars", this included sessions recorded with a Stradivarius violin played by the orchestra's violin concertmaster, Gordon Staples.
    • Zitate

      Uriel Jones: People would always say everything but the musicians. They would say it was the artists, the producers, the way the building was constructed, the wood in the floor, or maybe even food. But I'd like to see them take some barbecue ribs or hamburgers, anything, and throw down in that studio, shut the door and count off '1,2,3,4' and get a hit out of there. The formula was the musicians!

    • Crazy Credits
      After all of the credits roll, we see a few of the Funk Brothers leaving the Snake Pit and turning off the lights.
    • Verbindungen
      Referenced in Film Geek (2005)
    • Soundtracks
      Reach Out, I'll Be There
      by Brian Holland, Lamont Dozier and Eddie Holland (as Edward Holland Jr.)

      Performed by Gerald Levert and The Funk Brothers

      Gerald Levert appears courtesy of Elektra Records

      Used by permission of Jobete Music Co., Inc.

      All Rights Reserved

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    Details

    Ändern
    • Erscheinungsdatum
      • 3. Juli 2003 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Elliott Scott Productions - trailers, photos, etc.
    • Sprache
      • Englisch
    • Auch bekannt als
      • Hitfabrik Motown
    • Drehorte
      • Baker's Keyboard Lounge - 20510 Livernois Avenue, Detroit, Michigan, USA
    • Produktionsfirmen
      • Artisan Entertainment
      • Rimshot
      • Elliott Scott Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 1.722.119 $
    • Eröffnungswochenende in den USA und in Kanada
      • 114.442 $
      • 17. Nov. 2002
    • Weltweiter Bruttoertrag
      • 2.344.256 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 48 Minuten
    • Farbe
      • Black and White
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
      • SDDS
    • Seitenverhältnis
      • 1.85 : 1

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