Füge eine Handlung in deiner Sprache hinzuAfter returning home from a two week trial in Chicago, Rachel Bishop finds her sister Emily Bishop missing. She then finds her sister in what appears to be a well done snuff film where she a... Alles lesenAfter returning home from a two week trial in Chicago, Rachel Bishop finds her sister Emily Bishop missing. She then finds her sister in what appears to be a well done snuff film where she appears to be murdered. Disregarding the FBI's warning, Rachel probes into her sisters disa... Alles lesenAfter returning home from a two week trial in Chicago, Rachel Bishop finds her sister Emily Bishop missing. She then finds her sister in what appears to be a well done snuff film where she appears to be murdered. Disregarding the FBI's warning, Rachel probes into her sisters disappearance. She further finds out her sister was working as a Dominatrix at an unusual unde... Alles lesen
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Rachel Nord stars as Rachel, a lawyer who learns of the death of her dominatrix sister by way of a video that was recorded when the death footage was aired on television. Rachel decides to investigate the murder on her own and befriends another dominatrix named Simone (Alicia Bewernitz) who shows her the proper way to use a whip and introduces her to the people who run a local adult establishment called "The Playground". In a great audition involving the role-playing of a substitute teacher, a naked guy in a chair, and a hammer and nail, Rachel proves herself and is invited to continue to work at the establishment. Things get a little weirder in a sequence that is a twisted take on a scene from Alice In Wonderland as Rachel does what she feels she needs to to find the truth behind her sister's death and whether or not snuff films really exist.
I always enjoy it when a filmmaker makes an effort with a bit of style to compensate for a low budget. This can elevate a run-of-the-mill thriller that we have seen a million times to something much more interesting. Through the use of 16mm film, digital video, and thought placed in angles and editing (such as split screen and some black and white footage), the filmmakers have succeeded in giving us a film that goes by quickly and deviates from the usual plot skeleton of a film of this nature. This is helped immensely from the performance of Nord who effectively portrays a woman who is able to immerse herself in some strange situations due to her drive to discover what happened to her sister. We also have a psycho involved who is killing off various sex-trade workers by tapping into their televisions and filming himself in real time as he breaks into their house and murders them all while they are able to see what is happening on the tube. This was and original and frightening concept and one that I have never seen before.
My only complaint with the movie was a number of flashbacks to the childhood of Rachel and Emily that I found to be unnecessary. These sequences did not have any relevance to the story as far as I could tell and seemed like more of an excuse to cast Gunnar Hansen (The Texas Chain Saw Massacre) rather than move the story forward. For the amount of time that Hansen is in the film, they could have fit him anywhere in the film and it would not have been so distracting trying to figure out why these sequences existed. Still, this is not a big deal and it did not detract from my enjoyment of the film. There were also some sound issues in a few scenes where the dialogue sounded different than the rest of the film. Though this was noticeable, it was not bad enough to cause too much of a concern to the viewer (especially when you are used to much crappier sound from the shot-on-video days of J.R. Bookwalter and E.I. Cinema in the early 90's).
Nord has not done anything of note since this film aside from a role as a waitress in Zombie Honeymoon. We get nude scenes from Bewernitz and Kathy Gauthier as well as a few decent yet restrained gore effects. (Josh Pasnak, 9/3/06)
Some things I liked about the film: The fetish killer looked cool. The idea of a Siri-like interface for a home security system was interesting for this movie's time. The surveillance and snuff film ideas were solid. I found the depiction of seedy sex-club and S&M weirdos to be enjoyably over the top although not an accurate representation of the subculture. The film had some gore and some plot twists.
Things that dragged the film down: Uneven performances from the actors. A running length that was too long and needlessly reprised the entire opening segment at the end. Some overly dark scenes. Some unnecessary flashbacks. At 80 minutes long, this would've been an enjoyable regional indie horror film. At about two hours long, it still has its moments but would probably test a lot of viewers' patience.
So, when I heard that this movie, "Rachel's Attic", was considered by many people to be the single worst film of the decade, naturally I just HAD to see it.
Boy, do I regret that decision. This movie is beyond bad....it is SO bad that it is not even as enjoyable as the usual bad movie. The acting, filming, script, etc. are even worse than a low budget porno film: the sound is utterly horrible, the "plot" is completely incomprehensible, the "acting" is laughable....it is a complete waste of everyone's time and money. At least the porno film has porno to break up the monotony, while this ridiculous nightmare has a guy squeezing a rotten apple, and a "mad hatter's" tea party.
The lighting is non-existent...many "scenes" take place in semi or complete darkness, which is probably just as well. The "writer-director" (I use the terms loosely), David Tybor, tries to get kinky with bondage scenes...but the results would be laughable, if they weren't so pathetic. There is some nudity, but it is of such abysmal quality that it actually acts as a sexual suppressant. I could go on forever and not do justice to all the flaws and shortcomings of this truly awful waste of film.
For the love of god, avoid this train wreck. I know that despite (or perhaps because of) my negative comments, you may still be tempted to see if this piece of trash is really as bad as I claim it to be....but trust me on this....it's even worse than I have said, and you will absolutely, positively regret the experience (and expense, if you waste your money on a purchase or rental).
Wusstest du schon
- VerbindungenFeatured in Behind the Attic Door: The Making of 'Rachel's Attic' (2002)
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Box Office
- Budget
- 83.000 $ (geschätzt)
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix