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Boudica

  • Fernsehfilm
  • 2003
  • 16
  • 1 Std. 39 Min.
IMDb-BEWERTUNG
5,3/10
1411
IHRE BEWERTUNG
Alex Kingston in Boudica (2003)
Emily Blunt landed her first role as Queen Isolda in the 2003 film, 'Warrior Queen.' Find out how she quickly learned the difference between stage and screen acting on the set 'Warrior Queen.'
clip wiedergeben0:53
Emily Blunt Gets an Acting Lesson ansehen
1 Video
28 Fotos
DokudramaAktionDramaGeschichteKrieg

Füge eine Handlung in deiner Sprache hinzuBoudica, the Warrior Queen on Britain, leads her tribe into rebellion against the Roman Empire and the mad Emperor of Rome Nero.Boudica, the Warrior Queen on Britain, leads her tribe into rebellion against the Roman Empire and the mad Emperor of Rome Nero.Boudica, the Warrior Queen on Britain, leads her tribe into rebellion against the Roman Empire and the mad Emperor of Rome Nero.

  • Regie
    • Bill Anderson
  • Drehbuch
    • Andrew Davies
  • Hauptbesetzung
    • Alex Kingston
    • Steven Waddington
    • Emily Blunt
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,3/10
    1411
    IHRE BEWERTUNG
    • Regie
      • Bill Anderson
    • Drehbuch
      • Andrew Davies
    • Hauptbesetzung
      • Alex Kingston
      • Steven Waddington
      • Emily Blunt
    • 33Benutzerrezensionen
    • 5Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Emily Blunt Gets an Acting Lesson
    Clip 0:53
    Emily Blunt Gets an Acting Lesson

    Fotos28

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    Topbesetzung31

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    Alex Kingston
    Alex Kingston
    • Boudica
    Steven Waddington
    Steven Waddington
    • King Prasutagus
    Emily Blunt
    Emily Blunt
    • Isolda
    Leanne Rowe
    Leanne Rowe
    • Siora
    Ben Faulks
    Ben Faulks
    • Connach
    Hugo Speer
    Hugo Speer
    • Dervalloc
    Gary Lewis
    Gary Lewis
    • Magior the Shaman
    Alex Hassell
    Alex Hassell
    • Roman Officer
    James Clyde
    James Clyde
    • Roman Sergeant
    Angus Wright
    Angus Wright
    • Severus
    Steve John Shepherd
    Steve John Shepherd
    • Catus
    Jack Shepherd
    Jack Shepherd
    • Claudius
    Gideon Turner
    Gideon Turner
    • Didius
    Frances Barber
    Frances Barber
    • Agrippina
    Andrew Lee Potts
    Andrew Lee Potts
    • Nero
    Theodor Danetti
    Theodor Danetti
    • Master of Ceremonies
    Cristina Serban Ionda
    Cristina Serban Ionda
    • Iceni Mother
    • (as Cristina Serban)
    Alan O'Silva
    Alan O'Silva
    • Iceni Warrior
    • (as Alin Olteanu)
    • Regie
      • Bill Anderson
    • Drehbuch
      • Andrew Davies
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen33

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    escoles

    Heavy-Handed Political Metaphor...

    ... but, that said, an interesting document of its time. (Which is to say, 2002-2003, the time of the Second Iraq War.)

    Romans are painted as arrogant evangelists for the Roman Way and "true" Roman religion -- as decadent in the extreme, by comparison with the virtuous (and bloodthirsty) Celts.

    The radical inaccuracies of this picture are instructive. For example, imperial Romans are seen as intensely focused on the illegitimacy of Celtic religion -- real Romans of Nero's time probably wouldn't have cared that much about enforcing their state religion until the subjects were in the economic loop of the Empire. Standard Roman field punishments (e.g., death by slow public crucifiction) are conveniently witheld so that central characters can live on to avenge their humiliation. Roman camps, contrary to the usual marching discipline, are left un-palisaded and conveniently open to attack by the much-feared Britons. And the Celts themselves are turned into some kind of bloodthirsty hippie-clan, where Celt-on-Celt violence is conveniently glossed over and women easily sit at the head of armies.

    (BTW, I'm not entirely sure these should be Celts, as they're said to be during the screenplay. But I'm sure someone can come forth in a later review to correct my apprehension...)

    And consider: The phrase "terrorism" is bandied about self-righteously at every turn; sober elder-statesmen with a workable plans are subverted by treachery; a devious ruler vetoes the sensible advice of rational military men in favor of a plan that results in needless bloodshed; clerics drive the action behind the scenes, exhorting their leaders to fight for the honor of their god and heritage, against the corruption of their people.

    All in all, it's a fairly heavy-handed metaphor for Americo-British imperialism in the Islamic world -- a cautionary fairy tale, if you will.

    Oh, and, by the way -- it's a really dumb movie. If the production values were a little higher, it would be a real candidate for a bad movie night.
    1kerstyevans

    A record of historical inaccuracies

    To the Producers of "Boudica"

    All my life I have had a special interest in ancient Celtic culture and lifestyle and a particular fascination for 1st century Britain. Therefore i have done a great lot of research over the years and read and watch anything I can find on the subject.

    "Boudica" was probably the worst historical film ever made and could easily enter the Guinness Book of Records for the most historical inaccuracies, both in number and variety, ever seen on a screen. Apart from the swords (where were the shields?), chariots and some of the women's hairstyles there was absolutely nothing right. i know it wasn't meant to be a comedy, but there are some utterly hilarious lines in this film.

    Female leaders were very common in ancient Celtic society. Boudica was probably the ruling queen of her tribe anyway, but the Romans only accepted a man in that position and made Boudica's husband (who was much older than her and died of old age, not headaches!) the client king. There were a number of warrior women in 1st century Britain, though Boudica was the only one mentioned in history. Tacitus writes that to the Romans "the worst humiliation of losing the battle with Boudica, was being defeated by a woman!"

    Tacitus, although on the other side, describes the British tribes and some of their customs and clothes in some detail. The producers of the film obviously haven't read any of that, or the actors and actresses would at least have worn costumes and hairstyles more appropriate for the period. Women always wore dresses, even in battle! The minor warriors wore very little, while the aristocracy dressed up to impress for the occasion with lots of (mainly gold) jewellery and colourful clothes. The women wore two piece dresses - a wide shirt of linen or wool held together in the middle by an elborate belt, and a full skirt. When horse riding, the skirt was pulled through between the legs, still covering the knees. Cloaks made of wool or fur were worn in the winter, and woollen leggings resembling leg warmers. The men wore similar shirts and cloaks, and breeches which were wide at the top. In the film they wore 20th century jogging bottoms and some sort of cavemen's furs reminding of the "Flintstones".

    The men's 20th century hairstyles, I would think, would have looked out of place, even to anyone who never read anything about the 1st century. Almost all of them had their hair too short and where were their moustaches? Here, instead, some of the Romans have (very modern) beards, they would not have had in that period. Most Celtic men, especially those of any standing in society, had moustaches and a long mane of hair. Similar to some Native American tribes, 1st century Britons took pride in their long thick hair. Baldness was seen as a curse by the gods, so never in a million years would there have been a bald priest, and never would a druid or a priest of any sort have worn such rags! The Roman women are dressed up to the nines, although tacky and pantomine like. The Celtic women, and men, would have been dressed up elaborately.

    Alright, we don't know the names of Boudica's daughters, though they wouldn't have come out of Arthurian legends or even Wagner. They could have read some ancient Welsh legends and picked some simple names from those.

    A Celtic king who didn't want to go into battle would have been deposed, possibly murdered by his people for cowardice. There were no retired warriors anymore than bald priests in rags.

    Claudius is hilarious. These scenes reminded me of a cross between "I Claudius" and the "Carry-on" films.

    "Acts of Terrorism"? "Peace Process"? President Bush was here - did anyone recognise him?

    Celtic funeral rites varied depending on the tribe. However, they never burned their dead. In fact, they went through a lot of trouble to rescue both the dead and the living from the flames, when any of their dwelling places was set on fire by an enemy. Any warrior of rank, especially a king, would have been buried with his sword, jewellery, food, sometimes other weapons or even a chariot. Their graves were usually in a wood and not marked on the outside. I won't go into too much detail here, not even sure you're still reading this. Death by fire was the ultimate punishment (only given to worst criminals), as there was a general belief that it would destroy the soul as well as the body and prevent the person from being reborn. I think there may have been a mix up with a Viking burial here, looking at the flames and water.

    "Empire under new management!" another 20th/21st century phrase. "Read my lips!"

    The Celtic aristocracy did not live in villages, but in hillside towns. They kept their homes and themselves clean, their hair, bodies and clothes washed regularly. There would not have been an army of the great unwashed, at least not before the battle. In fact, the Celts invented soap.

    The Greeks visited Britain before the Romans, not to invade but just to trade, and there are some descriptions of their customs, looks and music. Music was distinctive and melodeous. Singing and playing instruments and dancing was a way of expressing high emotions. They had harps, though not those we know today, a variety of pipes, flutes and drums. We don't know their tunes, though some might have been similar to early medieval or middle eastern type music rather than new age pseudo Native American dirges used in the film.

    The "Excalibur" type magic doesn't work here, only making the whole thing more ridiculous.

    We are not sure what sort of music they had in the 1st century, but we know that music, poetry and storytelling was an important part of Celtic culture. Singing, dancing and playing instruments expressed their high emotions. They had harps, though not those we know today, a variety of pipes and flutes and drums. Middle Eastern or early medieval type tunes may have been similar, or at least would have fitted into a proper historical film, instead of some weird new age pseudo Native American wailings. I think I heard a didgeridoo once as well, but by then nothing could shock or surprise me anymore.

    "What the hell is going on?" Nero said. What is a Classic battle? Then someone mentioned Anglesey! The island was called Ynis Mon, still known by that name in Wales today. The Romans always took a local name and latinised it, therefore called it Mona. The Angles occupied the island five centuries later and called it Anglesey! The producers wouldn't even need to read about this, but could have asked any Welsh person the right name.

    The Romans drank from metal tankards and pottery cups, not glasses, as far as I know. Well, certainly not Art Deco glasses.

    i don't think the Britons grew cabbages either, maybe mushrooms though I don't know. Their diet consisted mainly of meat, cheese, bread, cakes and apples and berries, maybe some leaves were used as vegetable garnish. Herbs were used in medicine rather than cooking.

    Well, I just had to get this off my chest, even if no-one reads it.

    Sincerely,

    Kersty Evans
    Sulla-2

    Why not just stick to the facts.

    I have no problems with film makers using their imagination when there is a lack of information. I fail to see the sense of deliberately distorting the facts though. Believe me, they could make a splendid film just sticking to the facts. A Book about Suetonius called 'Imperial Governor' would make the basis of a fine film. Others have pointed out the stupid mistakes in this film and the children running rings round trained ruthless soldiers was just plain silly. The final battle started of quite well and good use was made of technology. However, the Romans won battles like this using tight shield formations, NOT hand to hand fighting. I have no problems with the acting at all, just the story lines.
    4Fenris Fil

    A good idea, messed up by ITV

    If this is going to have a theatrical release in the US this is going to bomb big time. A very dissapointing film, with the occasional good momment, but the worst thing is the typical trates of ITV dramas that have crept in. The tendancy for everyone behind the scenes to try and stand out from the crowd by throwing in their own little bits. As a result what could have been a good film was pretty much destroyed.

    The beginning and ending was just downright patronising and the scenes in Rome (which seemed there entirely to emphasise that Nero was as nutty as a fruit cake) were pretty redundant. There were however a few good battle scenes and some good acting. On the whole though it was just bad camera work, bad directing, poor script, feeble attempts to shock the audience and very little genuine authenticity.

    I rated this at a 4/10 but had it not been for the unprofessional start and end it could have scrapped a 6/10 because there was enough reasonable content here to make this film enjoyable at least for a one off viewing.

    If you see this film on TV and like ancient history and legends it's worth a watch, but whatever you do don't pay to see this in a movie theatre because this is a long way off being anything other then a TV movie.
    vad-2

    A bad script,poor quality production and opportunity missed

    I watched this on prime-time television with the expectation of seeing a good production. There is nothing that I can write about this poor quality production which would recommend it. The events of this part of our history are not well documented but Boudica did exist so at the very least we should have been treated to a more realistic portrayal of her and her exploits. Alex Kingston acted the part well but she was handicapped by a bad script, poor supporting actors and very unrealistic scenery and props. This was a lost opportunity to show a piece of English history to a generation who probably know little about the past. Even a computer generated Star Wars type film would have been preferable to this production. There is little more to say but please do better next time English history is being screened.

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    • Wissenswertes
      Fight director Roberta Brown and technical advisor Chris Halstead trained Alex Kingston in sword-fighting and riding a chariot in the suburban neighborhood of Los Angeles. But during training, a policeman arrived. Alex Kingston explained about Boudica, and the policeman, who liked to research historical figures, was impressed asked when Boudica would be on television, and allowed them to continue training.
    • Zitate

      Boudica: Romans, you are damned. You have awakened the terrible anger of our gods and ancestors, and they will show you no mercy. We will crush your bones into the land you have desecrated. We will slit your veins and watch the blood burst from you and shower down upon our soil. We will swallow you up. And our strong green shoots will spring to life where you once stood.

      [pause]

      Boudica: See your gods tremble and fall before the wrath of Boudica!

    • Verbindungen
      Featured in The Story of the Costume Drama: A Call to Arms (2008)

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    Details

    Ändern
    • Erscheinungsdatum
      • 13. Oktober 2003 (Vereinigte Staaten)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Rumänien
    • Sprache
      • Englisch
    • Auch bekannt als
      • Die Tochter des Spartacus
    • Drehorte
      • Boudica statue, Westminster Bridge, Westminster, London, England, Vereinigtes Königreich(closing scenes in modern day London)
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      • Box TV
      • Media Pro Pictures
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      • 10.478 $
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      • 1 Std. 39 Min.(99 min)
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      • 1.78 : 1

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