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Füge eine Handlung in deiner Sprache hinzuCulture critic Jiminy Glick gets tied up in a murder case at the Toronto Film Festival.Culture critic Jiminy Glick gets tied up in a murder case at the Toronto Film Festival.Culture critic Jiminy Glick gets tied up in a murder case at the Toronto Film Festival.
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If Jiminy Glick was interviewing Martin Short after seeing this movie, it might go something like this:
JG: "Bobby Short ,why did you change your name from Martin?"
MS:"No Bobby Short is someone else. A singer actually. African American. "
JG: "That was going to be my next question. Were you inspired by Jacko to bleach your skin? Do you feel white is the new black?"
MS: "I'm not Bobby Short. I'm Martin Short. I was born Martin Short."
JG:(A patronizing pat on Martin's knee) "Work it out on your own time, dear. Now, about this movie of yours---I JUST LOVED IT. 'Jiminy Glick ' searching his memory-looks down at his cheat-sheet-'In LaLaWood!' It's sad and funny. Bittersweet, without much substance and a threadbare story who's sole purpose is to hang little bits of comic business with a few interviews thrown in. Not a very good movie, BUT I LOVED IT! Bobby, thanks for being yewww."
MS: "It's Martin. You know, I've always wanted to put Jiminy Glick in a feature"
JG:"No time, dear. We have to move on."
JG: "Bobby Short ,why did you change your name from Martin?"
MS:"No Bobby Short is someone else. A singer actually. African American. "
JG: "That was going to be my next question. Were you inspired by Jacko to bleach your skin? Do you feel white is the new black?"
MS: "I'm not Bobby Short. I'm Martin Short. I was born Martin Short."
JG:(A patronizing pat on Martin's knee) "Work it out on your own time, dear. Now, about this movie of yours---I JUST LOVED IT. 'Jiminy Glick ' searching his memory-looks down at his cheat-sheet-'In LaLaWood!' It's sad and funny. Bittersweet, without much substance and a threadbare story who's sole purpose is to hang little bits of comic business with a few interviews thrown in. Not a very good movie, BUT I LOVED IT! Bobby, thanks for being yewww."
MS: "It's Martin. You know, I've always wanted to put Jiminy Glick in a feature"
JG:"No time, dear. We have to move on."
I like Martin Short. I like everything about him. I think he's a great singer and entertainer, he's smart, he's lovable, and he's apparently very funny because he's always cracking up the cast and behind camera crew. He and his style appeal to me, and I just like him.
But this movie just isn't funny. And Glick isn't funny. Short tries to carry Glick with the same funny speech patterns that carried Ed Grimley...(in low voice) "I'm as doomed as doomed could be, ya' know." Grimley and Glick use similar speech patterns. But that's not enough to carry this character or this movie.
Short says in the DVD commentary that they improvised most scenes with no or very little script, though his commentary partner calls him on that and disagrees with him and insists there was a script. Now that's funny. But anyway, as the Beatles learned when filming "Magical Mystery Tour," hoping that people will be naturally funny and interesting doesn't work. You have to put some hard work and long hours into a polished script to get anything worth shooting. This movie (if there really was no script) again affirms that truth.
This movie features a lot of vulgar material and I think that was a big mistake. The larger plot and story and comedy style would have appealed to young people and families and Short sacrificed that entire viewing audience for the coarse material and it really doesn't add anything. I guess Short felt an R rating was what was needed at this point in his career.
Very little in this movie works. The boyfriend/manager character was the only one that was funny, yes he was over the top but at least he was actually somewhat funny. Glick is best when Hollywood celebrity Short shows through the character while giving a good natured ribbing to Hollywood giants like Steve Martin, Tom Hanks, and Kurt Russel (Hanks does not appear in this movie but Glick has interviewed him elsewhere to great results). The interviews that Glick does with Martin and Russel, and especially the deleted outtake footage of those interviews are the only thing that works in this movie.
The production and story were much bigger than what I expected. The plot explanation at the end is pretty good, creative, outlandish, unexpected, and funny. There's a part that was scripted. The movie has good production values, but what it needed was a script that actually contained some jokes.
But this movie just isn't funny. And Glick isn't funny. Short tries to carry Glick with the same funny speech patterns that carried Ed Grimley...(in low voice) "I'm as doomed as doomed could be, ya' know." Grimley and Glick use similar speech patterns. But that's not enough to carry this character or this movie.
Short says in the DVD commentary that they improvised most scenes with no or very little script, though his commentary partner calls him on that and disagrees with him and insists there was a script. Now that's funny. But anyway, as the Beatles learned when filming "Magical Mystery Tour," hoping that people will be naturally funny and interesting doesn't work. You have to put some hard work and long hours into a polished script to get anything worth shooting. This movie (if there really was no script) again affirms that truth.
This movie features a lot of vulgar material and I think that was a big mistake. The larger plot and story and comedy style would have appealed to young people and families and Short sacrificed that entire viewing audience for the coarse material and it really doesn't add anything. I guess Short felt an R rating was what was needed at this point in his career.
Very little in this movie works. The boyfriend/manager character was the only one that was funny, yes he was over the top but at least he was actually somewhat funny. Glick is best when Hollywood celebrity Short shows through the character while giving a good natured ribbing to Hollywood giants like Steve Martin, Tom Hanks, and Kurt Russel (Hanks does not appear in this movie but Glick has interviewed him elsewhere to great results). The interviews that Glick does with Martin and Russel, and especially the deleted outtake footage of those interviews are the only thing that works in this movie.
The production and story were much bigger than what I expected. The plot explanation at the end is pretty good, creative, outlandish, unexpected, and funny. There's a part that was scripted. The movie has good production values, but what it needed was a script that actually contained some jokes.
...and get ready to laugh you Glick off! This movie is an instant comedy classic! "Jiminy Glick Goes to La-La Wood" is one of those underrated nuggets that deserves cult status. 'KEIFER! KEIFER! KEIFER! KEIFER!" I had never been a Martin Short fan ("Clifford" anyone?) but I always found Jiminy Glick painfully funny. Fire one up and get ready to roll off the couch in convulsive laughter as Martin Short brings his greatest character of all time to the big screen. Jan Hooks has some of the best lines in the movie (The "purse" line will bring tears to your eyes), and naming his kids "Matthew" and "Modine" is simply genius. Don't rent this movie, BUY IT - and file it between "Dumb and Dumber" and "The Man With Two Brains". This movie is funny! Be sure to watch the deleted scenes as well - the interviews with Steve Martin and Kurt Russell are hysterical, and the scenes in the car with Jan Hooks are gut-busting. Ad this one to your collection today!
Martin Short combining his original, quirky, humor using a David Lynch backdrop really hit the spot for me, as I am a huge fan of both personalities. I was pleasantly surprised by the seamless transition from T.V. Glick to Cinema Glick, and witnessing Glick's family come to life. I think I'll have to watch the film again to fully appreciate the lines and subtleties of the "Euro-trash" character. His improvisation was totally random but somehow made comedic sense in its absurdities. I would speculate that if a person hasn't already seen 'Primetime Glick' and laughed at Glick in his original form, one might not "get" the humor, and understand why Short would conceive such a seemingly absurd plot.
Oh, and I love that Christine Willes appeared in the first sequence - where did she come from??!!
Oh, and I love that Christine Willes appeared in the first sequence - where did she come from??!!
This is not a mainstream comedy, it's a Canadian thing, ehh. A lot of in-jokes and offbeat humor. If you are not familiar with the Jiminy Glick character, you will not get a lot of the humor. Watching it was like watching the old SCTV skits/movies that Short did back in the day in Toronto. I will admit, I laughed 10X harder the 2nd time I saw it, because you do pick up more stuff and lines. This plot for this movie was a favorite vehicle on SCTV back in the 1980s, mixing different movies together to make one confused and painfully funny movie. Sometimes, the plot would get so contrived that even the characters were confused, but that is the point. The David Lynch impersonation is timeless, coupled with The Shining references, Matthew and Modine, etc. and so many other story-lines. This comedy style is not for everybody, nor is Martin Short, but I love him and I LOVED THIS MOVIE! Better each time you see it.
Wusstest du schon
- WissenswertesAccording to Martin Short (DVD commentary), the film was made in 20 days mostly in Vancouver, BC, with dialog improvised by the actors.
- PatzerWhen Jiminie and Dixie are opening the window to climb out, the window slides down a little. But from the outside shot, its completely open, and then in the next interior shot, its slid down again.
- Zitate
Andre Devine: I'm on my knees like a German teenager.
- Crazy CreditsSpecial thanks to all at The Mob Film Company, London.
- VerbindungenFeatured in Late Show with David Letterman: Folge #12.137 (2005)
- SoundtracksGoing All Night
Written by Bruce Witkin and Kirsten Proffit
Performed by Kirsten Proffit
Produced by Bruce Witkin
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- Erscheinungsdatum
- Herkunftsländer
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- Jiminy Glick in Lalawood
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Box Office
- Bruttoertrag in den USA und Kanada
- 36.039 $
- Eröffnungswochenende in den USA und in Kanada
- 25.660 $
- 8. Mai 2005
- Weltweiter Bruttoertrag
- 36.039 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Jiminy Glick in Gagawood (2004) officially released in India in English?
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