IMDb-BEWERTUNG
5,8/10
69.989
IHRE BEWERTUNG
Nachdem ihnen gesagt wurde, dass ihre Kinder nie existiert haben, entdecken ein Mann und eine Frau bald, dass ein viel größerer Feind am Werk ist.Nachdem ihnen gesagt wurde, dass ihre Kinder nie existiert haben, entdecken ein Mann und eine Frau bald, dass ein viel größerer Feind am Werk ist.Nachdem ihnen gesagt wurde, dass ihre Kinder nie existiert haben, entdecken ein Mann und eine Frau bald, dass ein viel größerer Feind am Werk ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Nominierungen insgesamt
P.J. Morrison
- Cop
- (as PJ Morrison)
Empfohlene Bewertungen
This is better than average sci-fi, with a nice serving of mystery thrown in the pot as well. Add ingredients like good actress Julianne Moore (who is always hot), and a decent supporting cast, good special effects; and any parent who is sympathetic to having their child kidnapped (all of us?), and you have a guaranteed success. The pacing of this film is very interesting. It starts very slowly; and some may actually tune out before the plot unravels. Be patient. It does speed up. Better to have a film speed up in the middle until the end, rather than the other way around. There are enough duds that start off with a bang, and then leave us grasping for straws. This is not one of them. See it. And no, it is not really an X-Files or Twilight Zone episode; it can stand on its own.
It has been over a year since Telly Pretta's son died in a plane crash; she is in therapy and daily lingers over his pictures and possessions. When the pictures start to disappear she gets angry at her husband for hiding them but her husband doesn't know what she is talking about while her doctor starts to consider putting her in hospital because she is not getting over this fictional "son" that she claims she had. Telly's memories are so strong and she knows she isn't crazy a belief only confirmed when she meets another person who can't remember the daughter he lost in the same crash. As they dig for proof they find so much more than they ever suspected they would.
From the trailer for this movie things looked good (apart from ruining the most impacting moment of the film) and I decided to give it a go. The film is a strange mix because bits of it are so intriguing and gripping but then other bits are rather unsatisfying and it cannot keep the urgent tone up consistently. It is a bit annoying but something about the second half niggles is it because it is all a bit too neat? Is it because it keeps suggesting bigger things that we never get into? Or is it just because the first half had such a simple and interesting idea that opening it out was never going to be able to match the first half? I'm not sure but the film only sporadically hits the right note and will suddenly (very suddenly) show us how big this thing is and how high the stakes are but then seconds later we're back into a slower scene that almost feels like a step back. That said, the central premise and the bit of the story we get told is still interesting and the urgent moments are enough to keep it going.
The direction is good; drab colours are an obvious contrast with the bright colours of the memories but generally Ruben helps keep the tension up. The effects are good and they make the "big" moments really surprising and impacting. Moore is convincing throughout and she manages to give her usual high quality. The support cast is cluttered with names, which I assume was meant to be a load of red herrings; most of them are OK but have very little time although a cast including Edwards, Roache, Sinise, Woodard and a few others is probably worth a look.
Overall this is an OK film but not as good as the basic plot summary suggests. A good trailer will have you asking questions and interested before the film comes out, but it needs the film to answer these and still have us feel the same. I enjoyed the film and all, but by the end I was left with none of the intrigue and interest that I had had at the start and it is unlikely I'd ever chose to watch it again.
From the trailer for this movie things looked good (apart from ruining the most impacting moment of the film) and I decided to give it a go. The film is a strange mix because bits of it are so intriguing and gripping but then other bits are rather unsatisfying and it cannot keep the urgent tone up consistently. It is a bit annoying but something about the second half niggles is it because it is all a bit too neat? Is it because it keeps suggesting bigger things that we never get into? Or is it just because the first half had such a simple and interesting idea that opening it out was never going to be able to match the first half? I'm not sure but the film only sporadically hits the right note and will suddenly (very suddenly) show us how big this thing is and how high the stakes are but then seconds later we're back into a slower scene that almost feels like a step back. That said, the central premise and the bit of the story we get told is still interesting and the urgent moments are enough to keep it going.
The direction is good; drab colours are an obvious contrast with the bright colours of the memories but generally Ruben helps keep the tension up. The effects are good and they make the "big" moments really surprising and impacting. Moore is convincing throughout and she manages to give her usual high quality. The support cast is cluttered with names, which I assume was meant to be a load of red herrings; most of them are OK but have very little time although a cast including Edwards, Roache, Sinise, Woodard and a few others is probably worth a look.
Overall this is an OK film but not as good as the basic plot summary suggests. A good trailer will have you asking questions and interested before the film comes out, but it needs the film to answer these and still have us feel the same. I enjoyed the film and all, but by the end I was left with none of the intrigue and interest that I had had at the start and it is unlikely I'd ever chose to watch it again.
Yeah sure I'll be in the minority a lot of people bash The Forgotten not me it's the perfect amount of weird! The kind of movie that makes me wanna say wtf in a good way; definitely some X-Files Esq. Julianne Moore did an extraordinary performance! Oh man the alternate ending is effed up the way it should've been.
Telly Paretta (Julianne Moore) is tormented by the memory of her 8 year old son after he died in a plane crash. Her therapist (Gary Sinise) is convinced that she is delusional and inventing these memories, but she is on a mission to find evidence that he did.
Julianne Moore is typically convincing in the role, and she sells the frustration of her situation really well. The story is very intriguing and incorporates some seamless visuals that are used sparingly and too dramatic effect.
Unfortunately the ending is little bit too Hollywood for me, but there is salvation in the alternate DVD ending, it's not perfect but certainly better.
6/10 - 7/10 with the alternate ending
Julianne Moore is typically convincing in the role, and she sells the frustration of her situation really well. The story is very intriguing and incorporates some seamless visuals that are used sparingly and too dramatic effect.
Unfortunately the ending is little bit too Hollywood for me, but there is salvation in the alternate DVD ending, it's not perfect but certainly better.
6/10 - 7/10 with the alternate ending
Well, at least the movie has Julianne Moore. It also has a dozen plot holes and a handful of dangling threads. But there's Julianne Moore. There's a crackpot plot twist of "Twilight Zone" or "X Files" proportions. And then there's Julianne Moore. Okay, she's not the ONLY good thing in 'The Forgotten'. Without giving anything away (and be careful of reading reviews because to explain this movie is to spoil it), a significant member of the multi-cultural cast is whooshed away in a terrific GOTCHA moment. I usually hate those, but it worked like gangbusters this time. You knew something might happen, but not THAT. I haven't been as surprised by such a GOTCHA since Sam Jackson was torn apart by digi-sharks in 'Deep Blue Sea'.
A psychological drama is what we get in the first 30 minutes as Telly (Moore) struggles with the recent death of her young son, Sam. Her husband (Anthony Edwards) and her therapist (Gary Sinise) are trying to convince Telly that Sam never existed. She made him up. Hmmmm. Had 'The Forgotten' stayed on that track with one of the best actresses in Hollywood leading the way, I'd probably be saying nice things about the movie. For some reason, director Joseph Ruben and writer Gerald Di Pego decide to awkwardly cross genres and turn this into some sort of half-assed sci-fi encounter. Government conspiracy abounds with deceptive villains and their cheesy, villainous ambitions.
I've been vague because there are plenty of twists & turns that are best left unrevealed for those who want to see this flick. The mother/son story is poignant, but 'The Forgotten' doesn't want to be about such interesting stuff. Too bad. So Sinise gets to do nothing and Edwards does less. [He gave up 'ER' for wimpy supporting parts in B movies?] Dominic West---who's just as dull as the other men in this movie---co-stars as a father who apparently lost his daughter in the same Sam-killing plane crash. Or did he? Hmmmm. Hey, did I mention that Julianne Moore is good? A fine leading performance and one super-duper shock aren't enough to save this misguided pseudo-thriller. And let's not speak of that wuss-out ending...
A psychological drama is what we get in the first 30 minutes as Telly (Moore) struggles with the recent death of her young son, Sam. Her husband (Anthony Edwards) and her therapist (Gary Sinise) are trying to convince Telly that Sam never existed. She made him up. Hmmmm. Had 'The Forgotten' stayed on that track with one of the best actresses in Hollywood leading the way, I'd probably be saying nice things about the movie. For some reason, director Joseph Ruben and writer Gerald Di Pego decide to awkwardly cross genres and turn this into some sort of half-assed sci-fi encounter. Government conspiracy abounds with deceptive villains and their cheesy, villainous ambitions.
I've been vague because there are plenty of twists & turns that are best left unrevealed for those who want to see this flick. The mother/son story is poignant, but 'The Forgotten' doesn't want to be about such interesting stuff. Too bad. So Sinise gets to do nothing and Edwards does less. [He gave up 'ER' for wimpy supporting parts in B movies?] Dominic West---who's just as dull as the other men in this movie---co-stars as a father who apparently lost his daughter in the same Sam-killing plane crash. Or did he? Hmmmm. Hey, did I mention that Julianne Moore is good? A fine leading performance and one super-duper shock aren't enough to save this misguided pseudo-thriller. And let's not speak of that wuss-out ending...
Wusstest du schon
- WissenswertesAfter Julianne Moore runs through a grocery store and an alley, she stops in front of white graffiti on a wall. It's the logo of Revolution Studios, which produced the movie.
- PatzerWhen Ash and Telly enter the Long Island house it is daylight, but as they go through the house it is night (Ash is in the dining room with a lantern and there is complete blackness in the windows).
- Zitate
Telly Paretta: Do you get drunk every night?
Ash Correll: No. Sometimes I'm drunk by noon.
- Alternative VersionenThe movie has two endings; one for the theatrical release, and an alternate version included in the movie's DVD. In the first, after a brief dialogue with Telly, the man creates an illusion of Sam which Telly chases through the hangar, and then confronts her again. He reveals that the purpose of the experiment is not to investigate the children, but rather the bond that exists between a parent and child, and that he believes it can be broken. He admits, however, that the experiment has so far produced no positive results with regards to Telly, and that it will fail soon if she doesn't forget, and he will be responsible for that failure. However, despite him revealing himself as an alien and almost succeeding by stealing the memory of Sam's birth, Telly can still remember her son, and he is whisked away by an unseen force, presumably to face the consequences of failure. Reality is restored to normal, and Telly is the only one who can remember the events that transpired. The alternate version is very similar, except that Telly is faced with a facsimile of Sam's room. She tries to force her way in, but cannot reach Sam. The alien scientist tries to convince her to forget Sam, but fails. He then accepts that the experiment has failed, and explains that she will be the only one who remembers what transpired there. Reality is again restored to normal.
- VerbindungenFeatured in Remembering 'The Forgotten' (2005)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Misteriosa Obsesión
- Drehorte
- Park Slope, Brooklyn, New York City, New York, USA(Park scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 42.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 67.133.509 $
- Eröffnungswochenende in den USA und in Kanada
- 21.022.111 $
- 26. Sept. 2004
- Weltweiter Bruttoertrag
- 117.592.831 $
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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