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61st Annual Academy Awards

  • Fernsehspecial
  • 1989
  • 2 Std. 17 Min.
IMDb-BEWERTUNG
5,6/10
299
IHRE BEWERTUNG
61st Annual Academy Awards (1989)
The 91st Academy Awards won't be the first host-less show in Oscars history, but it will be the first one since the infamous Snow White and Rob Lowe incident. On this IMDbrief: Can the 2019 Oscars avoid the hostless disaster of 1989?
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Can 2019 Oscars Avoid Hostless Disaster of 1989? ansehen
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Füge eine Handlung in deiner Sprache hinzuAward of the American academy of cinematographic arts and sciences, from 1940 known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of cinematograph... Alles lesenAward of the American academy of cinematographic arts and sciences, from 1940 known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of cinematographic art for their contribution to creation of movies.Award of the American academy of cinematographic arts and sciences, from 1940 known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of cinematographic art for their contribution to creation of movies.

  • Regie
    • Jeff Margolis
  • Drehbuch
    • Hildy Parks
    • Bruce Vilanch
  • Hauptbesetzung
    • James Acheson
    • Harry Andrews
    • Betsy Arakawa
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,6/10
    299
    IHRE BEWERTUNG
    • Regie
      • Jeff Margolis
    • Drehbuch
      • Hildy Parks
      • Bruce Vilanch
    • Hauptbesetzung
      • James Acheson
      • Harry Andrews
      • Betsy Arakawa
    • 2Benutzerrezensionen
    • 1Kritische Rezension
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Primetime Emmy nominiert
      • 1 Nominierung insgesamt

    Videos1

    Can 2019 Oscars Avoid Hostless Disaster of 1989?
    Clip 2:56
    Can 2019 Oscars Avoid Hostless Disaster of 1989?

    Fotos68

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    James Acheson
    James Acheson
    • Self - Winner
    Harry Andrews
    Harry Andrews
    • Self - Memorial Tribute
    • (Archivfilmmaterial)
    Betsy Arakawa
    • Self
    Anne Archer
    Anne Archer
    • Self - Presenter
    Army Archerd
    Army Archerd
    • Self - Performer
    Hal Ashby
    Hal Ashby
    • Self - Memorial Tribute
    • (Archivfilmmaterial)
    Bille August
    Bille August
    • Self - Winner
    Lucille Ball
    Lucille Ball
    • Self - Presenter
    Drew Barrymore
    Drew Barrymore
    • Self
    Judith Barsi
    Judith Barsi
    • Self - Memorial Tribute
    • (Archivfilmmaterial)
    Ron Bass
    Ron Bass
    • Self - Winner
    Candice Bergen
    Candice Bergen
    • Self - Presenter
    Jacqueline Bisset
    Jacqueline Bisset
    • Self - Presenter
    Peter Biziou
    • Self - Winner
    Eileen Bowman
    Eileen Bowman
    • Snow White
    Beau Bridges
    Beau Bridges
    • Self - Presenter
    Jeff Bridges
    Jeff Bridges
    • Self - Presenter
    Lloyd Bridges
    Lloyd Bridges
    • Self - Presenter
    • Regie
      • Jeff Margolis
    • Drehbuch
      • Hildy Parks
      • Bruce Vilanch
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    8higuitamax

    The birth of digital cinema

    I think Elileen, here, has her award ceremonies mixed. I have this particular chow on a BETA tape I would watch several times as a teenager (I was the lamest teenager, I know). I only had this show recorded, and the next one. I remember Lucille Ball standing there with Bob Hope, the two Bonds (Connery and Moore) with Michael Caine, the thing with Martin Short and Princess Leia and Robin Williams dressed as a "Big Rat". This year was important for it was the advent of a new era. We now go to the movies and everything is CGI. Hollywood had already toyed with computer effects on movies like Tron (I like it!) or The last starfighter (kind of dumb), but with Willow the era of digital cinema was born. For the first time computer graphics and effects looked real (or at least, credible). We had a good witch, Raziel, who could transform herself into practically every creature imaginable. So, ILM gave birth to a then new technique called the Morph. If you want to see how it was done optically (before digital cinema) you only have to see Krull, from 1980. There, Ergo the magician had the same power exactly complete with the mess-up transformations. Anyway, Willow, for such a breakthrough, it was only nominated for Sound effects editing and best visual effects at the Oscars. I think Die hard got the award.
    richard.fuller1

    Eileen Bowman!

    Yes, this was the diabolical Academy Awards ceremony when Rob Lowe would dance with a young woman made up to look like Snow White and insulted Disney to the point where they considered suing for defamation of their character. Not that Disney owns the fairy tale character, but they do have a claim to the visual likeness; bobbed black hair, the puffy yellow sleeves, etc.

    I remember this show well. And even if Disney hadn't felt they needed to take legal action (they started to, but eventually let it drop. I think the Academy apologized), there was still embarrassment at the opening number.

    It was just corny.

    Lily Tomlin would appear at the end of the number and even she knew it was ridiculous. A dancer had lost his shoe and it was setting on the steps she had just descended.

    And what do we see behind her? A young man slowly crawling down the stairs to get THAT shoe! Now, we wouldn't have noticed the shoe actually, but there was no way we could miss this grown figure of a person! And what does he do with it? Hurls it forward off the stage! Tomlin tried to catch it, but no luck.

    Things spiraled, not necessarily downward, after that.

    Fortunately Geena Davis was wearing a very fetching outfit.

    Kim Basinger was wearing that totally odd half-sleeved, half gloved, half collar get-up. She looked terrified too.

    Don Johnson and Melanie Griffith would do a 'cute' little presentation where he proposed to her just before they presented the award.

    Awww! Applause.

    Kurt Russell and Goldie Hawn would do a similar presentation.

    "Are you proposing to me?" Goldie would ask Kurt as Melanie had asked Don.

    "Oh," Kurt would say suddenly "they want us to hurry up and present the award." Leaving Goldie looking like that deer in the headlights. Kurt couldn't quit laughing.

    One very amusing bit was the presentation of best animated short, delivered by Carrie Fisher and Martin Short.

    In the same outfit.

    Carrie emerged from one side, smiling broadly, and Martin appeared from the other side, doing the same, wearing the same.

    "Martin, you knew I wanted to wear this." That they both had the same short dark hair made them almost look like twins, but once they got together, Martin clearly towered over Carrie.

    And yes, it was the final appearance of Lucille Ball, who presented an award with Bob Hope.

    By the time Cher presented the award for Best Picture, it was beyond time for this thing to be over with.

    Dustin Hoffman would win Best Actor for Rain Man and forgot to thank both the director and Tom Cruise.

    As Dustin left the stage, the camera catches him pausing behind the panel-wall and he seems to be gasping for breath.

    Jodie Foster would win for The Accused when Melanie Griffith was the clear favorite.

    And Kevin Kline would win the Oscar for A Fish Called Wanda, clearly seeming to be a pay off to Uncle Gil Cates to take over production of the Academy Awards ceremonies. Maybe? Maybe not. Who knows? Tho this may have been the first season of "And the Oscar goes to. . . " I think Bruce Willis made a mistake and when he opened the envelope, he still said "And the Winner is . . . . " Not that any of it mattered.

    "This is astonishing," Kline would say when he got his 'acting' award.

    Yea, it was astonishing, alright, but in more ways than one.

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    • Wissenswertes
      Considered one of the most infamous Oscar presentations of all time with its extravagant long musical numbers (which prevented the songs nominated to be performed live), the Snow White number which not only was panned by critics but the Academy was sued by Disney for its use of a trademark character without their permission. The only praise the show got later on was it use of the line "And the Oscar goes to..." instead of the "And the winner is...", since most guilds were very objective of the term "loser" to be used during a great event. The term is used to the date (except at the 2009's Oscar which went back with the old line). This was the first time the show was produced by Allan Carr, and due to the poor criticism and the low ratings, he was never asked to produce the Oscars or anything else in Hollywood.
    • Verbindungen
      Edited into Oscar's Greatest Moments (1992)
    • Soundtracks
      Proud Mary
      Written by John Fogerty

      Performed by Rob Lowe and Eileen Bowman

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    Details

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    • Erscheinungsdatum
      • 29. März 1989 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • The 61st Annual Academy Awards
    • Drehorte
      • Shrine Auditorium - 665 W. Jefferson Boulevard, Los Angeles, Kalifornien, USA
    • Produktionsfirma
      • Academy of Motion Picture Arts and Sciences (AMPAS)
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    Technische Daten

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    • Laufzeit
      2 Stunden 17 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.33 : 1

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