Füge eine Handlung in deiner Sprache hinzuA look at actresses who starred in films with thought-provoking subjects made between 1929-1934 - before the Hollywood Production Code was enforced.A look at actresses who starred in films with thought-provoking subjects made between 1929-1934 - before the Hollywood Production Code was enforced.A look at actresses who starred in films with thought-provoking subjects made between 1929-1934 - before the Hollywood Production Code was enforced.
- Regie
- Drehbuch
- Hauptbesetzung
Fotos
Jane Fonda
- Self - Narrator
- (Synchronisation)
Kitty Carlisle
- Self - Interviewee
- (as Kitty Carlisle Hart)
Fred Astaire
- Self
- (Archivfilmmaterial)
Robert Barrat
- Self
- (Archivfilmmaterial)
John Barrymore
- Self
- (Archivfilmmaterial)
Lionel Barrymore
- Self
- (Archivfilmmaterial)
Wallace Beery
- Self
- (Archivfilmmaterial)
Charles Bickford
- Self
- (Archivfilmmaterial)
Virginia Bruce
- Self
- (Archivfilmmaterial)
Maurice Chevalier
- Self
- (Archivfilmmaterial)
Gary Cooper
- Self
- (Archivfilmmaterial)
Cecil Cunningham
- Self
- (Archivfilmmaterial)
Empfohlene Bewertungen
This is an excellent look at women in the pre-Code films. Narrated by Jane Fonda, it is extremely thought-provoking in this age of wardrobe malfunctions, hue and cry over a sexy Paris Hilton commercial, and Nicole Sheridan dropping a towel during an ad on Super Bowl Sunday.
I found this documentary comforting in a way - 70+ years later, we're still going through all the same stuff we did back then. The way things are going, we'll be back in 1933 before you know it.
Fonda narrates with a lot of expression as she takes the viewer through pre-code movies showing prostitutes, women sleeping their way to the top, menage at trois, bisexuality, abortion, and unfaithful wives. If you're not familiar with movies done before Breen and Hays, this will be a revelation.
I found this documentary comforting in a way - 70+ years later, we're still going through all the same stuff we did back then. The way things are going, we'll be back in 1933 before you know it.
Fonda narrates with a lot of expression as she takes the viewer through pre-code movies showing prostitutes, women sleeping their way to the top, menage at trois, bisexuality, abortion, and unfaithful wives. If you're not familiar with movies done before Breen and Hays, this will be a revelation.
Complicated Women (2003)
*** 1/2 (out of 4)
Wonderful look at the women who made Pre-Code films from 1929-34. The film shows clips from the most popular films of the era and shines a spotlight on the women who brought the sexiness to these films. The film doesn't run too long, which is a shame because this era of Hollywood is so interesting but the movie does a good job of introducing this era to those who might not know too much about it. The discussion about the Catholic Church putting an end to this type of film is an interesting one. Jane Fonda narrates.
*** 1/2 (out of 4)
Wonderful look at the women who made Pre-Code films from 1929-34. The film shows clips from the most popular films of the era and shines a spotlight on the women who brought the sexiness to these films. The film doesn't run too long, which is a shame because this era of Hollywood is so interesting but the movie does a good job of introducing this era to those who might not know too much about it. The discussion about the Catholic Church putting an end to this type of film is an interesting one. Jane Fonda narrates.
I thought the Mick LaSalle character was great, he really brought out the Italian American in him.
The thing that's good about this documentary is it really brings out that the current puritanism in America is a modern phenomenon. Pre-code, nudity was OK and there weren't any self-appointed moral watch dogs complaining about the contents. If you didn't want to watch something spicy, you didn't go see that movie.
Mick LaSalle is an excellent film reviewer who really knows his stuff (is that enough suck up?).
Cheers, Neil.
The thing that's good about this documentary is it really brings out that the current puritanism in America is a modern phenomenon. Pre-code, nudity was OK and there weren't any self-appointed moral watch dogs complaining about the contents. If you didn't want to watch something spicy, you didn't go see that movie.
Mick LaSalle is an excellent film reviewer who really knows his stuff (is that enough suck up?).
Cheers, Neil.
I almost feel guilty giving this the low score that I did, as, for what it is, it's excellent. Had it been part of a three-parter that expanded onto the (studio and real world) politics and society more at the time in question, and then even delved into the reversion of the code decades later, I'd have been deliriously happy, but alas all I got was the clip show part.
As such, it's great. First hand reports from the people who were there - the Complicated Women themselves - makes this a particularly insightful documentary. Mick LeSalle is a great writer with an encyclopaedic knowledge of the field (and also the single film reviewer I pay the most attention to, he sees through the fog when others can't), and if you're not familiar with the pre-Code movies you should hopefully find it a very interesting eye-opener...
... an eye-opener which will make you say "how did things go so wrong?", and then wish for the other two parts of the documentary :/
As such, it's great. First hand reports from the people who were there - the Complicated Women themselves - makes this a particularly insightful documentary. Mick LeSalle is a great writer with an encyclopaedic knowledge of the field (and also the single film reviewer I pay the most attention to, he sees through the fog when others can't), and if you're not familiar with the pre-Code movies you should hopefully find it a very interesting eye-opener...
... an eye-opener which will make you say "how did things go so wrong?", and then wish for the other two parts of the documentary :/
Actually, very good clips, and the narrative makes a very good claim to proving its thesis: that the sexy Pre-Code dramas and comedies actually represented a realistic depiction of the 20th century morality until Joseph Breen clamped down, making the Production Code not just voluntary, but mandatory.
There is a good claim in that, but it makes its point by looking at the best of the Pre-Code works and the worst of the movies made under the Code. Nor does it go into the reason that Hollywood made those sexy movies in the first place, and stopped making them later: to sell tickets at the box office. Truth has never been the primary concern of the movie industry; and while these clips demonstrate that Hollywood was interested in selling tickets to men who wanted to look at naked women... well, the underwater swimming sequence from TARZAN AND HIS MATE shows Maureen O'Sullivan's stand-in swimming around in the nude, but Weismuller is wearing a loincloth.
There is a good claim in that, but it makes its point by looking at the best of the Pre-Code works and the worst of the movies made under the Code. Nor does it go into the reason that Hollywood made those sexy movies in the first place, and stopped making them later: to sell tickets at the box office. Truth has never been the primary concern of the movie industry; and while these clips demonstrate that Hollywood was interested in selling tickets to men who wanted to look at naked women... well, the underwater swimming sequence from TARZAN AND HIS MATE shows Maureen O'Sullivan's stand-in swimming around in the nude, but Weismuller is wearing a loincloth.
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