Beneath Still Waters

wow,this thing is really all over the place.sometimes the acting is not bad.at other times,it' not good at all.the dialogue ranges from decent to lame.sometimes there's just no context.the tone is a mess.i can't tell if it was supposed to be a thriller, or a black comedy,or a parody.sometimes this thing is just so over the top,it's ridiculous.then,all of a sudden it switches gears,and it seems like it's trying to be serious.there's really more than one movie here.i guess it was an entertaining mess,if nothing else.i give it a 2--no wait--a 6--i mean a 4--or maybe a 7.wait a minute.i'm all over the place.kinda like this movie.i can't give it a rating.i wouldn't know where to start.

In 1965, in Northern Spain, a dam will be built to bring progress to the location of Desbaria and the town of Marienbad is near to be completely flooded. Two boys, Teo and Luis, cross the security boundary to play in the evacuated town and Teo listen to voices in the abandoned church. They find a group of strange people chained in the watered basement, Teo releases their leader Mordecai Salas (Patrick Gordon) and is killed by him. Forty years later, in the celebration of the fortieth anniversary of Debaria Dam, the teenager Antonio (Damià Plensa) vanishes in the lake while swimming with his girlfriend Susana (Pilar Soto) and their friend Clara Borgia (Charlotte Salt). The police divers, with the support of the outsider photo journalist Dan Quarry (Michael McKell) that is filming the submerged Marienbad to write a matter about the town, try unsuccessfully to find the body. When eerie things happen in the spot, Dan and the local journalist and daughter of the builder of the dam Teresa Borgia (Raquel Meroño) disclose dark secrets about Marienbad, Salas and his evil cult of the power of the flame.

I am a big fan of Brian Yuzna, but "Beneath Still Waters" is a huge deception. The screenplay is a complete and flawed mess, with terrible development of characters and situations and many shameful lines. The acting in general is not good, and the lead pair shows no chemistry. The special effects are very reasonable, and I believe many actors and actresses have been dubbed in English. The sequence of the bacchanal recalls the disturbing cult "Society" in the debut of this great director. Unfortunately his two last works ("Rottweiler" and "Beneath Still Waters") are very disappointing. My vote is four.

Title (Brazil): "Mistério no Lago" ("Mystery in the Lake")

I'd heard nothing but bad things about this film; but decided to track it down anyway simply because it has so much promise. For a start it was directed by Brian Yuzna' part of the creative genius behind Re-Animator and director of horror masterpieces Society and Return of the Living Dead 3; and secondly, the plot; which is based on a book by Matthew Costello, sounded like a great base for a horror movie. I figured that with these two elements in place, things couldn't possibly be as bad as I'd heard. Well...to say things went wrong would be an understatement. The plot focuses on a Spanish village named Marienbad; a place where the locals are gradually succumbing to a Satanic cult lead by a man named Mordecai Salas. Someone or other has hatched a plan involving building a dam to flood the town and it's inhabitants; but the plan fails when a couple of no good kids end up freeing the cult leader before the town is engulfed in water. Fast forward forty years and the village of Desbaria stands in its place; though the cult leader is waiting for his revenge.

The film gets off to a really good start as we watch a couple of kids traverse across a flooded town and into a brilliantly realised Satanic church where they are greeted by a group of bewitched locals. But once this is over and we move into the present day, things start to go downhill. The main problem with the film is that it's a mess. There are a handful of good ideas but they haven't been put together coherently which takes most of the credibility away from the film. The film also feels very cheap; the poor acting doesn't help in this respect, and neither does the turgid script which is littered with trite lines of dialogue. The film does feature some nice locations, which is nice, but that's really the only good thing I have to say about it. Anyone who has seen more than a few Brian Yuzna films will know that the director likes to let things descend into chaos so he can show a wave of graphic images; and that happens here, but it's not as good as it was in the likes of Society and really just caps off a very disappointing effort. I wouldn't hesitate to name this as Yuzna's worst alongside Faust: Love of the Damned, and only hardcore fans need apply.

As a longtime Yuzna fan, I was absolutely delighted when I heard of this project. I happened upon the novel on which this film is based many years ago, and it's always stuck with me - there are some genuinely creepy ideas (and moments) in there. Great director, good source material... what could possibly go wrong?

A great many things, apparently.

The acting and dialogue are stilted, the atmosphere (which should just create itself, given the setting) simply isn't there, and the dreadful scene-chewing performance of Patrick Gordon as the villain of the piece deflates any sense of dread one may have had. Even the one decent monster effect is wasted in a brief and poorly-sequenced shot. As much as it pains me to say, Mr. Yuzna seems to have hit a bit of a slump. Do yourself a favour - skip this one and watch "Beyond Re-Animator" instead.

After years producing and directing in the US, Brian Yuzna eventually left the States to set up shop in Spain; judging by the awful Beneath Still Waters, he's either been overdoing the Sangria or not taking enough siestas. Whatever the reason, it's hard to believe that this mess was directed by the same guy that gave us the twisted classic Society and the delightfully gory Return Of The Living Dead 3.

Yuzna's watery waste-of-time starts in the abandoned Spanish town of Marienbad, with two boys freeing Mordecai Salas, the leader of a Satanic cult, just as the area is about to be flooded by a new dam. Forty years later, as the locals prepare to mark the anniversary of Desbaria, the town that was built to replace Marienbad, a series of strange deaths occur which suggest that Salas, trapped deep beneath the water for so long, is about to surface. In order to save Desbaria, a photojournalist named Dan (Michael McKell), a TV news reporter, Teresa (Raquel Meroño), and her pretty daughter Clara (Charlotte Salt) must do battle with the supernatural forces that are intent on destroying the town.

Featuring a European cast who, with the exception of a couple of Brits, struggle with the English dialogue, Beneath Still Waters is a badly scripted, poorly acted and dreary piece of nonsense that is enlivened occasionally by some fairly decent gore and loads of nudity. Yuzna's direction is uninspired, there is far too much reliance on cheap digital effects during the many underwater scenes, and the story often makes little or no sense (eg. why does Salas wait for forty years under the lake before emerging?).

To be fair, Yuzna does manage one or two inspired moments—the best being the town's celebration, which turns into a debauched orgy—but with so much mundane drivel between the few high points, Beneath Still Waters deserves to sink without a trace.