In den Schuhen meiner Schwester

Enjoyable but slightly flawed, In Her Shoes is definitely deeper than a chick-flick in the handling of the characters. Toni Collette is excellent as usual, as well as Shirley MacLaine, yet I couldn't help thinking while watching that I should read the book it was based on and get a deeper look at these people and their lives. I felt the film could have gone into more detail and I expected it to be longer, as so many plot developments felt somewhat simplified to fit them all in to a 2-hour running time. That's my biggest criticism of the film, but it was enjoyable in general and I had a wonderful time watching. A few other things I enjoyed: the Rocky reference (my favorite), and the opening sequence during the credits. I have to credit this last one to both screenwriter and director for this incredible opening, which in completely visual terms sets up the film's themes. The titles are presented in cuts between the two sisters, highlighting both their conflict and their connection to one another. Generally, it has a nice balance between dead-seriousness and light drama, but I wish there was more of it to comment on.

In Her Shoes (2005) is a film about two sisters who are vastly different. Cameron Diaz and Toni Collette play these sisters. Cameron Diaz is a woman who very much depends on her looks in life. She is a partier type who doesn't really take responsibility for much of anything, she ends up staying with Collette's character when she is out of a job. Eventually, Collette gets tired of her mooching and something leads to her kicking her out. After she does this, Diaz discovers these old cards that were sent by her grandmother (Shirley MacLaine). She decides to go see her, her father had kept her and her sister from her when they were growing up. The film then becomes this touching drama about family reuniting and learning about one another. All the performances here were great. Diaz, MacLaine, and Collette all do a great job with their roles. They all had this great entertaining chemistry too, made it that much better to watch. The story is interesting and the writing is well done. This film does it all right if you ask me. It's not one of my all time favorites, but i did enjoy it very much. 8/10 for In Her Shoes.

In Philadelphia, the irresponsible and selfish Maggie (Cameron Diaz) is a drunken easy woman having sex with many men. Her sister Rose (Toni Collette) is the opposite, responsible lawyer but needy and having complex, compulsively buying shoes to relief her frustrations. Maggie is expelled from her father home by her stepmother, and Rose lodges her sister in her apartment. When Maggie has one night stand with Rose's boyfriend, Rose sends her sister away. She finds letters and postcards from her missing grandmother Ella Hirsch (Shirley MacLaine) that she believed had died that lives in a retirement compound in Florida hidden in her father's drawer, and without any option, she decides to travel to meet Ella. With Ella, Maggie changes, becoming another woman and improving the relationships in her family.

"In Her Shoes" is a feel-good comedy with an excellent lead trio of actresses. The story about sisterhood and parenthood is bitter sweet, alternating funny and dramatic moments and with a nice conclusion. My vote is seven.

Title (Brazil): "Em Seu Lugar" ("In Your Place")

Having previously tackled a wide range of themes in his films, Director Curtis Hanson delves into the love/hate relationship of two disparate sisters in the film, In Her Shoes. The result is an enjoyably entertaining comedy/drama featuring a number of topflight performances and some hilarious dialogue.

Maggie Feller (Cameron Diaz) is an irresponsible, practically illiterate alcoholic who sleeps around and mooches or steals to get by in the world. Her sister, Rose Feller (Toni Collette) is a self conscious, workaholic lawyer who is dating her boss and indulges in her one passion, fashionable dress shoes. (Maggie's obsession with Rose's sexy heels recalls an ongoing theme of television's Sex and the City.) Both sisters lost their psychologically impaired mother to a supposed car accident that affected their family over the years. One day Maggie is thrown out of her house by her step mother and dad. Finding refuge with her sister, Rose, she proceeds to make life miserable with her carefree attitude and interference that ends in embarrassment and anger for both. As Rose's romantic and professional life is turned upside down, Maggie is sent packing and turns to one last hope, her maternal grandmother she never knew, namely Ella Hirsch (Shirley MacLaine). Ella works in a retirement community in Florida, and Maggie's appearance causes quite a stir. When she lost her daughter, Ella lost touch with her granddaughters, and Maggie's 'visit' serves as a catalyst for reconnection. Maggie's visit becomes a reawakening of sorts for herself and a chance for Ella to rediscover her lost family. Meanwhile, Rose is at a crossroads in her life and decides to change course in her job and finds romance from an unlikely source. Anxious to reunite her granddaughters, Ella resorts to extreme measures to bridge an emotional gap as her two girls begin to discover their own identities in unique and unexpected ways.

This is a gem of a film. It says something when you realize early on that you are watching something special. Curtis Hanson (L.A.Confidential, Wonder Boys) has struck gold with Susannah Grant's (Erin Brokovich) adaptation of the best seller by Jennifer Weiner. The film is really about the secrets and lies that cripple a family over time and how a strange course of events revisit the relationships or lack thereof. Hanson and the company do a marvelous job of balancing some very funny dialogue with more serious, dramatic scenes. There are some great, memorable lines, some of which are funny and smart without losing sight of the context of the story. A number of scenes are touching and affecting in their sensitive handling of real emotions without becoming clichéd. It's nice to see real people who change over time and how seemingly inconsequential supporting characters gradually come to the forefront.

The acting by the entire cast is strong and you appreciate the little nuances in facial expression and inflection of dialogue that enrich each character. This may be Cameron Diaz's best performance. That's saying something as the glamorous model has been more star than actress in her most popular films (Charlie's Angels, There's Something About Mary) and she is given a juicy role with sharp direction. Toni Collette has always been a solid actress in any film (Sixth Sense, The Hours) but she has found a wonderful character in Rose and makes the most of it. Shirley MacLaine (Terms of Endearment, The Turning Point) is terrific in what is a change of pace role where she eschews makeup to look her age and shows a maternal wisdom that is the stuff of Supporting Oscars. You wish there were more of her in the film, but what's there is delicious. It's nice to see an old pro like Norman Lloyd still displaying his acting chops in what is a minor role of a bed-ridden patient who has a profound influence on Diaz's character.

The performances are complemented by seamless editing which not only captures the right reactions, but effortlessly switches back and forth between the two sisters especially during key scenes that are thematically linked. Although the running time goes over two hours, the pacing is good, and everything seems integral to the storyline. The musical score by Mark Isham is quite effective in complimenting the emotional moments without ever being intrusive.

Despite its strong script, the film never fully explores Maggie's transformation which, while uplifting and remarkable, is never totally convincing given her origins and tendencies. Things get wrapped up in a dreamy sendoff which is perhaps too good to be true, but those same qualities also make for a more upbeat film.

Hanson displays a very keen eye in relating what is essentially a woman's film. Yes, this may be considered a woman's film in its theme and target audience, but considering the fact it is also a well made, funny, and heart rending film about love and family, the women ought to bring along the men. In Her Shoes is not just about rival sisters but rather it is about a family yanked apart and slowly brought together again in ways that are not altogether apparent at the start. How these lost souls meld together is the stuff of high entertainment and substance.

I was very surprised by this movie. I try not to expect too much of films my girlfriend can't wait to see. I was surprised this didn't follow the usual 'mills & boon' formula with sisterly love hate peppered loosely. Certain references in particular to the shoe thread throughout kept the interest of the majority of girlie's around, but the evolving relationships of the main characters were finely crafted and kept the interest of non-chick-flicking shoe-loving shopaholic minority. The music was nice backdrop to the lives of Rose and Maggie, but for my money, the use of E.E. Cummings poems took this past the norm and into the quite enjoyable category.

If you're not a chick flick fan worth the viewing time.

If you are, well worth the entrance fee too.