Todeszug nach Yuma

Christian Bale (Dan Evans) holds the screen as an honest rancher who volunteers for two hundred dollars to be part of a doomed group of guards to take the enigmatic bandit and killer Ben Wade (Russell Crowe) to a train, the 3:10, leaving Bisbee, Arizona for Yuma prison to trial…

Beaten down by an old Civil War injury, and unable to protect his farm and his family from Wade's ruthless gang and humiliated by his teenage son (Logan Lerman) who makes no efforts to hide his disappointment in his impoverished father, and who doesn't try to hide the fact that he admires the charismatic criminal, Dan finds a great quantity of reasons to undertake the perilous trip to Contention City to fight back like a real man and regain his son's respect… The story concentrates on Evans whose unknown destiny tries to paint to his son an unforgettable picture turning up poignant and endearing…

Wade—leader of a murderous band of robbers—had great respect for Dan throughout the film and develops a kind of understanding and appreciation for him… Their short scenes in the hotel room celebrate the virtues of two opposite men who stand up for what they believe stopping on issues in relation with family, dignity, virtue, and admirable integrity… The best scenes are those in which Wade teases Dan: "Your conscience is sensitive, Dan. It's not my favorite part of you."

Crowe's interpretation of a gifted cold-blooded smooth-talking bad man is one of the most compelling parts of the film… Bale is splendid as the struggling, crippled rancher, misunderstood by his whole family… The two actors comfortably inhabit this stunning western…

It is nice to see that there are still good westerns being made lately… And James Mangold's "3:10 to Yuma," a remake of Delmer Daves' 1957 picture, is one of them… It is a Western with realistic violence, great action sequences, breathtaking photography, and an inevitable final shoot-out

Dan Evans is a struggling rancher being pushed off his land by men he dare not stand up to. An amputee from his part in the war, Evans longs for the respect of his sons, but all they see is his refusal to take up arms for his land. Evans is in town to try and reason with the landowner for more time to pay off his debts when he stumbles across outlaw Ben Wade in a bar with his guard down. Wade is captured and a posse is put together to transport Wade while a decoy draws off his gang. With the money and the moral aspect, Evans joins the posse and sets out, with the time pressure on them from the very start.

I missed this film at the cinema but I did want to see it as I had greatly enjoyed the original and had indeed commented in that review that the film would work if done well in any setting, so I figured the remake could work as well. The simplicity attracted me to the original and this remake, for all its Hollywood production values, is still a solid and simple tale. The heart of the film is the battle between good and evil as it occurs both between Evans and Wade but also within Evans himself. This comes out best in the final scenes (the waiting for the train is a smaller part of the film than the original) and it did make me wish that more had been made of this. However, what makes up the majority of the film does still mine this theme, albeit not as effectively because of the sense of space and action tending to take away from the pressure cooker of the hotel room with the ticking clock.

IMDb currently has this within the top 250 films ever made, which needless to say I disagree with but will say that it is a strong modern western and a very engaging film all round. Director Mangold does a sterling job of keeping the material the focus and succeeds in making the climax very tense, even if he cannot drag it across the whole film. I did like the way that the film is restrained in regards the cinematography; too often westerns will feel obligated to have sweeping landscapes and make the most of them just because it is what the genre does. Here though the locations are impressive without ever being forced onto the viewer as if they were the focus – Mangold and his crew keep the focus tighter and the characters don't get lost in wide shots.

The cast is one of the main draws for the modern viewer, with the star pairing being a big selling point. Crowe is a solid Wade but I never felt like he was doing more than playing the character rather than totally being it. Bale on the other hand is much more convincing and this did make it work very well. The two men do play off one another really well and again it just added to my desire that the film had allowed them more time with just the two of them and a ticking clock. Lerman is a device character but he works well within the demands of the script. Foster enjoys a simple but memorable character by being simply evil throughout. Support is solid as well with some good turns from people such as Mol, Fonda and others.

Overall then a solid and enjoyable western. The things that made the original so strong are not quite as well delivered here but they are still present, with strong delivery across all aspects making for a very good, but not brilliant film.

OK so no one in this entire group of Pinkertons thinks to gag and restrain/ tie up Villain Ben the most dangerous outlaw in the area? He starts playing psychological warfare at a campfire the first night they have him and he continues it all the way to Yuma. Nobody gags him. Come on, let's be real. What kind of enormous gaping hole is that in the writing...Anyone in this situation would have at the very least gagged him and most likely he would've been heavily restrained.

The western genre is all but dead in Hollywood these days but every now and then a film comes along that reminds us of the genre's potential. The last one was Costner's OPEN RANGE, and this one manages to be even better than that thanks to the central pairing of Russell Crowe and Christian Bale. 3:10 TO YUMA is an actor's film from the off, a powerhouse pairing of two Hollywood stars at the top of their game, who can actually act.

Although the rest of the movie is excellent it's these two guys who make it unmissable. Clearly, this isn't some kind of B-movie with black and white characters; Crowe is introduced as the chief villain yet ends up showing a lot more humanity and character than many of the good guys. Bale takes his flawed hero role and runs away with it, turning what could have been a caricature – what with his crippled leg and everything – into a deeply human guy who you just can't stop watching.

The plot works really well because it's fast paced. The story is told through action, which is a very difficult thing to achieve – off the top of my head only the BOURNE films and the TERMINATOR films are similarly successful. There are dozens of shoot-outs, things exploding, showdowns and more – all you could expect from a hi-tech western and all expertly choreographed. Yet it's the script, too, which makes the film, creating thoroughly engaging 'quiet' moments just as riveting as all the chases and shooting. My favourite scene is in the run-up to the showdown, set in a hotel's bridal suite, where the assorted characters ponder their fate and decide their futures. It's tremendously suspenseful and edge-of-the-seat viewing material.

The supporting cast does a very good job – from an almost unrecognisable Peter Fonda as a grizzled cowboy to Ben Foster as another creepy, hateable bad guy. Director James Mangold has proved himself in the past with the likes of COP LAND and he once again shows that he's a master of his craft, able to deliver a solid, exciting and highly entertaining movie despite the familiarity of both the setting and the set-up. 3:10 TO YUMA is a masterful film and one to be enjoyed over and over.

This is the best western since Unforgiven. Every aspect of this film is great.

The acting was superb. Russell Crowe continues to give great and much overlooked performances. He delivers a great performance as outlaw Ben Wade. Crowe just keeps on putting me in shock with his spectacular performances. Crowe brought a mystique to his role that would of fit in with the old westerns. He seems as if he play anything and was a joy to watch here. He needs to be given much more and was definitely worthy of an Oscar nomination. Christain Bale also gives as a surprise to me a great performance as Dan Evans. He is on the verge of losing everything he's got. Bale displays his desperation and his willingness to feel that he has a purpose in life. He is definitely turning into a very good all around actor. I think he also deserved an Oscar nomination. Peter Fonda and Ben Foster also give very solid performances in their supporting roles.

I have heard some people say that this western was to talky but I don't believe so. I think this was filled with great dialog and was engaging for the length of the movie.

The directing by James Mangold was probably the best I have seen from him. He was able to bring back the old western style but yet mix it together with a modern effects and etc. He did not fall into the trap of making it boring or to violent. He carried the movie all the way through keeping the viewer entertained. The cinematography was amazing. The sceneries were spectacular and many of the shooting scenes were delivered with such excellence with the acting, directing but the cinematography brought those scenes and this movie to another level. The music was great as well. It did not become cliché but instead made you feel like you were back watching Clint Eastwood, Gary Cooper or John Wayne. It just captured me like no other western has in a while.

This movie is truly a modern classic.