In einem berühmten Restaurant bilden eine Ratte, die kochen kann und ein junger Küchenarbeiter ein ungewöhnliches Team.In einem berühmten Restaurant bilden eine Ratte, die kochen kann und ein junger Küchenarbeiter ein ungewöhnliches Team.In einem berühmten Restaurant bilden eine Ratte, die kochen kann und ein junger Küchenarbeiter ein ungewöhnliches Team.
- 1 Oscar gewonnen
- 68 Gewinne & 42 Nominierungen insgesamt
Brad Garrett
- Gusteau
- (Synchronisation)
Lou Romano
- Linguini
- (Synchronisation)
Patton Oswalt
- Remy
- (Synchronisation)
Brian Dennehy
- Django
- (Synchronisation)
Peter Sohn
- Emile
- (Synchronisation)
Peter O'Toole
- Anton Ego
- (Synchronisation)
Janeane Garofalo
- Colette
- (Synchronisation)
Will Arnett
- Horst
- (Synchronisation)
Julius Callahan
- Lalo
- (Synchronisation)
- …
James Remar
- Larousse
- (Synchronisation)
John Ratzenberger
- Mustafa
- (Synchronisation)
Teddy Newton
- Lawyer (Talon Labarthe)
- (Synchronisation)
Tony Fucile
- Pompidou
- (Synchronisation)
- …
Jake Steinfeld
- Git (Lab Rat)
- (Synchronisation)
Brad Bird
- Ambrister Minion
- (Synchronisation)
Stéphane Roux
- TV Narrator
- (Synchronisation)
Zusammenfassung
Reviewers say 'Ratatouille' received widespread acclaim for its animation, storytelling, and voice acting, especially Peter O'Toole's performance as Anton Ego. Critics praised its unique premise, emotional depth, and technical achievements, considering it one of Pixar's finest works. However, some found the story predictable and the humor less effective compared to other Pixar films.
Empfohlene Bewertungen
I caught a sneak peak yesterday, and must say, this film is a classic. It is not as flashy as cars, or as action packed as Incredibles, but it is a masterpiece of restraint and heart, that matches the classics from the golden age of the film industry. Pixar has always been groundbreaking for smart and fun animated features, but Ratatouille might just be what puts them over the top as one of the BEST all around film-making teams in history.
Ratatouille is a treat for film lovers. It feels like a classic. The animationis absolutely beautiful, especially the scenery of Paris which evoked awes from the audience, as if we were seeing a grandiose fireworks show.
The story is oh so classy and universal, especially when you look at it as a parable to yourself and society. Sometimes the story seems familiar, yet it is packed with so much genuine heart and individuality, that it might even be too "indie" for most audiences. But those who are patient and willing to open their minds and hearts, even when it may challenge the viewers to rethink their own personal biases, will find within this entertaining, sweet, simple film a remarkable message about challenging societal norms and not letting anything stand in your way of your dreams. When you follow your dreams, you never know what an impact it will have upon you, or those you might encounter on the journey. Just see the film, and be open to its message, and I am sure if you allow it too, it will touch you as well.
P.S. : The short in front of the feature is the funniest animated short film pixar has ever done, so even if ratatouille might not be as flashy as many might want it to be, the short film will have everyone in stitches, as it did our entire theater. So just go and see it, and be prepared for a wonderful two hours.
Ratatouille is a treat for film lovers. It feels like a classic. The animationis absolutely beautiful, especially the scenery of Paris which evoked awes from the audience, as if we were seeing a grandiose fireworks show.
The story is oh so classy and universal, especially when you look at it as a parable to yourself and society. Sometimes the story seems familiar, yet it is packed with so much genuine heart and individuality, that it might even be too "indie" for most audiences. But those who are patient and willing to open their minds and hearts, even when it may challenge the viewers to rethink their own personal biases, will find within this entertaining, sweet, simple film a remarkable message about challenging societal norms and not letting anything stand in your way of your dreams. When you follow your dreams, you never know what an impact it will have upon you, or those you might encounter on the journey. Just see the film, and be open to its message, and I am sure if you allow it too, it will touch you as well.
P.S. : The short in front of the feature is the funniest animated short film pixar has ever done, so even if ratatouille might not be as flashy as many might want it to be, the short film will have everyone in stitches, as it did our entire theater. So just go and see it, and be prepared for a wonderful two hours.
I just saw "Ratatouille" tonight.
It's a first class movie. Several thoughts come to mind...
-The character performances are so good, I think there's no sort of movie they couldn't make. I've heard Pixar's John Carter of Mars is going to be live action? No! I want them to do it all animated.
-"Cars" definitely _was_ a lower-value softball they threw to finish out that original Disney-gets-half-of-everything-plus-sequel-rights contract they were in at the time. I remember all the clucking last summer about how Pixar had lost its way.
-There were a few moments when they seemed to lose that stylized reality they had established and things looked merely "real".
-There was one scene in the latter part of the film where I thought "I can't believe they are doing this tired movie cliché" but they pulled out of it at the last second and made it something new.
-The 2D-ish end credits were great. Stick it out to the very end to see the mo-cap disclaimer!
-With this, Brad Bird is certainly one of the animation gods now.
It's a first class movie. Several thoughts come to mind...
-The character performances are so good, I think there's no sort of movie they couldn't make. I've heard Pixar's John Carter of Mars is going to be live action? No! I want them to do it all animated.
-"Cars" definitely _was_ a lower-value softball they threw to finish out that original Disney-gets-half-of-everything-plus-sequel-rights contract they were in at the time. I remember all the clucking last summer about how Pixar had lost its way.
-There were a few moments when they seemed to lose that stylized reality they had established and things looked merely "real".
-There was one scene in the latter part of the film where I thought "I can't believe they are doing this tired movie cliché" but they pulled out of it at the last second and made it something new.
-The 2D-ish end credits were great. Stick it out to the very end to see the mo-cap disclaimer!
-With this, Brad Bird is certainly one of the animation gods now.
This film is exactly what Pixar needed to steal the thunder from Dreamworks' latest release, SHREK III. In many ways, this is very ironic, as one of Pixar's best films, MONSTERS INC., was overwhelmed when it was released due to the first SHREK's success. I honestly think if SHREK hadn't been such a wonderful movie, people would have noticed that MONSTERS INC. was an exceptional film. Now, Pixar gets some payback with one of their best, RATATOUILLE.
Actually, RATATOUILLE is probably Pixar's best film, though I did enjoy TOY STORY II and THE INCREDIBLES. The reason I was so overwhelmed by this story was that it was so highly original and creative--I simply cannot compare the plot to any other film (something you can do with THE INCREDIBLES and TOY STORY II). Plus, after years of making CG movies, the look is taken to a whole new level in this film--it just looks breathtaking.
Now I need to point out that RATATOUILLE is not as much a kid's movie as its predecessors. Sure, it can be enjoyed by the kids, but the story line is a tad darker and covers an adult concept (illegitimate birth) and includes a swear word (though not one the really "bad" ones, you can be sure). Also, while the rats are kind of cute (and a marketer's dream), most of the rest of the story isn't and there are no catchy kid's tunes. No, instead this film is aimed more at teens and adults in its sensibilities--something that really helped make SHREK a financial gold mine and cursed MONSTERS INC. to be seen (incorrectly) as "just a kid's movie".
Amazing animation, excellent writing and, the rarest of rare, a completely original and captivating plot make this a winner and film that will be long remembered. I can't wait to see it again.
Actually, RATATOUILLE is probably Pixar's best film, though I did enjoy TOY STORY II and THE INCREDIBLES. The reason I was so overwhelmed by this story was that it was so highly original and creative--I simply cannot compare the plot to any other film (something you can do with THE INCREDIBLES and TOY STORY II). Plus, after years of making CG movies, the look is taken to a whole new level in this film--it just looks breathtaking.
Now I need to point out that RATATOUILLE is not as much a kid's movie as its predecessors. Sure, it can be enjoyed by the kids, but the story line is a tad darker and covers an adult concept (illegitimate birth) and includes a swear word (though not one the really "bad" ones, you can be sure). Also, while the rats are kind of cute (and a marketer's dream), most of the rest of the story isn't and there are no catchy kid's tunes. No, instead this film is aimed more at teens and adults in its sensibilities--something that really helped make SHREK a financial gold mine and cursed MONSTERS INC. to be seen (incorrectly) as "just a kid's movie".
Amazing animation, excellent writing and, the rarest of rare, a completely original and captivating plot make this a winner and film that will be long remembered. I can't wait to see it again.
10stalcup
Remember how everyone was talking about Toy Story when it first came out? The incredible visuals, unique style, vividly imagined world? The next time people were talking that way with such enthusiasm about a computer animated movie was Finding Nemo. I'm excited to say that Ratatouille will be the next one to redefine the visual creativity and technical detail of computer animated movies. Honest to goodness, I was awestruck by the animation, and that never happens to me. It is a visual masterpiece of a movie if ever the term applies.
The next thing to talk about is the "genre" of the movie. As Pixar enthusiasts will tell you, Brad Bird, the director of Ratatouille, also directed The Incredibles, which has the most inspired and creative action sequences from any of the Pixar movies. Ratatouille, while not so straightforward with its action, has almost as much as The Incredibles did, in unique ways. Most memorable is the shotgun scene near the beginning. (You'll know what I'm talking about when you see it). Other than that, this is the expected comedy-with-heart movie from Pixar that so many have grown to love.
The voice acting? Spot on. Every voice is distinctive, and it never feels like a celebrity's voice tacked on to a character (Shrek, I'm looking at you), it feels like the characters themselves speaking. You can't ask for more from voice acting.
And finally, the script and the story. The entire irony of the story -- a street rat with a passion for fine food -- is beautiful, and a tight, smart, wonderful script flows from this. The pacing of the story is odd and choppy at places, but this is a very forgivable grievance. The only other minor fault is that a few of the dramatic one-liners feel a bit forced. Other than that, this is the most layered, complex, and satisfying script from Pixar since The Incredibles.
Overall, I recommend that everyone see this movie when it hits theaters (I was lucky enough to see a pre-release screening). Though not perfect, it is an animated masterpiece in true Pixar form with breathtaking animation and visual design.
10/10
The next thing to talk about is the "genre" of the movie. As Pixar enthusiasts will tell you, Brad Bird, the director of Ratatouille, also directed The Incredibles, which has the most inspired and creative action sequences from any of the Pixar movies. Ratatouille, while not so straightforward with its action, has almost as much as The Incredibles did, in unique ways. Most memorable is the shotgun scene near the beginning. (You'll know what I'm talking about when you see it). Other than that, this is the expected comedy-with-heart movie from Pixar that so many have grown to love.
The voice acting? Spot on. Every voice is distinctive, and it never feels like a celebrity's voice tacked on to a character (Shrek, I'm looking at you), it feels like the characters themselves speaking. You can't ask for more from voice acting.
And finally, the script and the story. The entire irony of the story -- a street rat with a passion for fine food -- is beautiful, and a tight, smart, wonderful script flows from this. The pacing of the story is odd and choppy at places, but this is a very forgivable grievance. The only other minor fault is that a few of the dramatic one-liners feel a bit forced. Other than that, this is the most layered, complex, and satisfying script from Pixar since The Incredibles.
Overall, I recommend that everyone see this movie when it hits theaters (I was lucky enough to see a pre-release screening). Though not perfect, it is an animated masterpiece in true Pixar form with breathtaking animation and visual design.
10/10
Tonight I went to see Ratatouille during a preview offered to Myspace users in Boston. Overall the movie was GREAT! It was really funny, often in unexpected places, the storyline kept you engaged the entire time and the overall mood was lighthearted and inspiring. A real "feel-good" movie. I admit I was a bit skeptical going in, I mean the idea of a rat in a kitchen kind of left me queasy, but I left the theater excited to see it again when it is released. The voice actors are excellent and the animation is amazing. I've been to Paris before and the overall views were very accurate. At times I could tell exactly where in the city the events were taking place. Overall a fabulous movie, I highly recommend it!
Wusstest du schon
- WissenswertesPet rats were kept at the studio in the hallway for more than a year so that the animators could study the movement of their fur, noses, ears, paws, and tails.
- PatzerMost of the "spices" referred to in the film (rosemary, oregano, thyme, basil) are actually herbs. Spices come from the seeds, roots, stems or fruit of plants, whereas herbs come from the leaves or flowers.
- Crazy CreditsEvery single Pixar employee--including those who did not work on the film--is listed somewhere in the credits.
- Alternative VersionenThe intro credits and the newspaper headlines are localized in different languages for release in different countries. These localizations are retained in the DVD and Blu-ray versions.
- VerbindungenFeatured in Disney Through the Decades (2001)
- SoundtracksLe Festin
Written and Produced by Michael Giacchino
Performed by Camille
Recorded by Paul Silveira, Dan Wallin
Mixed by Dan Wallin
French Translation by Boualem Lamhene
Camille appears courtesy of EMI Music France/Virgin Music Division
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Untitled Rodent Project
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 150.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 206.445.654 $
- Eröffnungswochenende in den USA und in Kanada
- 47.027.395 $
- 1. Juli 2007
- Weltweiter Bruttoertrag
- 623.732.061 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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