Hainan ji fan

Review: Rice Rhapsody (2004) By Ken Lee

Though director Kenneth Bi's _Rice Rhapsody_ (2004) generates much interest primarily of its homosexuality theme (that troubled the Singapore Board of Film Censorship inasmuch as its month-long deliberation for the film's wide release in the city state in which the film is set and made), it explores at its core generational conflict; specifically, how a single parent's inability to adapt to modern circumstances leads to disillusionment and more misunderstanding. So it'd be misleading to categorize this as a "Gay" film, per se.

The plot is set in contemporary Singapore's Chinatown. Sylvia Chang, wonderful and enarmoured with supposed Singlish, plays a single mother (Jen) struggling with the uncertainty surrounding the sexual orientation of her third son, Leo (played by a certain delectable newcomer, Tan LePham), when his two elder siblings are both out and proud, much to her dismay, bringing issues of same-sex marriage and their boy-friends back to dinner table discussion. The lives of the family are going to be changed with the arrival of a French foreign exchange student, Sabine, played by a cooky Mélanie Laurent, who has a thing or two to show about finding common grounds, and knowing what's truly important in life.

The issue of homosexuality isn't a "modern" circumstance, of course. Its open acceptance (or tolerance) and embraced and head-on examination as an "idea", however, is, especially in this city-state notorious for its anti-gay "lifestyles" stance. So even if the movie isn't without its flaw, it's still ultimately uplifting, and a welcome addition to a growing list of movies purport to examine social, cultural and political aspects of the city-state, from "12 Storeys" to "Eating Air" to "Chicken Rice War".

Recommended.

Little known facts: Director Kenneth Bi is the son of Ivy Ling (Ling Bo) who is a mega star in Shaw's Huang Mei Diao era. She has a cameo appearance in this film.

Rice Rhapsody may sound promising, in terms of making its ways to several film festival, a pretty well known cast and crew (Taiwanese award winning actress Sylvia Chang and world acclaimed celebrity chef Martin Yan as the leading cast, with Jackie Chan as the executive producer), and together with the help of Singapore Film Commission. However, the serving of chicken rice turns out to be tasteless and tough.

This is young director Kenneth Bi's debut feature, where Rice looks like a movie from the final year students in a movie school doing its final year project.

Sylvia and Martin were horribly miscast as the role of Jen, a chicken rice seller, and Kim Shui, a duck rice seller. Jen and Kim Shui are rivals in business, as their stall is just opposite one another. However, Kim Shui is a bachelor who admires Jen, and try all ways to woo Jen.

Jen no longer trusted any man after her husband left her 16 years ago. With her secret chicken rice recipe, she brought up her 3 sons. However, Daniel and Harry, who are the 1st and 2nd son, turns out to be gays. Jen placed her bet on Leo, the youngest son, who is barely a teenager around 15 and 16 years old, to breed an offspring for the family line. Fearing that Leo would follow his brothers footsteps, Jen and Kim Shui try all ways to match him with Sabine, a female French exchange student who is coming to Singapore.

A night of passion with Sabine and the loss of his bestfriend makes Leo discover his sexual orientation. Kim Shui comes out with new duck dishes that beats Jen's chicken rice business. Double pressure coming down together makes Jen loses hope on the people around her, except for Sabine, where Sabine teaches Jen that there are more things in life to look out for.

It just sounds like your typical family drama, where someone wants to go their way, while others are trying to pull the whole family together. In terms of being a family drama, Rice has achieved only about 50% of it. The main focus on the film is all about how Jen is trying to prevent Leo from becoming a gay, so as to pass down the family line.

Placing Sylvia Chang the role of a typical Singaporean housewife is a bad choice. Poor language usage of dialogues in the film worsen the whole movie. No matter how hard Sylvia try to speak like a Singaporean women, her American accent English simply pulls her effort down, making whatever she said sounds pretendous.

Placing Martin Yan as Kim Shui is the worst choice. His heavy American accent English do not sound like a typical Singaporean hawker who owns a duck rice stall at your neighbourhood Singaporean coffeeshop (and i do not mean Starbucks in American terms.) Instead of using Chinese dialects, Mandarin and Singapore style English in the film, perfect English were used instead, giving Singaporean audience a good laugh, where two non-Singaporean Chinese were chosen to play Singaporeans. It puts the audience into a big puzzle: is this an total English speaking Singapore production? The ending of the film lacks punch, where Leo and Jen participated in a cooking competition. No tense atmosphere, no grand showdown, just the love between a mother and her son. Apparently, wrong location was chosen for both the mother and the son to express their love for each other.

Though Rice was slapped with an M18 rating (which refers to not suitable for audience aged 18 and below) for discussing and glorifying homosexuality, Rice is not a gay drama. It looks into the love between a mother and her gay sons, her acceptance of homosexuality and how to strike a balance between her traditional values and homosexuality.

If more details could be put in and having Singaporean cast to play the role of Jen and Kim Shui, the chicken rice would taste much more better.

Aptly called 'Rice Rhapsody' in Australia, this comedy is not very funny nor very satisfying. The basic plot is a single mother and restaurant owner has raised three sons all by her lonesome. Two of them are gay, and she fears the youngest may also be that way inclined. So, she comes up with a plan to hook him up with a sexy French student named Sabine.

All in all, this film just doesn't work and the chemistry between Sabine and Leo doesn't gel. The film seems indecisive in which direction it wants to go, and the male lead is rather unpleasant throughout the whole movie. And, why the heck was one character called "Batman"? This is quite a lazy comment, but 90 or so minutes really dragged for me- especially towards the end.

**1/2 out of *****!

Hainan ji fan (2004), shown in the U.S. with the title Rice Rhapsody, was written and directed by Kenneth Bi. It stars Sylvia Chang as Jen, the proprietor of a Chinese restaurant in Singapore.

Jen's professional life is going well, but she is depressed because her two older sons are gay, and she believes her youngest son may be gay as well. The script introduces an outside character--Sabine, played by Mélanie Laurent--who is a French foreign exchange student living with the family.

The plot is fairly predictable--the gay sons are very gay, the rival chef who wants to marry Jen is very persistent, and the exchange student is very sophisticated and very French. Unfortunately, the movie goes in several directions. When you read the promotional material, you expect Sabine's relationship to the family to be pivotal. Actually, her character sort of drifts in and out, making worldly and adorably French comments as she goes past. Without that plot anchor, the film more or less drifts aimlessly along to a Hollywood-style conclusion.

However, Singapore is--for me--an exotic and unknown location, and I enjoyed the fabulous views of the city. The cooking scenes were very well handled, and the acting was solid. Production values were high.

This film was shown as a 35mm print, which I think is the best way to see it. It will work on DVD, but not quite as well. It's not worth making a great effort to seek out the movie, but it's still worth seeing. (We saw it at the Rochester NY Lesbian and Gay Film and Video Festival.)

I had heard of this film but didn't get to see it until it'd been selected as one of the top 10 Chinese language films of 2005 by the Chinese Film Critics Association. It certainly deserved this prestigious honour because this dramatic comedy has a solid story, good performances, beautiful scenery and amazing music.

The story is about a single mother, Jen (veteran Taiwanese actress Sylvia Chang), and her three not-so-model sons. One by one the sons fail her expectations in various ways, mostly by becoming gay. In desperation she, with the help of a friend, Kim Chui (Martin Yan in a surprisingly natural and understated performance), come up with a plan to make sure her youngest son Leo stays straight and remains her "pride and joy."

This film deals with several phenomena in the modern Chinese society: homosexuality, which could be a metaphor for any "undesirable" quality the kids take on against their parents' wish; a middle-aged woman fighting social pressures; and the change in the parent-child relationship as the younger generation of Chinese moves away from the traditional "obey your elderly" doctrine. The best part is all these important issues are revealed in a very entertaining comedy of manners!

Sylvia Chang is wonderful as the "suffering" mother. The character of Jen is like many mothers, particularly Chinese mothers - strong and resilient. Her love for her sons is expressed through feeding and providing for them, and choosing for them what's best for them. The best moment in the film for me is when Jen realizes all her boys have grown up and have a mind of their own. It is now up to her to change her ways and discover that the best way to love them is to love them just the way they are.