Vera Drake

I don't think I need to fear rolling pins being thrown in my general direction when I say that powerful women roles are few and far between in Moviedom. That is not to say that there aren't any, it's just that it is rare for a female performance to blow you away in any projector driven screening. This is due more to Hollywood's reluctance to create interesting and powerful roles for the female elite than the actresses' ability themselves. Where studio honchos salivate over the next Jack Nicholson powerhouse or Anthony Hopkins costume drama, there are far far too few Charlize Theron's Monster to counter.

However, leave it up to Mike Leigh to try and correct this trend. In 1996, he wrote and directed the wonderful Secrets & Lies, and his writing for the women leads was so strong, that the Academy awarded nominations for both Best Actress (Brenda Blethyn) and Supporting Actress (Marianne Jean-Baptiste). Now in 2004, Leigh has given us the strongest performance by a male or female of the year with Imelda Staunton as the title character in the new film Vera Drake.

Vera Drake is the story a family in 1950's London. Vera is the Motherhead and she is the jack-of-all-trades within the community. Her days are spend stopping in on elderly people to help them with their lunch, working a various estates as a cleaning lady, slaving at a light bulb producing factory and most notably, as a caring individual who helps young and poor women terminate unwanted pregnancies.

However, if you were to ask Vera Drake what her role was, she would probably admit to being a mother first – a caregiver to her husband and two children.

A selfless woman who has little time for herself and therefore little time to digest the consequences of her illegal actions. Vera is goes about every bit of her business, whether she is down on her knees cleaning the brass around a fireplace or helping a woman perform an abortion without a frown and usually with a smile on her face, a whistling tune on her lips and the kettle on the stove.

Vera's family are equally lovable individuals. Her husband, Geroge (Phil Davis) works with his brother at an automobile repair shop. Her son Sid works as the local tailor and her daughter is a soft spoken lass who falls for a local man Vera invites over to dinner as a kind gesture. Together they make the quintessential family unit that we all envisioned 1950's households to encompass.

But when a local girl has a bad reaction to a Drake endorsed abortion, their world is turned on end. An investigation by the local police lead them to Vera's door on the night of celebration due to her daughters engagement. And as the police take Vera to the local booking station for a statement and sentencing, Imelda Staunton does her best work through the tears and expressions mirroring the suffering at the anguish she has put her family through.

Vera Drake might just be the best picture to be viewed by this critic this year. The characters are so robust and real that every time Vera put the kettle on for a cup of tea, you would think she is doing it for everyone in the audience. We become captivated by their lives and interested in the effects the events have on the family unit. The writing is crisp and you can imagine these people saying these things to one another – a gift not often bestowed upon moviegoers in such a powerful form.

Director Mike Leigh deserves most of the credit. He transforms Vera in front of us and manages to take an illegal action that is generally taboo in conversation and shows us the innocent side of the argument where rich people pay large sums of money to go specialists, but the poor and equally needy require the services of a local underground network. As someone who sits on one side of the abortion issue, I was amazed at the conclusion of the film how non-preaching and argumentative the film ended up being. Vera goes about her business like a friend helping out someone in need. She deals not in the politics or the societal view of her task but rather as someone just doing what is best for those found in situations where this solution is the only viable option.

Leigh's writing and directing however are overshadowed by the incredible performance by Imelda Staunton. This maybe the first film that I can remember where a female should win an Academy Award for a role that didn't harbor any speeches into the camera or voice over dramatization of the situation. With that, I give Vera Drake a very strong recommendation.

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"Vera Drake" is one of those movies that takes you right in and does not release you until long after the movie is over. Come to think of it, most of Mike Leigh's movies have this effect.

Imelda Staunton is flawless as Vera Drake, a kind-hearted simple soul who believes in sharing the compassion and the caring for her own family with others. Part of this compassion is exemplified in a skill she has - she is a back street abortionist. She does not do it for financial gain, but out of sympathy for the helpless women who cannot afford the psychiatric evaluations given to the rich who are then sent to private nursing homes for the procedures.

Through a series of circumstances she is caught and convicted and we observe the effects on her family and those about her.

Everything is flawless about this film. We really are in the cramped little flat where Vera lives, in the near slum environment. Her cheerful domestic work in the wealthy homes of London is in stark contrast to the poverty of her own post war rationed existence.

This film and the actors have to be nominated for many Oscars. Mike Leigh you have done it again. Bravo! 9 out of 10.

Imelda Staunton is superb and is my bet for the Oscar unless some Hollywood Diva does another "out of character" performance. But she only shines because of the company she keeps.This is ensemble acting at it's finest. No melodramatics, no attempt to steal scenes,and the result is as honest as life itself. This is the way the British talked, almost always indirectly, hedging around issues rather than hitting them head on, and a slave to mannered behavior. Understate, understate, understate.

Having lived in England from 1952 to 1959, and having married someone who was British who grew up during the war and it's aftermath this movie was like "a bit of old home." My mother employed "char ladies" like Vera, although we were "upper middle class" rather than "upper." The class differences were quite distinct in those days, and often determined by accent. What this movie shows is not only the average life of a "lower class" family but the options forced on them that were different from those in the higher brackets of society.

As anyone should know by know the movie is about illegal abortion in a rigid

puritanical society. Illegal, that is, for those without means, but quite available to those who could grease the wheels of the medical establishment who had "legal" ways around the law. In other words if Roe v. Wade goes then Vera's will pop up again.

There is no attempt to make a statement for or against abortion. As Mike Leigh has said: abortion has been in every society for thousands of years. The Vera Drake's who have lived could populate a small city. What this movie does do is emphasize that the Vera's were/are common average people not quasi criminals lurking behind the curtains of some seedy back alley shack, and that legislating morality never addresses the often harsh reality of human society.

I have been a longtime fan of Mike Leigh, always fascinated to see his slice of life take on England. Because of his well known creative process, the intrigue would be to see the actors and the characters and dramas (and comedies) they created. They were always worth watching in a voyeuristic way due to Leigh's unobtrusive camera work.

Vera Drake is well worth seeing for these same reasons, but Leigh has made a bigger and better movie than ever before, even with all of Topsy Turvy's bombast. His ambitions as director are greater than ever. First of all, to take on the subject of abortion is very brave. But I'll leave that for others to discuss. What was of interest to me from the opening shot was that this was going to be a visual tour de force, and it was.

Painting the scenes in dark, crushing browns and greens, with tight camera angles or letting the light in, each scene had the feel of a well thought out canvas, even the cut aways between scenes were new, inventive and beautiful.

And the acting is great and the scenes of the family interacting in close quarters, moving in synch are so pitch perfect you feel they have been doing this for decades.

So if you're thinking of seeing this movie, sit back, relax, and prepare to be taken on a slow, masterful ride.

Mike Leigh has done it again. I adore "Secrets and Lies", my 2nd favorite film of all time and Leigh strikes gold again in the emotionally draining, brilliantly directed study of a 50's era abortionist in London. Imelda Staunton gives, yet another in Leigh's film, outstandingly powerful and true performance as Vera Drake. She a inner-city housewife and mother, who spends much of her free time trying to "help out" the poor ladies of 50's London who are unable to get legal abortions. Some may consider this a hot-topic issue film, but it's moreover an independent study of a woman and her life, and how her emotions play in her world. Every nuance of this film is perfectly crafted, from every performance, to the sets, and the cinematography. The emotions overflow steadily, especially after the traumatic dinner scene where the police arrive for Vera. The look of horror that Staunton displays and changes as she realizes what is happening is acting and direction at it's best. Why is it American films aren't able to capture this from it's performers? I can't praise this film enough and truly believe that this will be my favorite film of the year. It's a shame this film got only a small release and audiences seemed unmoved by it. I don't understand it. Hopefully DVD will allow those who missed it to catch up with it and relish in it's brilliance. It will be a rewarding experience for all to see. I am praying for Oscar noms all around, but especially for Staunton. It is clearly and without any doubt, the best female performance as of this date, this year.