Eine zauberhafte Nanny

I was very pleasantly surprised by how 'Nanny McPhee' turned out. I thought it was just another one of those family films but I was impressed all through and surprised as to how much I enjoyed it. There is a slight resemblance to 'Mary Poppins' but 'Nanny McPhee' is very much its own film. Emma Thompson is a talented writer and she shows great understanding of children's imagination. 'Loved how the spectacular world was created. It's colourful, extravagant, magical and funny. The lavish sets and designs are incredibly hypnotic.

Then there are actors like Emma Thompson (superb), Colin Firth (great) and Imelda Staunton (hilarious) who hardly ever let down. It was great to see the one and only Angela Lansbury after a very long time, this time in a slightly villainous role. These actors make their characters unique. The child actors are good in their parts and Kelly MacDonald has a nice screen presence.

What makes 'Nanny Mcphee' different is its sense of humour (that gives it its own charm and appeal) and the colourful world that it presents. I also liked the symbolic representation of Nanny McPhee's physical transformation as she successfully managed to get the children to learn the lessons. Emma Thompson wonderfully writes the screenplay as there is not one moment where I felt that the film dragged. Of course we have seen similar stories in films before but it's the presentation and treatment that makes the difference and 'Nanny Mcphee' is nothing short of a delightfully amusing family film.

Emma Thompson fearlessly works with seven children and a barnyard of animals -- not to mention ugly-face make-up -- and she never once is upstaged.

My only complaint is about Colin Firth, who has a thankless role, but I've never found him all that interesting anyway.

My 9-year-old daughter, an avid Harry Potter fan, enjoyed the magic of the story and its rich layers of morality. At a key moment, creative obedience to an adult instruction leads to a slapstick showdown that delighted every kid in the theater, including me.

There are moments of peril and cruelty, a villain worthy of Dickens, even corpses in the father's place of business, but nothing presented here is worse than everyday life that all children endure. One of the most poetic understatements in any kid film occurs with the first shot: an empty chair, once occupied by a loving mother.

Nanny McPhee arrives to teach the unruly children, but the grown-ups have the most to learn about loss, honesty, and true love.

I took my almost-4-year-old and her two cousins (age 3 and 6) to see this and we all had a wonderful time! The cast was outstanding - Colin Firth marvelously befuddled, Angela Lansbury wonderfully austere, Emma Thompson gruesomely wise and endearing, and all of the children sweet and mischievous without being cloying and horrible. It was clever and never "dumbed down" as some movies peddled as family fare are these days. This film was both funny and touching. The scenery and costumes were also wonderful to look at -lovely use of color. Some reviews have said that the movie tries too hard to appeal to adults, but I disagree. If preschoolers can enjoy it, most children will. I highly recommend it to audiences of all ages.

Seven children, seventeen nannies. Poor dad Cedric Brown (Colin Firth) has all but given up. Suddenly, enter Nanny McPhee (Emma Thompson) using her magical powers (both emotionally and literally) to kick them into shape. Remind you of something? I'd be concerned if it didn't. But thankfully, as Nanny McPhee progresses, it twists and turns in such a pleasant fashion that by the end, you'll be wondering 'Mary who?' Adapted for the screen by Thompson herself, this is a fun and inventive kids film that is guaranteed to make you smile. Firth does his usually stuttering British man shtick, but given he has little to do, makes the most of it. Imedla Staunton, Angela Lansbury and Celia Imrie ham it up shamelessly and are loads of fun. But most of the attention should be directed towards Thompson, an ugly but constantly entertaining lead.

The art direction, visual effects and Patrick Doyle's fabulous score all soar in a confident over-the-top direction, as is the tone of the film. The score, by-the-books though it may be, is perfect and bodes well for Doyle's work on the new Harry Potter movie.

Rather than basing its entirety on the naughty kids storyline, McPhee jumps from plot point to plot point, stuffing a whole lotta characters and twists into it's 97 minute running time. Thanks to this, Thompson's endearing loveliness and a cute array of kids (lead by Thomas Sangster, the kid from Love Actually), Nanny McPhee emerges triumphant as one of the better kids movies in recent memory, mostly because the adults will love it too. And anyone who isn't enchanted by the magical ending has to have a stone for a heart.

I went to see this film today with my daughter, who is 31 and her 5 year old daughter and it's a long time since I saw such a truly wonderful film in the cinema.(and I go often)

I went as a typical granny, ready to enjoy the day out for what it was, but I said to my daughter at the end that if it had been a DVD, I would happily have watched it again right away.

Apart from the brilliant performances from all involved, this was a beautifully filmed piece of work. The staging and vivid colours used were absolutely perfect and each set was full of things to catch your eye.

I've always liked Emma Thompson, but not in a 'big fan' kind of way, but I must say she gave one of the most understated, beautifully controlled performances, and her wonderful character was magically endearing within moments of her arrival on the scene.

I thought hard before giving a rating for this film, but couldn't find one thing to stop it from being absolutely perfect.