Primer

You remember the first time you saw The Matrix (please, not the awful sequels) and you could barely keep up with what was going on, trying to piece together the pieces of what you were being told into a coherent story?

This movie was exactly like that. The first half or so is fairly linear (despite the frenzied Altman-esque style of everyone talking on top of each other), but then it gets WEIRD and it just absolutely blew me away. This film won a major Sundance award, and normally that means I won't like it (especially the normally pandering audience award winners) but this movie, and first-time filmmaker Shane Carruth, deserves absolutely everything it gets. I am just blown away.

Did you like Pi? If so, go see this one.

By the way, the attention to detail in the beginning is great. Often in thrillers with technical content, if you have a technical education you have consciously ignore all the stupid movie crud that they pull to make it into a good story. But this movie pulls off an incredibly believable technical story, with only a few distracting gaffs. That is, the tech jargon is good enough that you don't get distracted and can focus on the story line.

Final comment: Yes, it is very hard to follow the story line in this movie.

Obviously I'm not going to spoil it, but I think the following fact will help when the movie gets kind of hairy towards the end: Aaron is the dark-haired guy, Abe is the blond-haired guy.

This movie now has distribution and you should keep an eye out for it in the fall.

If you've heard that "Primer" is a complicated, dense, and difficult film, you heard correctly. This is not simple entertainment, not even complex entertainment, this is a film that demands true focus and attention, and only then is truly rewarding. I can imagine countless bored people who watched and listened to the movie but didn't REALLY pay attention to it, didn't think with it. You simply cannot expect to like "Primer" if you aren't prepared to be an active participant IN the film.

The film is remarkably good visually, especially when budget is considered. Carruth clearly has a lot of talent. The cinematography is excellent, the shot composition is flawless, the strength of the visual storytelling astounding. Carruth's script is the best thing about the movie, and really isn't flawed at all. The dialogue flows naturally and the ideas are absolutely fascinating and captivating, and even the humor is effective. This movie does not use 'technobabble', it uses genuine scientific concepts as a basis for its events, and certainly some degree of knowledge of physics is needed for a proper understanding of the film.

I have seen "Primer" four times and I still don't completely understand it (or, at least I couldn't explain it too well to someone else), even after reading dozens of explanations. It's an incredibly rich and detailed film, and it's one that not only rewards but actually requires multiple viewings. This will and has already put many, many people off watching the film, but it only increases its greatness in my opinion. It is simply incredible how much these guys came up with using so little. Carruth's vision was unique and complete, and he made possibly the greatest debut film ever made, and with a 2:1 shooting ratio (the ratio between the total duration of its footage shot and that which results from its final cut) at that. If that doesn't prove that Carruth knew what he was doing what does? One of the most inventive, original, and unique movies ever made.

10/10

"Primer" starts out innocently like a "Start-up.com" docu-drama and the first part covers some of those same financial, friendship and entrepreneurial issues as computer geek engineers work out of of one of the partner's garage to perfect an invention.

But gradually, in this antiseptic atmosphere of white shirts, electrical experiments and tweaking mechanics, every human emotion, virtually as every seven deadly sin, except sloth, and beyond, starting with greed, takes them over.

Without any explanation to the audience, we gradually figure out that we're seeing a cleverer, low budget "Paycheck" or what "Ground Hog Day" played for laughs and an original "Outer Limits" episode did for irony (I didn't see "The Butterfly Effect" to see how it also dealt with time changes).

Rather this is an attempt to seriously examine the philosophical issues of chaos theory and how inventions can't be divorced from human frailties, both mental and physical.

Shane Carruth, as the lead actor/writer/director/producer is a true auteur--and could therefore give his nerd a wife and kid-- but perhaps an outside editor could have helped make the permutations a bit clearer as I didn't quite follow the intersections with outside characters. I followed enough to get caught up in the anxiety and suspense of each iteration.

It was amusing that I was the only woman in the audience.

Yesterday I watched "Project Almanac" which was also about time travel. The discussion board was full of threads about the temporal paradoxes created in the movie. One thread mentioned movies that did a good job with the time travel theory and "Primer" was mentioned, so here I am.

I don't consider myself a dumb or inattentive person; I typically don't need plots spelled out for me and I understood the premise, however, somewhere mid-movie they lost me. Characters were mentioned whom I hadn't heard before and nor did I know their relationship to the main characters. Then it got to the point where I didn't know what time frame they were in or who I was looking at because every time the two main characters went back there would be a double of them. It all just got too confusing; to the point I actually watched it twice to see if I missed something. Even with watching it twice I couldn't quite figure it all out. Their dialog was too ambiguous and the jump cuts from scene to scene left me behind.

What's amazing is that the movie had a narrator--and it was needed--but he added very little to helping comprehend this movie. Time travel movies are naturally confusing because of the paradoxes and conundrums in them, the last thing I need is ambiguity on top of confusion.

Four friends/fledgling entrepreneurs, knowing that there is something bigger and more innovative than the different error-checking devices they have built, wrestle over their new invention.

What can you do with $7000? Apparently, with a good script and a cast / crew that does not exceed their expectations or potential, quite a bit. This film is on par with very early Cronenberg (such as "Stereo"), and it seems to already be a modern science fiction classic.

We get some great quotes, too. "I'm hungry. I haven't eaten since later this afternoon." Where else could that line ever make sense? I also love the question of how do cell phones work? Most time travel films, even if they go to the future, neglect cell phones. This one asks a valid question: which one would ring if two existed in the same time? Hmmm..