IMDb-BEWERTUNG
3,2/10
2337
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuTwo teenage girls on a mission to find drugs at a rave get more than they bargained for. One is sexually assaulted and they are both tortured in horrific ways. The attackers seek refuge in t... Alles lesenTwo teenage girls on a mission to find drugs at a rave get more than they bargained for. One is sexually assaulted and they are both tortured in horrific ways. The attackers seek refuge in the parents' of one of the victims' homes.Two teenage girls on a mission to find drugs at a rave get more than they bargained for. One is sexually assaulted and they are both tortured in horrific ways. The attackers seek refuge in the parents' of one of the victims' homes.
Ron Althoff
- First Redneck
- (as Ronald Althoff)
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This movie already annoyed me before it even properly started
The first screen depicts a written message in which is stated that hundreds of girls get abducted and sexually abused every year, and that the producers of this movie wish to illustrate these crimes as graphic and realistic as possible in order to warn parents and potential victims about the dangers of meeting up with strangers. Seriously, shenanigans like these make me furious because A) you honestly don't need to show explicit rape footage and sadist murder in order to pass the message of kids having to be wary of strangers and B) it's 300% hypocritical! If you want to make a raw and shocking exploitation movie, that's perfectly fine, but don't pretend even for one second that cinema like this has a deeper social moral or an educational task to fulfill. Perhaps my rant is slightly exaggerated, but pretentious messages like that at the beginning of a film irritate me enormously! Furthermore, I honestly don't understand where all the commotion with regards to this film comes from. Some people (mainly the haters) call it a rip-off of Wes Craven's "Last House on the Left", whereas others (primarily the fans) refer to it as an unofficial remake of that same exploitation landmark. To me personally it's just another entry in the "rape & revenge" sub-genre of exploitation cinema that is admittedly a lot more similar LHOTL than most titles. Throughout the 1970s and early 1980s, and then once more in the years 2000-2010, there were dozens of movies cashing in on the success of LHOTL (and, ironically enough, Wes Craven stole the idea of Ingmar Bergman's "The Virgin Spring") so why would one more form a problem? The only significant difference that "Chaos" has to offer is that it goes another step further when it comes to depicting misogynous cruelty and repulsive murder. Two young girls, Emily and Angelica, have planned to go to a rave in the woods, much against the will of Angelica's mother. They arrive so early that the rave hasn't even started yet, so they tag along with a guy named Swam who claims that he has ecstasy in his cabin. They end up in the hands of Chaos and his accomplices. Chaos is a dangerously deranged psychopath and rapist, and the poor girls' final hours will be excruciating and miserable. Then, in good old LHOTL tradition, the rapists somehow end up at the parents' house and another violent confrontation ensues. Yes, the violence is sickening. What Chaos does to the white girl's nipple and especially how he kills the black girl is truly disgusting and will make even the most hardened horror viewer squirm in his/her seat. But let's not exaggerate, neither. "Chaos" is not the most depraved film ever made, even though I'm sure that is what writer/director David DeFalco likes to believe. Kevin Gage, who's biggest moment of glory was to appear in Michael Mann's "Heat" in 1995, gives a more than solid performance as the titular sicko Chaos, but in spite of that he will never grow out to become a cult/exploitation icon like Krug Stillo (David Hess) did after "Last House on the Left".
But that is still not saying much about this film. I'm not even sure where to begin. I guess I'll start with the "message" at the very beginning. As others have already said, it was a very lame attempt by the filmmakers to justify the content of their little film. Very lame. If you're gonna make a somewhat violent film about rape and murder, then just make the film and leave it at that. There was absolutely no reason to try and pretend that it was made as some sort of message to parents and kids about being safe from murdering rapists. They could have just said, "don't walk through the woods with a stranger while trying to score drugs" and not even bothered with trying to make a film out of it. While it is not the worst movie I have ever seen, or even the most disturbing for that matter, it is not worth watching either. I wouldn't recommend it to anyone. Some people can't resist the temptation to see what all the "controversy" is about (myself included), but I can assure you it's not as disturbing as some would have you believe and it's just not really worth the time. Pass.
One day, a wrestler (count the number of the letters in his name and you will still come up with a higher number than his IQ) decided to plagiarize Wes Craven's mediocre debut from the 70s... and in less than a year he vomitted out this "film", a horrifyingly dull attempt at offending and probably "shocking" everyone. A very failed attempt, needless to say. Wrestler, keep this in your "mind" (if you had one): one can only offend and shock when one represents something. A mosquito won't offend me, a worm won't shock me... why should I react any differently to a sad attempt by a pathetic subhuman wrestler? Just ignore him and in time he will die, alone and forgotten, and hopefully with "Chaos" being the only "film" he'll ever have made.
Whoa, what can I say here. Well this has got to be the most over-hyped piece of garbage i've seen since Battlefield Earth. First off this film is a complete remake of Last House without the gritty revenge angle. I saw the full cut, so don't think all the negative reviews are for the edited version. Why Roger Ebert bothered with complaining about this film is beyond me, I mean any money this dud made was because of his comments. I really think if he never said anything, this film would have few to no reviews on here, and would have just faded away. The physical and mental torture in this film is disturbing by it's very nature Mr. Ebert, I mean what were you expecting from this storyline, but yet the scenes really lacked any edge, little actual gore is seen, and it certainly isn't a sexy film in any way, so really why see it? I knew exactly how things were going to turn out from the beginning, and not for one moment was I tense, or really interested in the proceedings. Maybe i'm just a jaded gore hound, but this film really has nothing to offer, and just makes you want to go back and watch Last House On The Left again to see how it's done right. A revenge plot would have helped greatly, just to add some unpredictability. All in all whether your looking for extreme gore, suspense, nudity, a good story, or acting, you will be disappointed. The only reason I gave it a two out of ten, is a few of the actors' seemed to have talent, they just had nothing to work with.
I saw this movie for a free at a screening, I wouldn't see it again if you paid me. This film has the worst acting, the worst dialogue, and the most senseless plot I've ever seen. The premise of the film makes a piece of garbage like House of Wax look like a masterpiece. The movie aims to shock and teach with it's brutal "true to life" story of two girls looking to score "E" at a rave in the woods. The obvious abduction, rape, torture ensues, including a nipple being caught off and fed to it's original owner (at which time at least half the viewers got up and left the theater). Personally though I was not as offended by the grotesque senseless violence as I was by the fact that I felt my intelligence was being insulted by the film maker who claimed the film had some sort of message and redeeming value. It was the quality of a subpar B horror film and an after school special mixed. Without an ounce of reality included it was sick, twisted and pointless all together, without ever making an ounce of sense either. Movies like Cannibal Holocaust and Ichi the Killer contain more blood and guts than this film but don't strain to make it over the hour mark while offending everyone in the audience. Not that they are quality films either, but at least they don't claim to teach me anything! OK, I'm rambling, but I'm upset that free passes were given out for such a horrible film and that a major chain of theaters like Emagine would show this garbage, AVOID THIS FILM AT ALL COSTS!
Wusstest du schon
- WissenswertesRoger Ebert gave the film zero stars. He wrote in his review that he regretted seeing it.
- PatzerThe film introduces Ken Medlock's character as Officer Whitley, but the end credits call him Officer MacDunner.
- Alternative VersionenThe uncut version runs 76 minutes. The cut version runs 74 minutes, deleting much graphic footage and using zoomed or alternate shots to tone down the content. Among the differences in the cut version: the torture and murder of Angelica is about 36 seconds shorter, with the nipple severing, force-feeding, and vomiting implied rather than depicted, and one stab instead of three. The necrophilia is about 45 seconds shorter and omits the rear nudity. The murder of Emily is about 25 seconds shorter, and omits her agonized reaction shots.
- VerbindungenReferenced in Bad Movie Beatdown: Wrong Side of Town (2012)
- SoundtracksFreak
Lyrics by Mystery
Performed by E-TAB
Music by Ralph Rieckermann
Courtesy of ProScorp/Domination Music (ASCAP)
Top-Auswahl
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- How long is Chaos?Powered by Alexa
- What are the differences between the First Edition and the Director's Cut?
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The House in the Middle of Nowhere
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.289 $
- Weltweiter Bruttoertrag
- 20.166 $
- Laufzeit1 Stunde 14 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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