IMDb-BEWERTUNG
4,4/10
4976
IHRE BEWERTUNG
Die Brüder K.C. und Trip Carlyle sehen sich mit dem plötzlichen Tod ihres Vaters konfrontiert und werden zu Rivalen bei der Las Vegas Motocross Championship.Die Brüder K.C. und Trip Carlyle sehen sich mit dem plötzlichen Tod ihres Vaters konfrontiert und werden zu Rivalen bei der Las Vegas Motocross Championship.Die Brüder K.C. und Trip Carlyle sehen sich mit dem plötzlichen Tod ihres Vaters konfrontiert und werden zu Rivalen bei der Las Vegas Motocross Championship.
Empfohlene Bewertungen
Supercross is a movie you know. Everyone here has seen countless movies just like this before. Nothing new, however, does not necessarily mean nothing gained.
The motocross action in this is superb, and even though I'd never heard of the director (or in the case of the action perhaps the second unit director) I felt the motocross parts of the film were more than well done and well filmed. So for motocross fans, you will get some distinctive motocross action to consume lovingly.
The acting doesn't fare as well, but what do you expect? I'ts called Supercross: The movie, stars a bunch of unknowns (the two most well known are Robert Patrick in a small supporting role, and either Mike Vogel of Grind/Texas Chainsaw Massacre fame or Sohpia Bush of One Tree Hill.)While the acting doesn't necessitate awards, should it? The audience for this is not going to care as much about the acting ability as much as the ability of the movie to entertain, and it does. It's fun. Enough said.
I read a review that compared the plot to The Karate Kid, and while I could see the similarities, there are deviances; but the film itself does borrow from other sports destiny films and when you think about it...it has too. There is nothing but cliché left in this genre. So just sit back and enjoy a good time and shut your brain off. Wait for DVD if you aren't a motocross fan.
p.s. my friend saw the preview for this and his literal quote was "I'd rent that just for the hot chicks." There ya go boys.
The motocross action in this is superb, and even though I'd never heard of the director (or in the case of the action perhaps the second unit director) I felt the motocross parts of the film were more than well done and well filmed. So for motocross fans, you will get some distinctive motocross action to consume lovingly.
The acting doesn't fare as well, but what do you expect? I'ts called Supercross: The movie, stars a bunch of unknowns (the two most well known are Robert Patrick in a small supporting role, and either Mike Vogel of Grind/Texas Chainsaw Massacre fame or Sohpia Bush of One Tree Hill.)While the acting doesn't necessitate awards, should it? The audience for this is not going to care as much about the acting ability as much as the ability of the movie to entertain, and it does. It's fun. Enough said.
I read a review that compared the plot to The Karate Kid, and while I could see the similarities, there are deviances; but the film itself does borrow from other sports destiny films and when you think about it...it has too. There is nothing but cliché left in this genre. So just sit back and enjoy a good time and shut your brain off. Wait for DVD if you aren't a motocross fan.
p.s. my friend saw the preview for this and his literal quote was "I'd rent that just for the hot chicks." There ya go boys.
Supercross: Coming from a past Motocross racer, whose sons are grossly interested and active in the sport. I took my 2 boys to see this movie. After watching past with them, days/weeks/who knows how much footage or MB of digital images of just racers and riders, with no intended story line on our home TV with them, I did not know what to expect. I figured I would get much of the same, and hopefully a story to boot. I have to say when compared to some of the other full-length films related to the sport of Motocross/Supercross they made a noble effort at putting together actual film sequences, mixed with some acting abilities to present a story line even though it was somewhat weak. As a true race fan you will pick out some inconsistencies in the splicing of the actual "Clear Channel" ® footage that was used to enhance the film. It is hard to take the racing sequences to seriously when the characters are beating some of the best-known racers in the industry. It might have been a little more realistic if they could have used cameos from professional racers in more than just a passing glance. But give them a break it is a movie. However, for a dramatic effect race footage served its purpose. It allowed them to mix reality racing with drama in a manor where it did not obviously appear dubbed in. Even with the track switches and split screen viewing it gives you the impression that you are watching a broad-casted race.
Yea it has some of the most predictable film clichés in film industry, but I do not think it was directed to earn any awards. It is a story of a very common ideal in the sport. It is the struggle of two brothers K.C. and Trip that are dreaming of making it to the big show in a sport they love. From an amateur level there is a lot of effort and motivation that goes into trying to become one of the chosen few that gets the opportunity to earn a high level sponsor or a professional contract. It also shows you the different methods used to grab the necessary attention. Both methods are demonstrated slow and steady working little by little and on or over the edge going for broke. It also tries to show the kids watching that the ethics of trust, loyalty and perseverance do pay off.
If your a race fan, you should enjoy it just for the fact that our sport has climbed one more rung on the latter, to more public recognition. Hopefully we will get the attention that the sport deserves. As a parent, it is a movie that you can stand to sit through with you kids and spend a little time with them. Trust me the kid's will like it and more than likely you will be buying a copy when it is released for home theater.
Yea it has some of the most predictable film clichés in film industry, but I do not think it was directed to earn any awards. It is a story of a very common ideal in the sport. It is the struggle of two brothers K.C. and Trip that are dreaming of making it to the big show in a sport they love. From an amateur level there is a lot of effort and motivation that goes into trying to become one of the chosen few that gets the opportunity to earn a high level sponsor or a professional contract. It also shows you the different methods used to grab the necessary attention. Both methods are demonstrated slow and steady working little by little and on or over the edge going for broke. It also tries to show the kids watching that the ethics of trust, loyalty and perseverance do pay off.
If your a race fan, you should enjoy it just for the fact that our sport has climbed one more rung on the latter, to more public recognition. Hopefully we will get the attention that the sport deserves. As a parent, it is a movie that you can stand to sit through with you kids and spend a little time with them. Trust me the kid's will like it and more than likely you will be buying a copy when it is released for home theater.
I actually left about halfway through this movie. Because neither the plot and relationships, nor the racing footage, were enough to hold my interest.
When I think about it, I guess the natural movies for comparison might be The Lords of Dogtown, and The Fast and Furious, and whatever that racing movie was that was the contemporary of Fast & Furious, that starred Sly Stallone. All three were far better movies. All three featured lots of racing action and racetrack energy and the like. And all three included some engaging off-track personal dynamics for the racers.
This movie seemed VERY short on plain old race footage and racetrack footage, and seemed to concentrate more on off-track personal relationships. Yet none of these relationships seemed to me to really appeal. "Tight but competitive" is the opening formula: but almost all I saw and heard was competition with little sense of connection. Competition without that connection is frankly very, very unappealing to my taste. I wanted to like these folks, but just couldn't.
Bummer ...
When I think about it, I guess the natural movies for comparison might be The Lords of Dogtown, and The Fast and Furious, and whatever that racing movie was that was the contemporary of Fast & Furious, that starred Sly Stallone. All three were far better movies. All three featured lots of racing action and racetrack energy and the like. And all three included some engaging off-track personal dynamics for the racers.
This movie seemed VERY short on plain old race footage and racetrack footage, and seemed to concentrate more on off-track personal relationships. Yet none of these relationships seemed to me to really appeal. "Tight but competitive" is the opening formula: but almost all I saw and heard was competition with little sense of connection. Competition without that connection is frankly very, very unappealing to my taste. I wanted to like these folks, but just couldn't.
Bummer ...
To the critic who exited the theater halfway through the movie, "You really missed it."
"Supercross, The Movie" racing photography at the Las Vegas Chammpionship event is the best sporting cinematography of any motion picture that I have ever seen. Super vivid and intense plastic.
Is there any better quality sports film production than later stages of "Supercross, The Movie" racing footage? Extreme close-ups, sudden slow-mo, chrome, other digital effects, aerial jumps and tight action shots are framed with excellent form detail and clarity.
The Director made some mistakes. He could have used Hollywood draw like Aaron Carter, and Sophia Bush for more than only quick supporting shots. He could have included a lot more Supercross racers, and expanded on character development. He could have made more of a total movie, and it would have been interesting for other racers to have some lines.
The camera work in the beginning of "Supercross, The Movie" is inconsistent at best. The digital sound is consistently excellent.
I liked the audio effects during the event races. The exaggerated sound is in keeping with the New York Film School style and look of the better half of the film. I even liked the framing cut aways. Not to many film makers have the courage to do something that far out of the generic mainstream.
Granted, several of the dramatic (or lack there of) scenes needed to be re-done. It is like they began the project with a total lack of organization, and filmed only one take.
Even so, the "SoCal" "seventies lifestyle" approach of what little character development there is found its mark. The storyline is fine, it is just that there is such a lack of fine tuning.
The good parts of the film were so extra over the top that they made the beginning more than survivable.
I hope the next time around they keep the excellent sight and sound quality of the final racing events, and put together better Directorship of the back-in-time lifestyle dramatic intention
"Supercross, The Movie" racing photography at the Las Vegas Chammpionship event is the best sporting cinematography of any motion picture that I have ever seen. Super vivid and intense plastic.
Is there any better quality sports film production than later stages of "Supercross, The Movie" racing footage? Extreme close-ups, sudden slow-mo, chrome, other digital effects, aerial jumps and tight action shots are framed with excellent form detail and clarity.
The Director made some mistakes. He could have used Hollywood draw like Aaron Carter, and Sophia Bush for more than only quick supporting shots. He could have included a lot more Supercross racers, and expanded on character development. He could have made more of a total movie, and it would have been interesting for other racers to have some lines.
The camera work in the beginning of "Supercross, The Movie" is inconsistent at best. The digital sound is consistently excellent.
I liked the audio effects during the event races. The exaggerated sound is in keeping with the New York Film School style and look of the better half of the film. I even liked the framing cut aways. Not to many film makers have the courage to do something that far out of the generic mainstream.
Granted, several of the dramatic (or lack there of) scenes needed to be re-done. It is like they began the project with a total lack of organization, and filmed only one take.
Even so, the "SoCal" "seventies lifestyle" approach of what little character development there is found its mark. The storyline is fine, it is just that there is such a lack of fine tuning.
The good parts of the film were so extra over the top that they made the beginning more than survivable.
I hope the next time around they keep the excellent sight and sound quality of the final racing events, and put together better Directorship of the back-in-time lifestyle dramatic intention
I think that this movie is a good one for motor cross fans and kids. It's something that's not worth paying 10 dollars for at the movies, but it is enjoyable if you are into XXX sports. I am into it and I thought the stunts were pretty cool, but there was no real plot to it. There was but it wasn't like fast and the furious where there's mystery and suspense. However, if you want to see steve howey in a different light than definitely see it. He was great, and I think he has a lot of potential as an actor. He was completely different than his van character on Reba. He was serious about what he was doing and you can tell that he loved what he was doing. I hope to see more of him in other movies because he's really talented. Overall I give it a 3 out of 10 stars.
Wusstest du schon
- WissenswertesThe exterior shots of the Team Nami building are actually the Kawasaki Motorcycle Headquarters formerly located in Irvine, California. They did not however, have a private test track next to the property.
- PatzerWhen Piper Cole does a back flip in front of Trip, the crossover between when the original actor for Piper (Cameron Richardson) and the stunt double is obvious. Cameron attempts the jump normally, as if to complete the jump without a trick. In reality, to perform a back flip, the rider would need to lean back quite substantially half way up the jump in order to get a full rotation.
- Zitate
[first lines]
Trip Carlyle: [narrating] My name's Trip Carlyle. This is my brother, K.C. We're tight, but that doesn't mean we don't compete.
- VerbindungenReferenced in Strictly Background (2007)
- SoundtracksDays Of My Life
Written by Chuck Gladfelter
Performed by City of London
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Fast Boys
- Drehorte
- San Bernardino, Kalifornien, USA(Glen Helen Regional Park)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 16.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.102.550 $
- Eröffnungswochenende in den USA und in Kanada
- 1.330.520 $
- 21. Aug. 2005
- Weltweiter Bruttoertrag
- 3.344.431 $
- Laufzeit1 Stunde 20 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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