Die Grönholm-Methode - Wer kriegt den Job?

Seven candidates show up at some multinational in Madrid, all of them in the last round of a recruitment process. While the city is immersed by anti-globalization protests on the streets down below, the candidates are turned on each other for the selection. A sadistic analysis of the contemporary business world, pushed just that little bit further to earn it the title of a satire.

The cruel game is played out in the confines of the office, with the candidates fending for themselves under the presumed watchful eye of the named, but anonymous, entity which is the corporation. The tension mounts quickly, as the strong characters clash head-on in their perfectly developed manipulative manners after their years in business life. An excellent cast plays clever but tough dialogues in scenes which are a little too close to reality for comfort. A clear message surfaces as the film comes to a close, leaving a sour aftertaste. Not an uplifting movie to watch, but ingeniously crafted. Bare in mind that you may want to lay in the sun after surviving this one.

The script is based in in a theater play, and though I'm not familiar with the original, I guess the action probably remains close to the original (someone correct me if I'm wrong).

The cast is a good bunch of popular actors and actresses here in Spain, some of them somewhat popular out of Spain. See Eduardo Noriega, Carmelo Gómez, Ernesto Alterio and Natalia Verbeke. I find the acting very believable in general, maybe Noriega is not that real, but maybe this is what he is supposed to do in his role.

The story: Seven people are dated to have their final interview for an important position in a big company. All of them get together for the interview in the same place and the method used by the company for the final selection is call Gronholm method.

All the action takes place in the interview room and the restrooms. This, in spite of being drawback for the entertainment, makes it more interesting. The director gets rid of superfluous elements and leaves space for character development.

In opposition, and in order to prevent the public from getting lost in so much isolation, the director sets the action in the same day and place of a World Bank and IMF, although this doesn't really have an influence on the story.

My only complaint has to do with some restroom scenes that I believe don't add anything to the movie and look really silly to me.

Very entertaining and good story.

If you want to see a movie with the best special effects,explosions, gunfigths and other exciting sequences, you are in the wrong lounge. But if you like movies with interesting argument, funny dialogs and very good performances, without any doubt, you'll enjoy with this movie. The first called my attention was the very high quality casting of this film,probably five of ten best actors of Spain are in this movie (Javier Bardem was busy in other productions). The actors are impressive, specially Eduard Fernandez and Pablo echarri. The argument is very curious and it will captivate you from the beginning.Finally the director do a good job giving the film the right rhythm. topnotch!!!

From the moment all the main characters are gathered inside the conference room, you know you're in for a rare treat. The first part plays out like a classic, Agatha Christie-like whodunit, where you know just as much as the rest of the characters, and are as qualified as they are to make your assumptions.

The rest of the movie is just as interactive. The method of restricting our point of view to that of the character's makes you as much a part of what's going on as they are. It almost feels like a reality TV show, where you get to be one of the judges.

From the get-go, the movie grips you. It doesn't waste any moment and delves straight into the drama. The actors all do such an excellent job that you can't take your eyes off the screen. The pacing is perfect - here is not a dull moment - and the film's structure is brilliant.

There is one particular recurring motif which first appears in the first few scenes - dividing the screen into thirds. See if you can find similar compositional arrangements in key moments and deduce their meaning. It is the kind of movie where every tiny element serves a purpose (symbollic or otherwise), and it will make you think. Don't get me wrong - you will enjoy the movie as pure entertainment. But those who wish to search for deeper meanings, commentary about human nature, subtle social critique etc. will be far from disappointed.

In my opinion, the movie was perfect in every way (reminding me of "12 Angry Men", one of my all time favorites). I can't urge you enough to go see it. It is one of the best movies of the year.

On a troubled day in Madrid, with strike and protest against the World Bank and the IMF on the streets, seven candidates are put together in a meeting room in front of notebooks by a secretary as part of a selection process for one important position in a Spanish corporation. They fulfill another application form informing that they would be submitted to the Grönholm Test. While speculating about the possible existence of hidden cameras and microphones, the test begins and they read a message on the screen telling that one of them is not a candidate but an employee from the HR analyzing their attitudes. Along the day, the group is submitted to tests that eliminate each candidate until the final dispute between the two last ones.

"El Método" is a very well acted movie shot basically in one set like in "Twelve Angry Men" with a brief view of the contemporary wild capitalism through the dispute of qualified applicants to a direction position in a corporation. My only remark against the screenplay is relative to the unnecessary and quite stupid sex scene in the restroom. The author could have built the tension between the characters without the need of exposing them to a ridiculous situation that gives no credibility to the plot. The open end with an ambiguous conclusion is a plus in the story. My vote is seven.

Title (Brazil): "O Que Você Faria?" ("What Would You Do?")