The Motel

Love the foreign comedy/satire element in this excellent indie, a breath of fresh air. I like to be entertained and as such, there are no major flaws that come to mind with "The Motel" (2005).

One of the reviews here rips the American-Asian content for not being sensitive enough to Chinese/Korean cultures. Well, gee whiz! I suggest all indie directors ignore such cultural political nitpicking because we are not in Asia, we are in the melting pot of the USA. There are 100+ nations-cultures-variants now living in the U. S., it is impossible to appease all of their root sensitivities within cinema- no one has the time, the $$, or the inclination to do so, in mainstream theatre.

This feature was surprisingly the best of the 9 films I saw at Sundance. This is an endearing story of a young boy going through the struggles of life - it is a remarkably funny and heartfelt story that really moved me and the entire audience on opening night. This is, in my honest opinion, the sleeper hit of Sundance and the best movie in the festival. DEFINITELY worth checking out, I think it was overlooked due to the hoopla and buzz of other movies with bigger name celebrities. Filmmaker Mike Kang has taken a very endearing story and made it into an excellent film, about a lonely young boy working at a family-owned motel, who befriends a mysterious stranger (Sung Kang, from Better Luck Tomorrow) that teaches him the ropes of growing up (irresponsibly). It is a hilarious movie, yet it is filled with strong emotion and drama - many, especially the mothers in the audience, were brought to tears by the end. Highly recommended, just watch it for yourself and enjoy!

I've seen it at the VC Film Fest 2006 - Los Angeles Asian Pacific Film Festival, which this movie also won the best narrative feature film jury prize.

This movie doesn't have named actors. HOWEVER, if you have ever bought a adult magazine and hid it under the bed when you are 12, or you had to dealt with those boys...., this is the movie that makes you laugh and cry.

The excellent choice of dialog. And Jeffrey Chyau who plays the main character, Ernest, is not a professional actors. According to the director, Michael Kang, he literary found him on the street. According to Kang, a quiet unconfident boy never come to the audition. His 6 months search of Earnest definitely paid off in the movie. Kang was able to create good chemistry between Chyau and Sung Kang, who plays Sam.

If you like fast pacing movie, this movie may not fit you. However, if you would like to look back your "realistic" childhood, this is the movie to watch, but you have to see it in the theater.

When you leave the movie theater, I assure you will feel like being a grown-up.

I saw this film at Sundance 2005. I am not an industry person and this was one of the only films we were able to get tickets for. Of the nine (I think) films I saw, this was probably my favorite. The fact that there weren't really any Hollywood recognizable faces made it easier to get into, but that is really what the festival should be about, right?

I thought that the acting was very sincere and the story was definitely interesting enough to keep my attention through the whole film. This was centered around a Asian-American cast, which made it somewhat interesting to me, not being Asian, but that did not really make or break the story. It was more about the relationships of these people and what they wanted out of life.

I'm not sure that this will get released to mainstream theaters but if you have a chance to see it or rent it, definitely do so.

Don't think that I have a fondness for this film because it features a chubby 13-year-old with glasses and no clue as to what life is about. I assure you that it is not my biography - although it could very well be.

The award winning film at Sundance and the Independent Spirit Awards is a cute and poignant coming-of-age tale about a Chinese-American (Jeffrey Chyau in his first role) who is lost until he meets Sam (Sung Kang - War, Live Free or Die Hard), a Korean-American, who seems to have it all together.

Sam is really a man with problems of his own and not a great role model. Fortunately Ernest does get into a lot of trouble with him.

It is interesting to see Ernest trying to find love and stumbling badly at that. he is floating, with his father not around to provide guidance, and his alcoholic mother no help at all.

Asian-American stereotypical behavior aside, it is a worthwhile film to catch when it plays on the Sundance Channel.