Jericho

Jericho's name alludes to THE classic Scotland Yard detective, Gideon. Gideon's Way was the best cop show on British television before the Sweeney. The main reason was the excellent writing and the great characters. Jericho picks these high standards up and develops them further by giving the series a dark touch. Also in terms of cinematography Jericho looks more like neo-noir than TV. So all in all it's a very classy production. Robert Lindsay proves to be not only one of the best actors of his generation but in the UK. He does high brow and entertainment with the same ease and elegance. After about 10 minutes you don't evcen remember that there ever was a series called My family. His Jericho is dark and brooding. The other great performance in this series comes from Peter Bowles. We know him as suave man about town from many TV productions but here he gives the performance of a life time as dark, menacing crime lord. Perfect!

Another reviewer has compared Jericho unfavorably with Foyle's War. I, too, am a fan of Foyle's War, but Jericho appears to be striving much more for LA Confidential.

Robert Linsday is a wonderful, Tony Awarding-winning actor and one of the best new TV detectives I've seen in a while. The casting of the secondary and guest roles is very fine. I generally hate conspicuous music tracks, but I was immediately sucked into the first episode by the theme music, which also seems to owe a debt to the LA Confidential sound track.

I know nothing about London in the 1950's but I enjoyed this imagined version of it very much.

There have been only a few television shows (and movies) that have compelled me to recommend them highly to others - "Foyle's War", "The Sandbaggers," and "Horatio Hornblower" come quickly to mind. I'm adding the Jericho series to the list, based on the two installments that I've thus far been able to view, "A Pair of Jagged Claws" and "The Killing of Johnny Swan".

Both episodes were well-crafted and very atmospheric. The acting, as expected given the actors involved, has been outstanding, and the mysteries themselves - both of which touch upon key social issues - have been intriguing. I do agree that the music can distract attention and cover over the dialog. However, for me it was a minor nuisance. Overall, these two episodes have been wonderful to watch, and I wish more television series and movies were as well-constructed and well-acted. I am waiting rather impatiently for the US versions of "To Murder and Create" and "The Hollow Men" to become available, and hope there will be even more installments of this excellent mystery series available in the near future.

I just saw the first two episodes of Jericho, and I can't believe this show never made it to a second series! I read that the audience was smaller after the first episode aired, but it seems like there are definitely shows that keep getting made even if they're insipid & nobody watches them, so why does a genius program like this get canceled? Jericho's definitely as compelling as Foyle was, and the 50's style is so wonderfully atmospheric, so well-done, I felt like I was watching something made in that decade. The plots are powerful, the acting's great, and the cinematography gorgeous -- what's the downside? There isn't one -- so who do I petition to get them to pick it up again and make more episodes? I'm looking forward to seeing Eps. 3 and 4, but already sad that there aren't any more after that!

Absolutely love JERICHO and all the cast, it's like seeing a TV-series out of the Michael Powell movie PEEPING TOM, the crumminess of Soho in the 1950's, the grungy NIGHT AND THE CITY bars and clubs. This is a gripping show, with tons of depth and so many great back stories and characters I watch the episodes again and again just to enjoy the details. I'd never seen Robert Lindsay before this, and he IS the role. I love the way he moves--he's a blast to watch. So many movies and movie-genres have slid downhill in the last decades---but television series are now serious cinema art, and JERICHO is a super example of the detail and emotion an audience deserves. 1950's noir, British noir as it was meant to be!