Catch a Fire

This film didn't have the attention it would have deserved, at least in Europe (no attention at all in Italy..) but it's quite riveting. Elevated and empowered by Tim Robbin's and Derek Luke's performances "Catch a fire" has the right impact and vibrancy. It should raise important political questions in a world obsessed with terrorism and it's also filled with well - staged action scenes. The apartheid era is properly described and the social history developing in this context is certainly remarkable, though not flawless. Compared to other productions dealing with the same subject this one offers a perspective a bit different and more mature and ends up with a surprising forgiveness

This movie, set in the 1980's, depicts and contrasts the brutal oppression of White South Africa with the opposition of the ANC, most notably Joe Slovo, a hero of the time. Joe Slovo paid a high price for his opposition, including the loss of his wife to the oppressors of the day, but this movie, with a screenplay written by one of his children, takes a high-minded, forgiving approach that few of us could ever contemplate in the circumstances. Told through the eyes of Patrick Chamusso, a gentle man whose quiet life becomes radicalized by oppressive forces, the movie is powerful, emotional and, curiously - for reasons mentioned, balanced. One of the best movies I have ever seen, with a fine performance by Tim Robbins as a detective without a soul. This movie was first screened at the Toronto International Film Festival where it received lengthy and well-deserved applause, as did a gracious Mr. Chamusso, who was on hand at the premiere.

The remarkable thing about Australian director Phillip Noyce's engaging political thriller, which is set in the South Africa's apartheid era, is that he has succeeded in making a thoughtful film in a genre strewn with pitfalls.

Derek Luke plays Patrick Chamusso, a (real life) black African who becomes radicalised as a result of his wrongful detention and torture by South Africa's ruling white party. Conscious of his duty to support a family, Patrick keeps his head down, having nothing to do with terrorists and 'trouble-makers' who want to attack the massive oil-refinery where he works as a foreman. Patrick doesn't even let his aging inlaw listen to the 'Radio Freedom' channel. But after a false arrest and incarceration - during which time he is not charged and so has no right to a lawyer - Patrick is beaten senseless and then sees the same treatment meted out to his wife. The experience convert him to the cause as soon as he gets out and he's off to Mozambique to train as an ANC freedom fighter.

Patrick's opponent is Tim Robbins, who plays Nic Vos, the Colonel in an anti-terrorist squad. In a poignant montage, we see Vos receiving a medal, intercut with another shot showing the burial of murdered ANC fighters (who receive a gun-salute).

The average movie would already have made simplistic references to Guantanamo (or any other political hot topic), reduced Chamusso and Vos to mere ciphers, moralised to the point of being patronising, or wallowed in sentimentality. But Noyce is no average director. He has produced sterling thrillers such as The Bone Collector but, more importantly, has shown himself to have a firm grasp of human rights, seen in both his treatment of The Quiet American and Rabbit Proof Fence. This film is about the making of a terrorist, but within a specific historical context, and makes no judgement beyond South Africa.

The hybridisation of South African society is competently developed. Our story is told primarily from the viewpoint of blacks. This is in contrast to the usual Hollywood formula which would show whites mistreating them, and then whites eventually (and heroically) developing more enlightened views. We get to know Patrick, his family, his shortcomings, his daily life and his love of football. Yet focussing too narrowly on him could have turned Catch a Fire into mere polemic. Instead, Robbins is also allowed to develop the character of Vos, who we see as a man doing what he believes is best rather than someone who is an out-and-out monster. The Colonel also has a family he loves, and teaches his daughters that his job is to make the country a safe place for them to live in. He can calmly oversee torture one minute and play good cop the next -yet conveying sincerity to both attitudes.

South Africa today is neither the country that it was under apartheid, nor the country that it was before outside nations established control. Crucial insights paved the way for South Africa's 'freedom' - rather than a victory of one race over another. Concepts like universal sharing and passive resistance. This is epitomised in the film when a saying of Nelson Mandela is recalled - 'we can never be free until we learn to forgive'.

The real life Patrick (who makes a brief appearance in the film) now lives with Conney, a woman he married after his release. They have children of their own and have fostered over 70 AIDS orphans at their Two Sisters charity (http://www.twosisters.org.za/ - which appears in the end-credits). The addition of documentary details may annoy some audiences who wanted to leave the cinema purely after a thriller, but for this viewer the cut to real-life seemed an excellent anchor without giving way to sermonising.

Catch a Fire is a complex political thriller based on at least one historical character. It documents an important chapter of history. The degree to which there are parallels or lessons for other situations in the present day is left entirely for the viewer. What is clear is that Noyce has once again handled a multifaceted and challenging story with skill and even-handedness.

The picture shows life in Apartheid-era South Africa, it deals about the real story of Patrick Chamusso(Derek Luke), an oil refinery foreman, soccer coach and good father of family . He's married to Precious(Bonnie Henna) and with children. The president Botha's government rules in iron hand of the supremacist white minority over the black population in an oppressive system. When happen an explosion in the refinery Patrick is arrested by police colonel Nic Vos(Tim Robbins).The secretive torture and sadism that follows in custody leads to his changing ideals. His wife is also arrested and then truly starts to watch the atrocities, forced to become freedom fighter and then he goes into action. Rebellion against the repressive government breaks out his mind. He's attempting to change his world for the better but at the expense of using terrorist means. Then he goes to Mozambique where is trained by the local terrorist guerrilla and he joins the ANC, African National Congress.

This is an exciting and thrilling movie based on real events.This story about apartheid is very compelling made and deserving a fine treatment with poignant moments.It's completely convincing and makes a moving and powerful statement about the evil of the racism. Superb cast with fine all round performances; particularly from Derek Luke, he does a very good job, he's surprisingly good in the role of dad turned terrorist, and excellent Tim Robbins as sadistic torturer.The remainder of the casting was also competent enough and did splendid acting.Evocative cinematography by Garry Phillips and Ron Fortunato. Adequate musical score with African sounds by Philip Miller . The motion picture is professionally directed by Phillip Noyce.

Another films about ¨Apartheid¨ theme are the following: ¨ Cry the beloved country¨with Sidney Poitier; ¨The power of one¨ with Armin Mueller Stall and Steven Dorff;¨A world apart¨by Chris Menges with Barbara Hershey and Jodhi May; ¨A white dry season¨with Marlon Brando; ¨Cry Freedom¨ by Richard Attemborough with Denzel Washington and Kevin Kline; and the biographies, as ¨Mandela¨ with Danny Glover and Alfre Woodward as Winnie and ¨Mandela and DeKlerk¨, among others.

It's a shame this movie was so overshadowed by Blood Diamond. Catch A Fire had, in my opinion, a much more powerful story.

All acting was done perfect. I loved the cinematography with the plant in the background. I could really feel the emotion of the Africans chanting and singing for freedom.

Some will say this movie is racist towards white people. It is nothing of the sort. It even has a white or two on the side for justice. This movie didn't make Tim Robbin's character look evil. At least I didn't think so. I saw him as a man doing what he thought he needed to do to protect his family.

I think we need to learn from this story. There are terrorists all over the world. We say they are pure evil. We say we will solve the problem by hunting them down and killing them. With some, that may be necessary. But most just want justice, and want to be heard.