Phillip, Australian cyber crime officer, searches the seedy side of the internet, seeking illicit porn and snuff sites. After his last assignment in Germany, arresting a man wanting to eat himself and his accomplice. Phillip finds a site for Feeders and Gainers, where people (the feeders) feed food to the gainers, making them overtly overweight unable to move. Running the site, Michael Carter has his latest woman to feed, Deirdre, with an abundance of food for her to beg for. Without authority, Phillip flies to America to track Michael and stop this disturbing act.
At a time when Australia is rebuilding its film industry; with great films Look Both Way, Wolf Creek, Little Fish and The Proposition, it was only a matter of time for a movie like Feed would make its way out of the woodwork. Feed is a twisted, very twisted, film on humanities consumption and the amount of food we're eating. With our society so concerned of being thin, Feed spins that notion on its head, where bigger people are more beautiful; while taking it to the n'th degree with Dedrae weighing over six hundred pounds.
Like many films of this caliber, the hallmarks of a small budget are easily seen, yet isn't that the 'charm' of these films; rough camera work, corny dialog, overblown acting and a plot that doesn't completely make sense. As Feed starts off interesting, it takes a turn for the worst. Dropping the psychological mind game Michael was playing with Phillip, Feed turns into a chase film, becoming tedious with an overly drawn out ending. Its the move into familiar, predictable territory, where it was so unfamiliar to start off with.
Like before, the acting is so overblown. Patrick Thompson's tormented cop verges idiotic, gruffing his way along. Alex O'Loughlin fails to evoke a creepy vibe for Michael. The best acting came from Gabby Millgate, donning the fat suit while repeating "Feed Me".
Does Feed put you off food, no; Morgan Spurlocks documentary Super Size Me had more of a revulsion towards food.
