Shadow Man - Kurier des Todes

Steven Seagal's straight-to-DVD releases really can't be judged by the usual standards, because then you'd have to give them all a zero and that would be depressing. They have their own set of standards, so here goes. How many obvious doubles do we get this time? Surprisingly few, but then again, this movie barely contains any martial arts. All Seagal has to do is pull the trigger a bajillion times. Still, it's refreshing to see him do action scenes where he doesn't mysteriously lose or gain 80 pounds with every new shot. Which people who used to be in actual movies embarrass themselves alongside Seagal? There's Imelda Staunton in a very minor role, but for the most part these are complete unknowns we don't have to feel bad for. How moronic does the plot get? Not very, it's just pretty confusing. Do we really need twenty-five different sets of bad guys when you know Seagal is just going to kill them all in the end? Just have one really big crime organisation chase him, same result but way less filler. Overall "Shadow Man" isn't nearly the worst I've seen of him though, this is one of those recent ones that are actually sorta entertaining. And you even understand what Seagal is saying in this one, even if doesn't matter much. If it's in the bargain bin, there are worse ways to spend a dollar.

I always wonder if Steven Seagal reads the forums here.I think he does as his latest,Shadowman is actually an entertaining action movie that does not mock(most of the time)or insult the audiences Intelligence. Did I just say that?The story is another matter.

Yes he is Jack foster.Not a bad name this time.He is yet another CIA agent.Yes his daughter has been kidnapped by shady types.All in a eastern European area.What is a shadow man to do but kick some ass.

Whats different here is that Seagal actually tries and succeeds in giving a decent turn here.He does most of his own fights.Gone is the raspy voice and Dubbing.The stunt doubles are kept to a minimum.He gets into quite a few scraps here that recall his early days glory.

The only bad thing is they needed to get some better actors to back him up.With the exception of Eva Pope most of the Bad guys are what else?Clichés.I do remember when the villains were written good even for low-budget movies.

The other problem is the most common plaguing DTV movies today.The Badly-done CGI.Its the same problem in the Detonator and Second in command.

Director Michael Kunesch Keeps the movie rolling,gives it a nice look,but winds up a little uneven.He is the best since Anothony Hickox though.Production values are good.

Its a few notches above Seagals latest work which was depressing me.What is good to see is that Seagal has woken up to the fact that we want the old-time Seagal action.

The film concerns about a shadowy CIA ex-agent (Steven Seagal) , he goes to Bucarest (Romania) and at airport his daughter is kidnapped after an explosion . A Romanian cabbie (Eva Pope) carries to the small girl and being pursued by Seagal . Later on , he contacts with the American Ambassador (Imelda Staunton : Vera Drake). The film expands an exciting suspense about world of espionage blending with lethal virus intrigue and a kidnapping.

The picture contains numerous gunshots , blown up , bloody killings and great lots of violence when struggles and murders happen . Interesting scenes when Seagal is locked into room and he similarly to ¨McGiver¨ uses items for creating weapons confronting nasties ; besides , some cars chase are quite thrilling . Here appears the prestigious British actress Imelda Staunton , she shot for two days, but Seagal did not film any reverse angles with her . All the scenes where her character speaks with Seagal's character were done with the help of a stand-in . Imelda Staunton was quite vocal about her displeasure with the film with several online publications , she went on to say that the picture was a disorganized, under-funded mess . The film is produced by veteran French producer Pierre Spengler and Joe Halpin , usual financiers of Seagal films and shot at Castel Studios in Bucarest where have filmed his last movies .

The picture belongs the last period of Seagal career when he's making middling and low budget films , directly to video and many of them are considered semi-turkeys stinkers . These film are directed by B-directors as Don E. Fauntleroy (Mercenary for Justice) , Michael Oblowitz (Foreigner) , Anthony Hickox (Submerged) , Alexander Gruszynski (Black down) and this one , Michael Keusch (Attack force , Flight of fury) who directed him in three films . Following the tendency to oriental action cinema , Seagal hired Asian directors as Mink (Into the sun) , Leong (out the reach) , Ching (Belly of the beast) . These movies aren't on the level from previous successful and big budget Seagal films just like : ¨Glimmer man¨ , ¨Under Siege I,II¨ , ¨Exit wounds¨ , ¨The patriot¨ , ¨Fire down below¨ and others .

Before I start I would like to say that I already know Seagal isn't known for his acting but for his fight scenes. Exit Wounds was a fun thriller where Seagal actually put effort in his acting. Into the Sun wasn't that bad of a film either which had a decent plot. This film just had nothing.

What can I say, Steven Seagal keeps throwing films at us. They are completely rushed. Segal plays Jack where his daughter gets kidnapped and all he does is watch and with no emotion as his daughter is taken away from her. Throughout the movie Jack never does show anytime of emotion. I know that Seagal plays a tough guy throughout his movies but this was so over the top.

The directing and the editing also credits for this mess as plot holes developed quickly. Such examples included that Seagal would trust people to quickly than all the sudden he would become best friends.

If you are a Seagal fan than this movie wouldn't bother you. It doesn't compare to Exit Wounds but I can say, this film was better than his previous three (Submerged, Today You Die, and Black Dawn). That really isn't saying much. I will admit I enjoy watching Seagal films even though I usually disappointed.

Overall this film gets a 2 for directing, 2 for editing, 2 for acting, 2 for plot, and 6 for the stunts.

Steven Seagal made some good movies earlier back in his career such as UNDER SIEGE (1992) ABOVE THE LAW (1988) & MARKED FOR DEATH (1990) but that was a very long time ago.

Since his last Theatrical Flop, The Rapper's in Alcatraz nonsense that was HALF PAST DEAD (2002) - Seagal's career as been in the Straight- to-DVD doldrums and has starred in 19 Movies in 8 years to date, but it's a case of quantity rather than quality I'm afraid.

SHADOW MAN has Seagal playing an Intelligence Operative whose Daughter gets kidnapped and spends the rest of the movie trying to get her back, that's pretty much it, but SHADOW MAN has a needlessly confusing and overly complicated screenplay - There's far too many different sets of baddies (Cops,Americans,Romanian Mafia) and too many pointless scenes by half which add nothing to the story, it does become quite a chore to sit through.

The Film is poorly directed by Michael Keusch - who went on to direct another couple of Seagal starred stinkers in FLIGHT OF FURY & ATTACK FORCE.It's very disjointed,The Screenplay is woeful - Seagal co-wrote and co-produced it himself so has to take a lot of the blame here.

There's plenty of action, none of it very interesting and most of it poorly edited.

The Acting is pretty awful, but I've come to expect that in a Seagal Flick - What Oscar Nominated British Actress Imelda Staunton in doing appearing in such mindless trash I really don't know.

Filmed in Romania on the cheap - Not the worst Film I've ever seen,but Seagal DTV releases have become interchangeable, none are better or worse than the one before, but ALL are pretty dire - there hasn't been a really decent one since UNDER SIEGE 2, 15 years and 30 odd Films ago.

I used to be a sucker for his Flicks, buying every release, but this is the last one I paid my hard earned money to buy - Make of that what you will.

I was surprised to notice the Film is only 95 Minutes long, because it felt far far longer.