Life of Pi: Schiffbruch mit Tiger

I was lucky enough to see Pi in full 3D Imax at a pre-viewing in San Diego last night, and as a huge fan of the book, I was intensely satisfied.

Believe it or not, I was more impressed with the the casting choices and performances of the players than by the effects. Granted, the movie was very beautiful, but in the end, Life Of Pi was more character driven than anything. Suraj Sharma as the young Pi was charming, funny, and incredibly engaging, while Irrfan Khan as the older Pi was fantastically genuine and warm. Adil Hussain as Pi's father was also a joy to watch. The characters are so rich and full of life that you really can't help but fall in love with them. I would also like to add, as someone who spends time with tigers on a daily basis, the animators did a wonderful and accurate job of bringing Richard Parker to life and making him the active and vital character that is so incredibly essential to the success of this story.

I would recommend seeing Pi in 3D, but I don't think that's it's essential to your viewing enjoyment. The 3D just takes a beautiful film and makes it a little bit nicer. Also, if you've read the book and are concerned that the story you loved may have been compromised in anyway, worry no longer. This is easily, one of the best book to film adaptations I have ever seen.

Happy viewing folks. I hope you enjoy this film as much as I did. I'll be seeing it again in theaters very soon.

''I had to tame him,'' (Pi) realizes. ''It was not a question of him or me, but of him and me. We were, literally and figuratively, in the same boat." From Life of Pi by Yann Martel.

You will see no more imaginative film this year than Life of Pi, whose conceit of a young Indian boy stranded with a Bengal Tiger in a lifeboat amid the Pacific Ocean is fantastical yet real in its metaphoric implications. While the framing device of a story told to a stranger uses the old flashback, the lonely lifeboat is as new as any story told in the last century.

The film begs interpretation from the multiplicity of religions to the place of mankind in a hostile, Darwinian world. Ultimately the benign brotherhood of beasts and humans is affirmed not so much by lofty philosophy but by the necessity of man and beast working together to survive.

The digital rendering of animals, especially the Bengal Tiger, is beautiful to behold. The opening scene in Pi's family zoo could be right out of Terence Malick's visionary camera, a montage of nature gorgeous in its simplicity. The several formalistic shots of the boat at night are worthy of the best lighting in the best aquariums in the world. Together with the impressive use of 3D, director Ang Lee has visually taken us from the opulence of Crouching Tiger and the minimalism of Brokeback Mountain into a fusion world of fancy and reality. The images are stunning.

In the end, Lee is interested in the individual's place in the universe as he struggles to harness nature and yet live in harmony with these elements. The conflict with the gross cook aboard the Japanese cargo ship taking Pi's family and animals to Canada is emblematic of the challenges facing the gifted with the groundlings. Pi's relationship with tiger "Richard Parker" represents all mankind's struggle to live in harmony with the forces it cannot control.

"Believing in everything is the same as believing in nothing," says Pi's father because Pi samples religions from Hinduism and Buddhism to Catholicism and Judaism and wants them all. Although it is not given to us to have them all, Pi's piety practically makes us believers in the universal brotherhood.

The Life of Pi is everyone's life; the film is one of the best of the year and, even remembering the greatness of The Old Man and the Sea, Moby Dick, and Billy Budd, the best you will ever see about a boy, a tiger, and a boat.

Ang lee's life of pi is an adaptation of a 'Man booker prize winner' novel by the same name, written by Yann Martel. It's a story set in the late seventies of an Indian teenager (Pi Patel) who is stranded on a life boat in the pacific. What distinguishes this tale of survival from the rest is that the author dishes out a delicious slice of creativity in giving the castaway, a tiger for a companion. Yes, like the posters and trailers have you believe, there is a boat on which a man and a tiger have to live! This makes 'life of pi' not only a story of human struggle against nature but also a profound tale that questions 'what separates man from beast?'. More interestingly, 'when does man become a beast'?

But worry not, Ang Lee's movie does not force you think on these lines , instead it's a film that lets you enjoy it on so many levels. If you are just looking for a beautiful 3D movie to feast your eyes , Life of pi can be it. If you are in a mood for a thrilling adventure epic on weekend, this is the right ticket. If indeed, you want to experience something thoughtful, Life of pi never forces you on a particular thought, instead it whispers ever so slightly to think about matters of human disposition and finding comfort in convention while caressing your senses with fabulous visuals and background score.

Suraj Sharma debuts as pi with utter sincerity while Irfan Khan(as adult pi) and Tabu(as mother) do justice to their parts. The rest of the supporting cast blend in perfectly too. Ang lee helms the film with difficult source material with absolute grace and expertise. However there are two true heroes that make Life of Pi work. Firstly the studio and creative director behind the magnificent CGI. The Bengal tiger is perhaps the best animated animal ever created! The angry green eyes, richly textured orange –white striped skin and every hair on its fur look rich and full of life in 3D.And then when your hear the thunderous roar for the first time, you will realize this is as real as it can get! The rest of the animals (a Zebra, an orangutan) look great too. The lovely blue ocean and its resident creatures are the jewel in the crown. The other hero is the writer David Magee(screenplay) who adapts the novel with near perfection. One gripe the fans of the novel might have is the lack of all the gore descriptions and a particular chapter that deals with the surviving 'French cook'. The addition of these might have pleased the audience who sought for the philosophical undertones from the story but the film would have lost out on the large PG-13 crowd (a fair deal considering the enormous budget).

Life of Pi, is a rare masterpiece that stands as a prototype not only for a perfect book adaptation and a 3D movie( sorry avatar, you have just been replaced), but also for a movie based on intricacies of human nature . Now that is simply an impressive triumph of film-making!

Just finished watching the Midnight Premiere. Did not disappoint one bit. The Acting is incredibly believable, and the ending ties it all together. The story sorta drags in the beginning, but Ang Lee did a good job keeping my attention to the film. The Animation is incredibly realistic. I couldn't tell the difference between what was real and what wasn't. Not one moment did I doze off. Definitely worth 127 minutes of your life. Ang Lee, you did an outstanding job. To the Cast, you all did excellent. I am very satisfied! Although there were a lot of pros, there were some cons. At one point the Format of the Film switched from 16:9 to 4:3, but that might have been the projector at the Cinemark I attended. I also noticed some of the animations of animals started to go off screen and you could see the animated objects in the black area of the Wide Screen part (I'm assuming that was for the 3D, but I watched it in 2D so it looked sketchy). But it's minor. An average viewer won't even notice it, I'm an aspiring filmmaker, and I notice the little things!! I enjoyed the film, and you will too. 9/10. Worth it.

When I heard that the film adaptation of LIFE OF PI was being released, I made sure to go and read the novel beforehand so I could compare it to the movie. I'm not a huge fan of Ang Lee and his overrated CROUCHING TIGER, HIDDEN DRAGON, so I wasn't quite sure what to expect with this. But I needn't have worried; this is a great movie, a film that fully explores the splendour of cinema and on-screen storytelling, and a film that's better than the book.

The early and, quite frankly, boring parts of the novel are summarised well so that the storytelling is always on the move. The focus is on the survival narrative, which is as it should be, and the relationship between Pi and Richard Parker is brought to vivid and moving life. Sure, there are the occasional mis-steps along the way, like an ill-advised and tacked-on romance, but for the most part they get it right. The CGI is wondrous, especially the animals and an eye-popping shipwreck, and the story is moving, tender in places and full of heart. I'm not ashamed to say I had tears in my eyes in parts, and it's all down to Richard Parker, who must go down as one of the great animal characters in cinema. A great example of filming the unfilmable.