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Requiem

  • 2006
  • 12
  • 1 Std. 33 Min.
IMDb-BEWERTUNG
6,8/10
6638
IHRE BEWERTUNG
Sandra Hüller in Requiem (2006)
Theatrical Trailer from IFC
trailer wiedergeben1:52
1 Video
6 Fotos
DramaHorror

Ein epilepsiekrankes Mädchen erleidet während ihres ersten Studienjahres einen Zusammenbruch und beschließt dann, einen Priester um Hilfe zu bitten, um die mit ihrer strengen Erziehung verbu... Alles lesenEin epilepsiekrankes Mädchen erleidet während ihres ersten Studienjahres einen Zusammenbruch und beschließt dann, einen Priester um Hilfe zu bitten, um die mit ihrer strengen Erziehung verbundenen Probleme zu bewältigen.Ein epilepsiekrankes Mädchen erleidet während ihres ersten Studienjahres einen Zusammenbruch und beschließt dann, einen Priester um Hilfe zu bitten, um die mit ihrer strengen Erziehung verbundenen Probleme zu bewältigen.

  • Regie
    • Hans-Christian Schmid
  • Drehbuch
    • Bernd Lange
  • Hauptbesetzung
    • Sandra Hüller
    • Burghart Klaußner
    • Imogen Kogge
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    6638
    IHRE BEWERTUNG
    • Regie
      • Hans-Christian Schmid
    • Drehbuch
      • Bernd Lange
    • Hauptbesetzung
      • Sandra Hüller
      • Burghart Klaußner
      • Imogen Kogge
    • 40Benutzerrezensionen
    • 57Kritische Rezensionen
    • 82Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 16 Gewinne & 19 Nominierungen insgesamt

    Videos1

    Requiem
    Trailer 1:52
    Requiem

    Fotos5

    Poster ansehen
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    Topbesetzung18

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    Sandra Hüller
    Sandra Hüller
    • Michaela Klingler
    Burghart Klaußner
    Burghart Klaußner
    • Karl Klingler
    Imogen Kogge
    • Marianne Klingler
    Anna Blomeier
    Anna Blomeier
    • Hanna Imhof
    Nicholas Reinke
    • Stefan Weiser
    Jens Harzer
    Jens Harzer
    • Martin Borchert (Exorzist)
    Walter Schmidinger
    Walter Schmidinger
    • Gerhard Landauer (Exorzist)
    Friederike Adolph
    • Helga Klingler
    Irene Kugler
    • Heimleiterin Krämer
    Johann Adam Oest
    Johann Adam Oest
    • Professor Schneider
    Eva Löbau
    Eva Löbau
    • Krankenschwester
    Anne Berger
    • Studenten
    Alejandro Esquerra
    • Studenten
    Kutrín Kreredis
    • Studenten
    Hannah Neumann
    • Studenten
    Anne Chantal Paitian
    • Studenten
    Florian Wagner
    • Studenten
    Stefan Müller-Doriat
    Stefan Müller-Doriat
    • Minestrant
    • Regie
      • Hans-Christian Schmid
    • Drehbuch
      • Bernd Lange
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen40

    6,86.6K
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    Empfohlene Bewertungen

    7morgan_peline

    I found this 'true story' quite moving and rather sad.

    To be frank I completely disagree with the above critique. I found this film quite moving and very sad - I still can't stop thinking about.

    I thought the way it was shot moved it along fairly nicely and was thankfully fairly anti- Hollywood which was a nice relief. Of course most Americans will probably not enjoy it because it's too subtle, nothing explodes and they actually have to think for a change rather than being told how to feel. If Hollywood had done this film it would have been all moody lighting, scary music and SFX - it would have been just another badly done version of The Exorcist (which I think is also a great film).

    I think what I found the most interesting was that because this film was done in such an understated manner, you could actually understand what Michaella was going through in a much more realistic, believable manner.

    There is a beautiful scene where near the end of the film Michaella's boyfriend takes her to her parents house because she is in such a bad state. She is soon surrounded by her parents and two priest all praying and chanting at her trying to exorcise her demons - her boyfriend steps away as he really doesn't know where to put himself or what to do as he watches the chanting - he looks like he is witnessing the dark ages of superstition; all completely anachronistic to the time he lives in.

    Documentary style was a great choice - there were no true good or bad guys. And Michaella truly believed that she was possessed. So in a really strange way it was more an analysis of faith and belief. At the end of the day she, her family and the creepy priest all absolutely believed that she was possessed therefore she was.

    Was that a good or bad thing, considering that nowadays most people barely believe anything at all?

    Maybe she did fight an epic battle against demons for our souls like Saint Margarita - can anyone prove otherwise?
    7secondtake

    Slow, steady, dramatic, and a powerful indictment of insidious religious extremism

    Requiem (2006)

    When a positive, well-meaning, troubled young woman meets an ungodly end at the hands of religious zealots, it matters that it is based on fact. So when you see what is going on here to this girl, leaving for college and struggling with some kind of mental disorder, you not only feel for the character. You are astonished about a culture that still has room for this.

    The portrayal of mental illness has transformed enormously in the history of movies partly because psychology has changed, too, from Freud and Jung to now. Even looking at the last few minutes of "Psycho" (which everyone conveniently forgets), you see that arch confidence and inaccuracy of mid-century psychology. And now, in 2011, we know how to treat epilepsy (the purported disorder of the main character) and even schizophrenia (likely an additional problem judging by the symptoms) with some level of control.

    But this movie is set between the two, around 1971, and so with hindsight we are shocked and frustrated by the people around our main character showing either a "get over it" attitude of a more deadly "god will intervene" kind of attitude. Neither was a good thing.

    And yet this woman, played with unusual conviction and brilliant by Sandra Huller, is all about trying to survive. Because of her upbringing she interprets some events as God rejecting her (she can't reach her rosary beads during one epileptic fit), and of course this leads to priests, and to the priests thinking they know how to possibly cure the poor girl. Eventually real life exorcisms are performed, and in a weird synchronicity, a real-world version of the 1973 American film, "The Exorcist."

    This one is German, and instead of making everything strange, it makes everything universal. We sometimes think of religious extremism as an American trait, but in fact it is everywhere. This version gives it a Roman Catholic overtone and yet grounds in the the real world, where priests are rather ordinary folk. not mythic brooding types (though the younger priest here is, vaguely, a German Damien). The original "The Exorcist" it turns out was based on a German Lutheran (not Catholic) boy, yet another small echo of one movie to the other.

    The comparisons can go too far, for sure. This is a modern movie in what is one thread of contemporary European filmmaking--understated, realist, tautly filmed, issue based movies, many of them from Denmark or Germany. It's a great complement to what is being made here (in the U.S.), with a different flair for dialog and sometimes a more elaborate production sense. This is not small budget but it is straight ahead and almost bare bones in its approach, thoughtfully made and edited. And pertinent now in the sense that fanaticism in any form is to be questioned before it's too late.
    10njjones-3

    Unbelievable - Watch this film

    Phew this is hard to put into words.

    At first I thought the cinematography was stunning, beautifully shot and the period was captured perfectly - I felt like I was watching a film shot in 1972 and it brought back early memories of the 70s.

    The script was wonderfully subtle, there was absolutely no judgements about the characters. It would have been very easy to show the mother as a cruel an twisted woman but instead you could empathise with her, she thought she was doing the best for her daughter and that made the whole thing more tragic but also more real and beautiful.

    To me the central message of the film was that life, however short is something to celebrate. The girl makes references to St Katarina who only lived a short time but did many wonderful things. She may not have escaped her strict and cruel mother for long but at least she did it and had a wonderful time for a while.

    I kept having to tell myself they were actors. The depiction of the girl's first kiss at college was unlike any other I've seen. They captured the clumsiness and true feeling of the situation perfectly.

    And finally the soundtrack - you'd think that deep purple wrote 'Anthem' for this film. Earlier we see her dancing ecstatically to the track when she's finally free at college and then we later see the relevance when it's used to play out at the end of the film.

    I'm not sure I'll ever see a better film that this and I recommend it to anyone who occasionally likes to be moved by a movie.
    7JuguAbraham

    Sandra Huller deserved the Silver Bear win for Best Actress

    Top notch performance by Sandra Huller, who thoroughly deserved the Silver Bear for the best actress in this film at the Berlin Film Festival. A very good film on epilepsy and mental illness, not possession by the evil spirits. Ms Huller has been consistently performing well in the films,such as "In the Aisles" and "Toni Erdmann."
    9shishaldin

    Sandra Huller, an exceptional talent

    Requiem works for many reasons--an intelligent script, understated direction, a somewhat verite camera style--but most of all it works because of Sandra Huller. For all of Michaela's exceptionalism, at no point could I doubt this character. As a recovering Catholic myself, I'm sensitive to the role religion, especially Catholicism, plays in people's lives; and Huller, in my opinion, creates the real thing: implicit faith that needs neither to advertise nor to apologize. Michaela's faith isn't about doctrine or rules but the meaning of life--more specifically, about living the meaning of one's own life, including its less attractive implications. Her faith makes her vulnerable to the devil (or, if you prefer, to her imagination that the devil is messing with her), but her faith also endows her growing suffering (and her eventual death, which she clearly foresees; note her reference to "martyrdom" in one of the last scenes) with an abundance of the same meaning that has sustained her life. She is peaceful at the end ("I must walk my path to the end.") That may be hard for a non-religious person to understand, but to someone raised on stories of the great saints, as Michaela was, it makes perfect sense. It is even something to be grateful for.

    Requiem pulls off a bit of cinematic legerdemain in making Michaela a relatively open, non-fanatical, non-prudish woman in spite of the depth of her faith. Her real-life original, Anneliese Michel, wasn't much like that. She was a very conservative Catholic deeply opposed to the liberalization then occurring in the Catholic church after the Vatican Council. Her death and the subsequent trial of her parents and the exorcists forced a kind of confrontation, at least in Germany, between Catholic traditionalism, which has an entirely literal belief in spiritual realities and regards demonic possession and exorcism as established facts, and ecclesiastical modernism, which is embarrassed by such medieval notions and therefore preferred to take the position that Michel was "merely" mentally disturbed. (And if she were, did she suffer any the less? Was her faith any less meaningful to her?) Traditionalists regard Michel, her parents, and the exorcists as martyrs to a modernist church disloyal to its Christian past, and Michel's grave is today a pilgrimage site primarily for conservative Catholics. You'd never guess any of this from Requiem's very sympathetic treatment of her story.

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    Handlung

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    • Wissenswertes
      Sandra Hüller's feature film debut.
    • Verbindungen
      Featured in The Making of 'Requiem' (2006)
    • Soundtracks
      Down 'n' Out
      Performed by Light of Darkness

      Written by J. Latimer, B. Grant, M. Reoch and M. Bebert

      Courtesy of MOP-Musikverlag Hans Sikorski KG

      With kind permission of Second Battle Records

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    FAQ19

    • How long is Requiem?Powered by Alexa
    • Who is St. Katharina?

    Details

    Ändern
    • Erscheinungsdatum
      • 2. März 2006 (Deutschland)
    • Herkunftsland
      • Deutschland
    • Offizieller Standort
      • Official site (Germany)
    • Sprache
      • Deutsch
    • Auch bekannt als
      • Réquiem
    • Drehorte
      • Gomaringen, Baden-Württemberg, Deutschland
    • Produktionsfirmen
      • 23/5 Filmproduktion GmbH
      • ARTE
      • Bayerischer Rundfunk (BR)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 9.600 $
    • Eröffnungswochenende in den USA und in Kanada
      • 3.309 $
      • 22. Okt. 2006
    • Weltweiter Bruttoertrag
      • 262.460 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 33 Min.(93 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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