Rinne

Another one of the "8 Films To Die For" from After Dark's Horror Film Festival, this little Japanese chiller is a complex and spooky film. The movie follows Nagisa, a Japanese actress who gets the part in a horror movie that is based on a real murder spree that took place in a large hotel forty-some years ago. At first she is excited that she has gotten the part, and is looking forward to filming, although it is a "scary movie" that she is being a part of. But things begin to get a little spooky, when Nagisa begins seeing a ghostly little girl everywhere. Her visions intensify when the film's director takes the cast to the real hotel where the actual murders happened, for inspiration. It seems she has a connection with the hotel and the grisly murders... but how, and why? She may find out the answer very soon...

I haven't seen a lot of Asian horror, I saw part of the original "Ju-On", and I've seen the remakes of those films, but that was about it. Although I haven't seen much of it, I know what it's like pretty well. So, I wasn't quite sure what to expect going into this film - luckily, I was pleasantly surprised. "Reincarnation", or "Rinne" in it's original language, is a solid supernatural horror film that rose far above my expectations. The writing here is really nicely done, I must say. It has a few inconsistencies here and there, but nothing too major. About midway through the film, I thought that I had everything figured out - I was almost positive that I knew what the whole plot "twist" was going to turn out to be. I was pretty confident that I had all of it figured out. Then, during the final five minutes of the film, my entire assumption disintegrated, leaving me minorly shocked. I'm not sure about the rest of you, but I did not see the plot twist coming. I suppose what I was expecting to be the twist in the film was a set-up to trick the audience, and I have to admit it worked on me.

Along with the intelligent writing, director Takashi Shimuzu (who directed "Ju-On" and "Ju-On 2", and both American remakes of those films ("The Grudge" and "The Grudge 2"), has an eye for the eerie. Unlike the style that is found in "The Grudge" films, "Reincarnation" boasts a subtle spookiness that I personally find much more menacing than those annoying 'jump scares'. There are numerous shots and scenes in this film that are hard to forget, and the direction is great. Lots of creepy shots and disturbing imagery (the homemade snuff footage is beyond eerie) really make this a creepy film. The music is good as well, and fits the movie perfectly. It's slow and subtle, just like the film is itself. Acting-wise, I'd have to say the movie succeeds as well. The performers are pretty believable, and while there is the language barrier, I thought they were really good. Again, the conclusion to this movie is the real kicker. I was surprised and creeped out by the way the entire thing came to a close.

Overall, "Reincarnation" is a really good supernatural horror film. Take your traditional ghost story, throw in a hotel, and the reincarnation theme, and you've got this movie. If you enjoy slow moving horror films and/or are a fan of Japanese horror, I'd recommend this film. It has a few very minor problems, but the good easily outweighs the bad. And the ending is really surprising. I'm not sure if it fits everyone's tastes, but for me, I couldn't have picked a better foreign horror flick. 8/10.

Take a spiritual concept and really make it gruesome. Reincarnation was a reminiscent of The Shining with the whole haunted hotel and spooky kids thing going on.

Reincarnation was less horror and more a supernatural thriller packed with suspense and intelligence. The film start off with a basic horror movie feel, and for the first part Reincarnation feels like an average movie this unfolds and takes on a different pace as the movie carries on, ending with a very unexpected conclusion. Wow, I didn't know sublety can knock me on the head that way. Though not as scary as previous films, Reincarnation is original.

Well, I kept hearing all sorts of disappointing statements about Reincarnation. Needless to say, I was a bit reluctant to see it in my local theater. But then I remembered that I have never seen a Japanese film on the big screen, so I went mainly for the experience. Wasn't I surprised when I realized – after seeing the film – that it's pretty damn good.

I'll keep things vague, so as to not spoil anything for those who haven't seen it yet. I admire originality, and while Reincarnation is no Marebito or Tetsuo on the originality scale, it definitely scores high. Sure, there are a lot of horror elements used in this film that have been seen before, but they are not used in quite the same manner. Perhaps the most impressive thing is that the concept of reincarnation itself is used to bridge and interconnect all of these elements in a new and satisfying way. It's like a chef who takes a bunch of foods that you've eaten before, but uses a special ingredient to shake things up. In short, Takashi Shimizu works well as a movie chef here.

Some have complained that the ending is predictable, but this is a misleading assertion. There are essentially three twists that occur back to back to back. Surely, most viewers will probably be able to guess the first twist, but there is very little probability that they will be able to guess either of the other two.

Of course, you can be sure that incompetent, tasteless reviewers will criticize this film for lacking "integrity and weight" (as well as entertainment value), only to then recommend completely weightless trash like Friday the 13th in the same breath. For the rest of us who actually enjoy a quality horror film, we'll stick with our Japanese gems. Other reviewers will claim that all Japanese horror movies are the same, but a skim of my user profile will convincingly prove their ignorance.

The pacing of Reincarnation is very similar to Audition (although not nearly as violent in its culmination). The first 70 minutes is basically a slow paced set-up for the finale, with some dashes of formulaic scares. Fortunately, the final 25 minute finale is one of the most interesting, original, and compelling horror sequences in recent memory. So for those planning to see it, please be patient, and rest assured, the crap will hit the fan . . . hard. Quite frankly, the final series of events in Reincarnation had this viewer giggling with amazement. Just when I thought I had the next scene figured out, Takashi Shimizu would pull the rug from beneath my feet and turn the film in another direction.

I think that the reasoning behind some negative reactions to Reincarnation is the fact that it was marketed ineffectively. There is nothing extremely violent in this film, yet it was packaged within a Horrorfest of films that were allegedly very violent. I'm sure that the gorehounds entered the theater looking for lots of guts and blood, in which case they must have been greatly disappointed. In addition, no one knew the film was in subtitles. I watch East Asian films almost exclusively, so I prefer subtitles to dubbings any day of the week, but I must say that the audible groans and moans from the audience when the subtitles appeared was remarkably entertaining. Apparently, reading a few lines on a screen is too difficult for American audiences. :)

All in all, this was a classic horror film that scores relatively high in originality. I highly recommend it for those who can appreciate a slow-buring, plot-driven horror film with a fantastic finale.

Reincarnation is a Japanese film with subtitles. The plot is very difficult to follow but it involves a film crew making a movie depicting the events of a murder. As part of the filming, the director, crew and cast go to the actual hotel in which the multiple murders occurred. The main character is the female lead in the film. Almost from the start of the project, she begins to have visions or hallucinations. She sees people who no one else sees. When the crew arrives at the hotel, her visions become more extreme and frequent. You sort of understand what this film is about when it is over, however the ending left me confused. This is not a haunted house or slasher horror film. Most of it takes place in daylight. Do not expect scantily clad bimbos or knife-wielding maniacs to jump out from the closet. The story reminded me somewhat of the Roman Polanski film "Repulsion" about a woman who goes mad and has hallucinations. Overall, I thought the film was on the slow side. In its favor, it is not one of the gross torture porn flicks that are destroying the horror genre.

Like a lot of psychological horror, you have to invest some time and energy in this film. It appears to be one thing, but you are not prepared for the changes, and certainly not the ending.

I really expected that Nagisa (Yûka in her first film) was going one way, and then it went a completely different direction and the ending was most unexpected. It challenges you because Takashi Shimizu (Ju-on and The Grudge and sequels) has put together something different with characters and actions moving back and forth through filming and the actual location of horror, and you never really know where you are at any time.

It is a heavy horror film that has less blood, but more challenge.