Zwei junge Amerikaner mit besonderen Fähigkeiten müssen um ein Mädchen in Hongkong kämpfen, bevor es eine schattige Regierungsorganisation namens Division tut.Zwei junge Amerikaner mit besonderen Fähigkeiten müssen um ein Mädchen in Hongkong kämpfen, bevor es eine schattige Regierungsorganisation namens Division tut.Zwei junge Amerikaner mit besonderen Fähigkeiten müssen um ein Mädchen in Hongkong kämpfen, bevor es eine schattige Regierungsorganisation namens Division tut.
- Regisseur/-in
- Autor/-in
- Stars
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Hsin-Nan Hung
- Dice Man's Heavy
- (as Sun Nan Hung)
Hal Yamanouchi
- Pop Father
- (as Haruihko Yamanouchi)
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Empfohlene Bewertungen
Make a sequel!!
I really liked the concept of this film, with the idea that some people could have psychic powers and the institutes that might try to take advantage of that and use them as weapons, although it has all obviously been done before (Star Trek's Khan Noonien Singh/Deadpool/Captain America/His Dark Materials and many more) and there are a lot of comparisons to be made, but it had its own stuff going on too.
However, I personally felt that given twenty more minutes, this film could have had a better pace, more time to explain what was going on and a chance to see the relationships forming properly, which is where I think it lacked somewhat. I'd like to read a book version in the hope that it would give more information and I'd like to find out what happens after the end of this film as I was left hanging for answers.
My favourite Chris (Google his Twitter Pictures) was good in his role, but I thought Dakota stood out as the best performance. She's a very talented young lady. I also think the guy from Fear The Walking Dead, whose name I've forgotten, has a certain something that is appealing and I liked his character.
An enjoyable watch, but don't get too invested as there doesn't seem to be any additional information on this universe.
My favourite Chris (Google his Twitter Pictures) was good in his role, but I thought Dakota stood out as the best performance. She's a very talented young lady. I also think the guy from Fear The Walking Dead, whose name I've forgotten, has a certain something that is appealing and I liked his character.
An enjoyable watch, but don't get too invested as there doesn't seem to be any additional information on this universe.
Ignore the critics, good film
I was really surprised by how entertained I was by this. There were many negative reviews of this film and after watching the film I realised how many critics are actually quite lazy. They derided the plot as convoluted but actually I found it complex but understandable. To dismiss it as a heroes knock-off is also unfair. It's a sci-fi film but that doesn't mean all sci-fi films are the same. The film makes good use of its Hong Kong location more so than any recent film I've seen and the characters were memorable. The special effects were there for the story and not the other way around. I usually read film reviews but am glad, in this instance, I ignored them.
Best of the recent movies in this new sci-fi sub-genre
"Push" is the best movie from a recent new genre of science fiction movies. This new genre of movies, which includes "Jumper" and "Wanted", generally involves characters with psychic or psionic abilities, a conspiratorial shadow group, and an unlikely anti-hero, set against a banal or dystopian realism. "Push" blows these other two admittedly weak offerings out of the cinematic water.
Both the visuals and the action in "Push" are quite good. "Push" is set in Hong-Kong. The city has enough exotic flavor to be interesting and enough grit to provide a realistic backdrop for the more fanciful elements of the film. The filmmakers captured the feeling of a William Gibson novel without having to set the film at night in the rain for the entire movie.
The action sequences are excellent. "Push" does not suffer from the hyper-kinetic, shake-the-camera-until-the-viewer-is-confused action sequences of "Bourne Ultimatum" or "Quantum of Solace". In "Push", you know who is punching whom and you can tell who is winning.
Visual effects? Here is what sold me on this film and on this filmmaker's vision: When a "mover" (a person with telekinetic powers) uses his ability to push something away or to enhance the power of a punch (yes, I said TK-enhanced fight sequences...don't drool on your keyboard) the visual effects people were smart enough to consider the effect on the nearby air. The air gets...crimped, and as a result the light refracts in a split second rainbow pattern at the moment of impact. That level of forethought and detail is what "Jumper" and "Wanted" lacked.
Another element that this movie possesses that "Jumper" and "Wanted" doesn't is a focus on the characters. Any movie or show about psychic powers or "superpowers" lives or dies on the relationships between the characters. The male lead and Dakota Fanning are excellent together and quickly establish a rapport that gives the film more depth. Honorable mention goes to the enemy "watcher"--she is genuinely threatening, lollipop notwithstanding. I also loved the tip of the hat to the anime genre exhibited in Cassie's (Fanning) wardrobe.
This movie is worth every bit of the matinée price I paid. And I will probably watch it again.
A few points: One, this is not a superhero movie. While people who like "Heroes" and some of the Marvel films might enjoy this movie, one should not go in expecting that kind of experience.
Two, I do wish that the producers had about 15 million extra dollars. The extra money would have allowed them to show more of the story and neatly tie a couple of loose ends, rather than telling the audience. I sincerely hope this film does well enough to garner a more expansively budgeted sequel.
Three, this movie has some minor plot issues, especially a small deux ex machina cum Toyota, that might bother some. But, if you choose to buy into the experience, "Push" will take you on a fantastic ride.
-Blindcurve
Both the visuals and the action in "Push" are quite good. "Push" is set in Hong-Kong. The city has enough exotic flavor to be interesting and enough grit to provide a realistic backdrop for the more fanciful elements of the film. The filmmakers captured the feeling of a William Gibson novel without having to set the film at night in the rain for the entire movie.
The action sequences are excellent. "Push" does not suffer from the hyper-kinetic, shake-the-camera-until-the-viewer-is-confused action sequences of "Bourne Ultimatum" or "Quantum of Solace". In "Push", you know who is punching whom and you can tell who is winning.
Visual effects? Here is what sold me on this film and on this filmmaker's vision: When a "mover" (a person with telekinetic powers) uses his ability to push something away or to enhance the power of a punch (yes, I said TK-enhanced fight sequences...don't drool on your keyboard) the visual effects people were smart enough to consider the effect on the nearby air. The air gets...crimped, and as a result the light refracts in a split second rainbow pattern at the moment of impact. That level of forethought and detail is what "Jumper" and "Wanted" lacked.
Another element that this movie possesses that "Jumper" and "Wanted" doesn't is a focus on the characters. Any movie or show about psychic powers or "superpowers" lives or dies on the relationships between the characters. The male lead and Dakota Fanning are excellent together and quickly establish a rapport that gives the film more depth. Honorable mention goes to the enemy "watcher"--she is genuinely threatening, lollipop notwithstanding. I also loved the tip of the hat to the anime genre exhibited in Cassie's (Fanning) wardrobe.
This movie is worth every bit of the matinée price I paid. And I will probably watch it again.
A few points: One, this is not a superhero movie. While people who like "Heroes" and some of the Marvel films might enjoy this movie, one should not go in expecting that kind of experience.
Two, I do wish that the producers had about 15 million extra dollars. The extra money would have allowed them to show more of the story and neatly tie a couple of loose ends, rather than telling the audience. I sincerely hope this film does well enough to garner a more expansively budgeted sequel.
Three, this movie has some minor plot issues, especially a small deux ex machina cum Toyota, that might bother some. But, if you choose to buy into the experience, "Push" will take you on a fantastic ride.
-Blindcurve
Needs tidying up, but it's still good.
PUSH is one of those movies which really got me excited after the first viewing of the trailer, and now that I've finally watched it, I'm glad that I did.
The storyline was rather good and believable, didn't leave me confused or bored at the end. Although more time could have been spent explaining certain things in detail instead of the constant scenes of standing around and pondering the next move.
The visual effects in this film are pretty good. And the acting isn't too bad either. Applause for Dakota Fanning and Chris Evans. Also, I really enjoyed the way the movie was shot, there was somehow this sense of realism to the whole thing.
However, I didn't enjoy Camilla Belle's acting. Although I did enjoy her performance in The Quiet, she just seemed really off in this movie. Either she wasn't given enough screen time, or she was outshone by Dakota.
By the way, those who are comparing this show to HEROES are preposterous. Telekineseis and all of these special abilities have been around long before then! Though I am a huge fan of HEROES, I think it's really nothing in comparison to PUSH.
By the way, this show had me glued to the sit even when I really had to use the toilet. In other words, I hope there's a sequel.
The storyline was rather good and believable, didn't leave me confused or bored at the end. Although more time could have been spent explaining certain things in detail instead of the constant scenes of standing around and pondering the next move.
The visual effects in this film are pretty good. And the acting isn't too bad either. Applause for Dakota Fanning and Chris Evans. Also, I really enjoyed the way the movie was shot, there was somehow this sense of realism to the whole thing.
However, I didn't enjoy Camilla Belle's acting. Although I did enjoy her performance in The Quiet, she just seemed really off in this movie. Either she wasn't given enough screen time, or she was outshone by Dakota.
By the way, those who are comparing this show to HEROES are preposterous. Telekineseis and all of these special abilities have been around long before then! Though I am a huge fan of HEROES, I think it's really nothing in comparison to PUSH.
By the way, this show had me glued to the sit even when I really had to use the toilet. In other words, I hope there's a sequel.
Not too bad
The fact I had heard next to nothing about this movie made my expectations low, but while it was light on characterisation and a back story it was an okay 'Super Power' movie. Chris Evans and Dakota Fanning were fine in the leads but I couldn't figure out whether Camilla Belle's performance was deliberate or an inability to act. I would say give the movie a try, it's better than 'Jumper'.
Wusstest du schon
- WissenswertesIn order to deal with the constant bustle of Hong Kong, director Paul McGuigan and the crew decided to shoot the film "guerilla-style", with the cameras hidden in vans, filming through small holes, and the actors doing their scenes in one take on the streets.
- PatzerDuring the final scene when the mover Victor breaks open the locker to retrieve the case, when the camera pans out to a wider view the locker is clearly no longer broken but is closed and in perfect condition.
- Zitate
Cassie Holmes: [in tears] Tell me I'm a crappy artist and that everything is going to be fine.
Nick Gant: You are a *crappy* artist. Everything is going to be fine, I promise.
- Crazy CreditsAs the opening credits appear onscreen, the names and their attributes are wholly or partially redacted (crossed out so as to be illegible).
- SoundtracksRocket
Written by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Performed by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Courtesy of Deaf+Dumb+Blind Records
By arrangement with Zync Music Inc.
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Details
Box Office
- Budget
- 38.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 31.811.527 $
- Eröffnungswochenende in den USA und in Kanada
- 10.079.109 $
- 8. Feb. 2009
- Weltweiter Bruttoertrag
- 48.858.618 $
- Laufzeit
- 1 Std. 51 Min.(111 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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